Not exact matches
Ms. Steir's use of runny paint — a mixture that is probably nine parts
turpentine to one part
pigment — helps us link the work
with waterfalls or rainstorms or vistas consumed by mist.
He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of soaking
turpentine - thinned oil
pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made
with thinned black enamel paint).
Using matte
pigments mixed
with turpentine rather than linseed oil, Avery applied his colours in thin layers
with a stiff brush, creating chromatic effects of astounding subtlety, delicacy and invention.
The artist then removes a section of this layer using
turpentine to reveal the constituent colours beneath, and the residue of this process stains the canvas
with veils of
pigment.
Using a restricted palette, Yun applied layers of
pigment to raw canvas in vertical or horizontal bands interspersed
with blank space; working on his studio floor, he diluted the paint
with turpentine so that it would gradually bleed into the support.