Sentences with phrase «pigment print photographs»

The exhibition, held in conjunction with Grey Skipwith, features twelve pigment print photographs with accompanying sculpture.

On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three - channel film installation starring the actress Elizabeth Banks.

Consisting of about 50 color pigment print photographs produced in 2012 and 2013, the series charts several new developments — as well as some stunning departures — in her practice.

Title: «Pond Series: Vernal Equinox» Artist: Katherine Liepe - Levinson (Riverhead, NY) archival pigment print photograph, 18» x 22» framed

Not exact matches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein filling spots in the red Benday dots with a tiny spotting brush photograph 1986 (printed later) archival pigment print, edition 1/20, signed paper size > 30 x 20.5 inches

BOB ADELMAN (1930 - 2016) Andy Warhol in the silver - foil covered bathroom at his Factory photograph 1965 (printed later) archival pigment print, AP, signed paper size > 12 x 16 inches

Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237

BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory with artwork from the suite «An American Man» photograph 1965 (printed later) archival pigment print, AP, signed paper size > 12.25 x 19 inches

BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory with Flower paintings photograph 1965 (printed later) archival pigment print, AP, signed paper size > 12.25 x 18.75 inches

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio in front of the mural, «Star Thief» photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 15.75 inches

BOB ADELMAN (1930 - 2016) Lichtenstein with cheese gate in his 23rd street studio, NYC photograph 1980s (printed later) archival pigment print, AP, signed paper size > 22 x 14.5 inches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein standing before «Perfect Painting # 1» in his studio photograph 1985 (printed later) archival pigment print, AP, signed paper size > 22 x 14 inches

BOB ADELMAN (1930 - 2016) Andy Warhol shopping at Gristede's supermarket on Second Avenue photograph 1965 (printed later) archival pigment print, edition 1/20, signed paper size > 18.75 x 14 inches

BOB ADELMAN (1930 - 2016) Andy Warhol in the silver Factory photograph 1965 (printed later) archival pigment print, AP, signed paper size > 17 x 11 inches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein demonstrating how to view the dancer in «Large Interior with Three Reflections» photograph 1993 (printed later) archival pigment print, AP, signed paper size > 17 x 10 inches

The mural is porcelain enamel on steel, 6 x 53 ft photograph 1990 (printed later) archival pigment print, AP, signed paper size > 22 x 14.5 inches

BOB ADELMAN (1930 - 2016) Andy Warhol in the silver - foil covered bathroom at his Factory photograph 1965 (printed later) archival pigment print, edition 1/20, signed paper size > 12.25 x 18.75 inches

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio with the painting, «Big Bo,» 1966 photograph 1981 (printed later) archival pigment print, 1/20, signed paper size > 18.75 x 12.5 inches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein at work on his painting «Large Interior With Three Reflections» photograph 1993 (printed later) archival pigment print, AP, signed paper size > 22 x 20 inches

In the background, «Four New Clear Women» photograph 1981 (printed later) archival pigment print, 1/20, signed paper size > 22 x 14.5 inches

12 pigmented - printed photographs, produced as 6 two - sided units.

BOB ADELMAN (1930 - 2016) Roy Lichtenstein poses below his version of Constantin Brancusi's Sleeping Muse in his New York apartment in 1983 photograph 1983 (printed later) archival pigment print, edition 1/20, signed paper size > 19 x 19 inches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein in front of «Bauhaus Stairway; Large Version,» a mural for I. M. Pei's new building for the Creative Artists Agency, Inc, Los Angeles photograph 1989 (printed later) archival pigment print, edition 1/20, signed paper size > 30 x 22.25 inches

BOB ADELMAN (1930 - 2016) Tom Wesselman in his studio at 54 Bond Street photograph 1966 (printed later) archival pigment print, AP, signed paper size > 11.5 x 17 inches

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio, working on the painting, «Fahrenheit 1982», currently in the collection of MOMA photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 20.5 inches

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio with the painting, «Big Bo,» 1966 photograph circa 1980s (printed later) archival pigment print, AP, signed paper size > 12.75 x 19 inches

BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory photograph 1965 (printed later) archival pigment print, AP, signed paper size > 19 x 11 inches

BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory with «Flower» paintings photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 12.25 x 18.75 inches

BOB ADELMAN (1930 - 2016) Andy Warhol in the silver - foil covered bathroom at the Factory photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed paper size > 12 x 16 inches

Eight photographs by Hullihen Williams Moore (American, born 1942): «Appalachian Trail and Mist,» 1994, pigment print, image: 30 x 23 1/2 inches; «Falling Spring,» 1996, pigment print, Image: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 inches

BOB ADELMAN (1930 - 2016) Andy Warhol shopping at Gristede's supermarket on Second Avenue photograph 1965 (printed later) archival pigment print, numbered 1/20, signed unique (intended edition of 20 not completed during the photographer's lifetime) paper size > 18.75 x 14 inches

BOB ADELMAN (1930 - 2016) Andy Warhol on the fire escape of the Factory photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 22 x 14 inches

BOB ADELMAN (1930 - 2016) Andy Warhol in the silver - foil covered bathroom at the Factory photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 22 x 13.75 inches

BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory with artwork from the suite «An American Man,» a portrait of Watson Powell, Sr., the founder of American Republic Insurance Company photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 12.25 x 19 inches

BOB ADELMAN (1930 - 2016) Andy Warhol filming with movie camera at the Factory photograph 1965 (printed later) archival pigment print, numbered 1/20, signed edition of 3 (intended edition of 20 not completed during the photographer's lifetime) paper size > 14.25 x 18.5 inches

These photo emulsion works also point to Thomas» color work of ten years later that uses fabric, drawing fragments and scraps of torn photographs to make pigment prints on canvas.

BOB ADELMAN (1930 - 2016) Actor Kevin McCarthy, Andy Warhol and Marisol Escobar at a Factory party photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 15.5 x 22 inches

BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory photograph 1965 (printed later) archival pigment print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 30 x 21 inches

On the other end of the spectrum was Spanish artist Miguel Angel Garcia's pigment print View from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city view.

Image: Past Present, 2007 Archival pigment print, 101.6 cm x 147.3 cm 6 April — 21 April 2011 Blain Southern is delighted to present a new series of photographs by the acclaimed American artist Malerie Marder, staged to mark the publication of Carnal Knowledge, the fruit of the artist's four - year collaboration with Violette Editions.

Boushra Almutawakel, «Mother, Daughter, Doll» series, 2010; Pigment prints, nine photographs, each 24 x 16 in.; Museum of Fine Arts, Boston, Museum purchase with funds donated by Richard and Lucille Spagnuolo, 2013.556 — 564; Photograph © 2015 MFA Boston

Above: Lori Nix / Kathleen Gerber, «Arch,» 2015, Archival pigment print; Below: Installation view of diorama objects constructed for photographs of «Empire» On Saturday, 01.13.2018, at 3.00 pm, artists Lori Nix and Kathleen Gerber will discuss the creation of artworks from their exhibition «Empire ``: Lori Nix and Kathleen Gerber have been making

Images: Lauren Lohman, New Neighbor (2016), Archival Inkjet Photograph, 24x 36»; Tracey Ceniceros, @kinseyABC15 (2017), Oil and powdered rubber on birch panels, ink and crayon on paper, 11 x 21 x 1»; Trey Duvall, Passage (2016), Unfired Porcelain Clay, Steel, 3 x 3 x 7»; Rajab Sayed, Partition (2016), Oil on Canvas, 48 x 48»; Elise Weber, Short Leash (2015), Archival Pigment Print, 24 x 36»

Tanya Habjouqa, Untitled, from the series «Women of Gaza,» 2009, Pigment print, 20 x 30 in.; Museum of Fine Arts, Boston, Museum purchase with general funds and the Horace W. Goldsmith Fund for Photography, 2013.566; Photograph © 2015 MFA Boston

Rana El Nemr, Metro (# 7), from the series «The Metro,» 2003; Pigment print, 39 3/8 x 39 3/8 in.; Museum of Fine Arts, Boston; Museum purchase with general funds and the Abbott Lawrence Fund, 2013.569; Photograph © 2015 MFA Boston

432 Photographs of Nefertiti 2015 Collaged UV coated archival pigment prints mounted to Plexiglas and Dibond 54 x 43 x 7/8 inches (137.2 x 109.2 x 2.2 cm) ARG # CWS2015 - 001.2

Untitled # 9 from the series Above & Below, 2014 (pinhole photograph) archival pigment print on fiber - based paper, 40 x 60 inches

A certain material vagueness in pigmented paper pulp thus seems ideal for Stockholder, who has always enjoyed the erasure of distinctions: between gross matter and art, composition and formlessness, narrative and abstraction, sculpture and painting... «Having arrived at the Mill with digital prints of objects she photographed in her years and studio (bright plastic bowls and containers, a drinking bottle, some gaudy cakes that had seen better times) along with real objects (fabric swatches, the floor mat) she proceeded to collage and emboss them in stretches of pigmented paper pulp, working in collaboration with Paul Wong.

Title: Monet in the Hamptons Artist: Katherine Liepe - Levinson (Riverhead, NY) Photograph, archival pigment print 20» h x 16» w, framed and matted Value: $ 450 Starting Bid: $ 275

Title: «Montauk Bluffs IV» Artist: Scott Farrell (Huntington Station, NY) photograph Digital photograph printed on Epson Hot Press Bright paper with archival pigment inks in black metal chrome with museum glass and archival mat and foamboard backing.