In a series of aluminum prints, Salama introduces three objects bound by their feminine aesthetic: a hot pink «burner» phone,
a pink latex glove, and a platform heel decorated with butterfly charms.
The pieces are often staggering in scale and sensually arresting, frequently employing food and drink as media: one ton of ribs with honey dripping on them from the ceiling; 2,000 hard - boiled eggs with a pile of
latex gloves nearby to pick them up; 1,521 doughnuts hanging on a free - standing wall; a room - sized cell padded with 1,800 cones of
pink cotton candy.