Sentences with phrase «pigmented polyurethane»

FOLKERT DE JONG Business As Usual «The Tower», 2008 Styrofoam, pigmented polyurethane foam 118 1/8 X 39 3/8 X 39 3/8 inches 300 X 100 X 100 centimeters

FOLKERT DE JONG Double Happiness, 2008 Styrofoam, pigmented polyurethane foam, pearls 79 1/2 X 41 X 59 inches 202 X 104 X 150 centimeters

Also indoors are large - scale works in cast pigmented polyurethane including Swinburne Figure I (in pink) and Black Ice (in black), as well as a selection of ceramic sculptures.

FOLKERT DE JONG The Last Nation, 2014 Acrylic glass, pigmented polyurethane foam, Styrofoam, spray can, metal, wood, plastic, paint brush, breakaway knife, spray paint 98 3/8 x 27 1/2 x 27 1/2 in.

FOLKERT DE JONG Business As Usual: Early Years # 1 2008 Styrofoam, pigmented polyurethane foam 45 1/4 x 51 1/8 x 31 1/2 in.

FOLKERT DE JONG Busines As Usual: Double Happiness 2008 Sytrofoam, pigmented polyurethane foam, pearls 79 1/2 x 41 x 59 in.

FOLKERT DE JONG The Eye of Jupiter, 2014 Acrylic glass, pigmented polyurethane foam, Styrofoam, spray can, metal, paint brush, wood, plastic, spray paint 82 5/8 x 70 13/16 x 47 3/16 in.

FOLKERT DE JONG Business As Usual: Early Years 2008 Styrofoam, pigmented polyurethane foam Dimensions variable

FOLKERT DE JONG Usual Business 一如既往, 2008 Styrofoam, pigmented polyurethane foam 发泡胶 、 染色质聚氨酯泡沫塑料 27 1/2 x 43 1/4 x 78 3/4 inches; 70 x 110 x 200 cm

FOLKERT DE JONG The Knights Move, 2014 Acrylic glass, pigmented polyurethane foam, metal, wood, plastic, spray paint 98 3/8 x 27 1/2 x 27 1/2 in.

Although the exhibition features a Louis stain painting from the Rose collection («Number 3,» 1961), Siegel's overall emphasis is on the more radical possibilities of departure evident in Lynda Benglis's 1970 «Untitled,» made from pours of pigmented polyurethane foam, which appears nearby.

Evoking Lynda Benglis «s pigmented polyurethane foam pieces from the late 1960s and 70s and Carolanna Parlato's 2010 poured paintings, Godward drips, pours and splashes skeins of brightly colored foam and paint, embedding objects in the ooze, like dinosaurs trapped in a rainbow - colored tar pit.

Then in 1971 Benglis made a series of imposing installations where massive winglike forms of pigmented polyurethane foam emerge from the wall.

Lynda Benglis NIGHT SHERBET A, 1968 Pigmented polyurethane foam 5 x 48 x 60 1/2 inches 12.7 x 121.9 x 153.7 centimeters CR # BE.7695 Cheim & Read

2013 Styrofoam, pigmented polyurethane foam, spray paint, rope, metal hanging hardware Dimensions variable

2014 Acrylic glass, pigmented polyurethane foam, Styrofoam, spray can, metal, paint brush, wood, plastic, spray paint 82.6 x 70.8 x 47 in (210 x 180 x 120 cm)

Not exact matches

Dregs (Grub Bake) 2014 Hand hammered and powder coated aluminium, hand hammered and spray lacquered copper, mirror polished aluminium, snake - eye security nuts and bolts, rubber dipped burnt pizzas, polyurethane rubber, pigment, powder coated aluminium foil, powder coated steel 15.35 x 59.06 x 23.62 inches (39 x 150 x 60 cm) ARG # MAG2014 - 003

Max Gimblett, Orpheus, 2004 Gesso, polyurethane, pencil, epoxy, pigment, moon gold leaf on wood panel 70 x 70 inches June 19 — August 1, 2009 Hamish Morrison Gallery presents, for the first time in Germany, New Zealand artist Max Gimblett (* 1935).

Magali Reus, In Place of (Archipelago), 2015, Jesmonite, sand, volcanic black sand, pigments, wax, powder, coated steel and aluminium, polyester resin, fibreglass, powder coated and air brushed aluminium foil, polyurethane rubber, The Approach

Hany Armanious, Sleeping the entire length of a day during the night, 2010, uv stable polyurethane resin with pigment, 210 x 580 mm

Hany Armanious, rock cock bacon sock (detail), 2007, real mud, silicon, pigment, epoxy, polyurethane, cardboard, plaster, snooker table pockets, dimensions variable

The Passerby, 2015, cast polyurethane, pigment, and tape, dimensions variable.

Today, the 73 - year - old Benglis may be less confrontational, but she has continued to push the boundaries of artistic acceptability and to challenge orthodoxies with her exploration of a wide and often vividly coloured range of materials, from pigmented latex, luminous polyurethane, beeswax and glitter to lead and bronze.»

From pigmented latex to beeswax, metals, polyurethane foam, glass and paper, American sculptor Lynda Benglis, 72, has explored materials widely in her nearly 50 - year career.

Kvas deals with his work from every side, including the inside, of the material; pigments structure and penetrate every part of the polyurethane foam, creating full blocks of colour.

Electron micrograph, pigment print on silk, polyurethane, woven aluminum, polished steel.

She invented dramatic, large - scale sculptures in surprising materials (including, most memorably, poured polyurethane foam with phosphorescent pigment) that can make the likes of Richard Serra, Anish Kapoor and Matthew Barney look timid.

Cast pigmented polyester resin with polyurethane coating with molasses and brown sugar, 591⁄2 x 20 × 19 in.

It was therefore striking that Carrie Moyer and Kathy Butterly took the opportunity of a public conversation with Siegel to talk about color — with Moyer zeroing in on the over-the-top palette in Sam Gilliam's 1969 «Along» and Butterly highlighting the materiality of pigment in Benglis's poured polyurethane.

Polyurethane resin with ink pigment.

Wax, polyurethane foam, plastic hose, plastic piping, plastic bucket, paint, water pumps, water and pigment.

Vinyl paint, polyurethane, irides - cent pigments, copper and char - coal on partially burned bamboo covering on canvas

FOLKERT DE JONG Circle of Trust (The Apprentice), 2007 Styrofoam, polyurethane foam and pigment 68.9 x 21.7 x 19.7 inches

FOLKERT DE JONG Circle of Trust (Circle of Trust 2)[detail], 2007 Styrofoam, polyurethane foam and pigment 68.9 x 37.4 x 27.6 inches

FOLKERT DE JONG Circle of Trust (Circle of Trust 2), 2007 Styrofoam, polyurethane foam and pigment 68.9 x 37.4 x 27.6 inches

FOLKERT DE JONG Circle of Trust (Banjo Player), 2007 Styrofoam, polyurethane foam and pigment 70.9 x 27.6 x 19.7 inches

FOLKERT DE JONG Circle of Trust (Hope, Love and Faith «Laura»), 2007 Styrofoam, polyurethane foam and pigment 57.1 x 31.5 x 19.7 inches

After coating the forward surface of an aluminum support with pigmented acrylic polyurethane, he sanded it to produce a sheen that, from certain angles, makes the long rectangular support look like a copper cylinder.

FOLKERT DE JONG Les Saltimbanques, 2007 Styrofoam, polyurethane foam, and pigment Dimensions variable