The lighting scheme, all blue and
pink neons bouncing off hair and glass, is pure Nicolas Winding Refn, but consistently dazzling nonetheless.
In colours veering from
neon pink to swimming - pool turquoise and car - bonnet red, he conjures dancing abstractions, demonic spikes and angry mouths, with references
bouncing from Juxtapoz magazine's tripped - out underground art to Francis Bacon's monstrous bodies.