Sentences with phrase «pioneer nam»
The exhibition title is taken from a term coined in 1974 by South Korean video art pioneer Nam June Paik, who foresaw the potential of global connections through technology.
http://www.whitechapelgallery.org/
In the work of Korean video pioneer Nam June Paik, the connection between Buddhism, meditation and television is most apparent in his signature installation Enlightenment Compressed (1994), in which a bronze statue of Buddha sits to reflect upon his image on a closed — circuit television monitor.
展览时间 ： 2009年3月27日至5月30日 开幕酒会 ： 3月27日 ， 周五 ， 晚6 - 8点 画廊地址 ： 上海市岳阳路170弄1号楼1楼 James Cohan画廊很荣幸地宣布 《 事关信念 》 将在其上海空间展出 。 该展览包括了德国画家安塞姆 • 基弗 （ Anselm Kiefer ） 、 录像艺术先驱白南准 （ Nam June Paik ） 、 美国录像艺术家比尔 • 维奥拉 （ Bill Viola ） 、 以及来自上海的观念艺术家徐震的作品 。 艺术家总是变化的代言者 。 参加展览的这批艺术家来自东西方各国 ； 他们援引各自地域传统里的图像 ， 再现其文化中的神话和隐喻 ， 从而指涉了神圣与精神的层面 。 当转换于当代艺术的框架之中 ， 这些符号与图像幻化出了一个宽容 、 怜悯与和谐共存的世界 。 在基弗的绘画 《 Palmostern （ 2006 ） 》 、 《 Domenica delle Palme （ 2006 ） 》 里 ， 艺术家使用浸渍在石膏里的棕榈叶 ， 将之拼贴于由铅和泥创作而成的画面上 。 棕榈叶是基督教里同圣枝主日与复活节联系在一起的传统图案 。 棕榈树被认作是不朽之树 ， 因为它永不凋零 ， 常能新陈代谢 、 自我再生 ---- 新叶生于断枝之处 。 其被早期的基督教义视作是基督战胜死亡的符号 ， 并成为常见的关于殉难的象征 。 由此 ， 基弗以圣枝主日为符号体现了基督的受难与复活历程 。 美籍韩国录像艺术家白南准的创作中 ， 其代表性的装置作品 《 微观启示 （ 1994 ） 》 最显豁地再现了佛教 、 冥想与电视的三者关联 。 作品里 ， 一件铜制佛像端坐在闭路电视前 ， 望着屏幕里自己的影像 。 通过揭示电子媒介和传统信仰 （ 诸如佛教 ） 的同一沟通方式 ， 白南准在作品里睿智地总结了两者间的共性 。 眺望未来 ， 他觉得我们的文化很容易被 «科技 «侵蚀 ， 因此他用艺术促使我们质疑我们的信仰 ， 以善意的怀疑主义审视 «技术» 。 比尔 • 维奥拉的录像 《 显灵 （ 2008 ） 》 出自其最近项目 《 变形记 》 系列 。 这件展示于垂直等离子屏幕的录像作品里有一对黑白 、 飘忽的人影 ， 忽前忽后 、 虚虚实实 ， 最终穿过一道无形的水柱进入了彩色的光影世界 。 停息片刻后 ， 人影再度折回其来处 。 作品将观者带至了生死交汇以及循环往复的变形过程 。 展览中的另外一件录像 《 «浮现 «习作 （ 2002 ） 》 系洛杉矶盖蒂博物馆的委约之作 ， 出自维奥拉的 《 受难 》 系列 。 两位妇女坐在庭院大理石水池两边 ， 沉默不语 ， 耐心等待 ， 只有偶尔才会注意到对方的存在 。 其中较年轻的妇女突然侧身 ， 打断了她们的守灵 ， 她看着水池 ， 诧异地发现一个青年男子的头从水池里冒了出来 。 随着他身体上升 ， 池水逐渐外溢至池底和庭院地面 。 两位妇女随即见证了这神奇的一幕 。 上海的观念艺术家徐震为展览委约创作了 《 无题 （ 2009 ） 》 。 这件形似布达拉宫的雕塑作品由三千余幅扑克牌搭建而成 ， 欲图打破 《 吉尼斯世界纪录 》 。 作品延续了这位年轻艺术家对日常 / 常识中物件的直观再现 ， 它立在圆形展厅正中 ， 沐浴在静谧的阳光下 ， 简约的材质渲染出的肃穆庄重同雕塑本身精巧奇趣的搭建生成了缄默的对话 ， 言简意赅却又不乏机智戏谑之笔 。 更多信息 ， 请联系 ： Jane Cohan [email protected] 或 许先生 Leo Xu [email protected] March 27 through May 30, 2009 Opening reception: March 27, 6 - 8 pm James Cohan Gallery Shanghai is pleased to present Matters of Faith, a group exhibition featuring works by German painter Anselm Kiefer, video pioneer Nam June Paik, American video artist Bill Viola and Shanghai - based conceptual artist Xu Zhen.
The video art pioneer Nam June Paik coined the phrase «The Global Village» over thirty years ago.
Famous as one of the inventors of video art, the Fluxus pioneer Nam June Paik was a restless early adaptor across the spectrum of new technologies, employing computers, primitive robotics, and telecommunications gadgetry to create spiritually questing works that remain radical and relevant today.
They include giants like Braque, Miro, Jasper Johns, Georgia O'Keeffe and Edward Weston; video - art pioneer Nam June Paik; contemporary German sculptor Katharina Fritsch; Bay Area sculptor Gay Outlaw; and young artists whose careers may get a boost from this show.
It is one of very few shows to have historicized contemporary digital practices within a lineage that began with digital pioneer Nam June Paik, who coined the term «electronic superhighway.»
A never - before - seen installation, Lion, by video art pioneer Nam June Paik is foregrounded by Gagosian, New York, an established institution new to the fair.
The exhibition's title, Electronic Superhighway, is taken from a term coined in 1974 by South Korean video art pioneer Nam June Paik, who foresaw the potential of global connections through network technology.
The exhibition title Electronic Superhighway (2016 - 1966) is taken from a term coined in 1974 by South Korean video art pioneer Nam June Paik, who foresaw the potential of global connections through technology.
Not exact matches
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Larry Gagosian, who returned to the Armory after a long absence, presented the late work of a pioneer of video art, Nam June Paik.
The city provided these artists new platforms for expression and provocation — for example, pioneering artists like Yoko Ono, Shigeko Kubota, and Ay - O were able to contribute further to the burgeoning Fluxus movement, and Shusaku Arakawa and Ushio Shinohara to Neo-Dada, working with and around New York figures like John Cage, Nam June Paik, Alison Knowles, Allan Kaprow, Robert Rauschenberg, and Jasper Johns.
Having graduated from Syracuse University in the state of New York, he landed a job as a technical director at the pioneering video - studio Art / Tapes / 22 in Florence, where he encountered video artists such as Nam June Paik, Bruce Naumann and Vito Acconci.
This brief history of video art from Phaidon's Art In Time features pioneers of the moving image like Nam June Paik, Tony Oursler, and Peter Campus.
Yves Klein in France, Carolee Schneemann, Yayoi Kusama, Charlotte Moorman and Yoko Ono in New York City, and Joseph Beuys, Wolf Vostell and Nam June Paik in Germany were pioneers of performance - based works of art.
Nam June Paik, an acknowledged pioneer, commands the lobby, like an official greeter for the apocalypse.
If early efforts by video pioneers such as Nam June Paik, Bruce Nauman and David Hall took the definition of an art object beyond its conventional parameters as a static entity produced for visual consumption, perhaps the greatest strength of video art triumphed in this show is the unprecedented potential of experiential interactivity between artist, installation and spectator.
Nam June Paik was a major early exponent and in his pioneering performance Magnet TV, 1965 he made abstract shapes appear on a collection of TVs by using magnets to distort the images.
Among the early pioneers of video art was Nam June Paik (largely considered the movement's founding father), who saw video as an anti-establishment tool, capable of empowering the ordinary and democratizing cultural production.
Media Arts features significant historic pieces by performance and video pioneers Ant Farm, Lynn Hershman Leeson, and Nam June Paik.
With encouragement from the pioneering video artist Nam June Paik and support from the New York State Council for the Arts, Hocking moved the organization to downtown Binghamton.
A pioneer, the show's curators say, is Nam June Paik, who «foresaw the potential of global connections through technology.»
Famous Neo-Dadaists included Robert Rauschenberg (1925 - 2008), Jasper Johns (b. 1930), Larry Rivers (1923 - 2002), the modernist composer John Cage (1912 - 92), the metal sculptor John Chamberlain (b. 1927), the Performance artist Allan Kaprow (1927 - 2006), the «Happenings» pioneer Jim Dine (b. 1935), the Nouveau Realiste Yves Klein (1928 - 62), the Fluxus leader George Maciunas (1931 - 78), the Pop sculptor Claes Oldenburg (b. 1929), the collage artist and father of mail art Ray Johnson (1927 - 95), the Japanese concept artist Yoko Ono (b. 1933), the video artists Nam June Paik (1932 - 2011), and Wolf Vostell (1932 - 98), and the installation artist Joseph Beuys (1921 - 86).
As a pioneer of Video art, the artwork and ideas of Nam June Paik were a major influence on late 20th - century art and continue to inspire a new generation of artists.
Two works by pioneering video artist Nam Jun Paik, one a robotic sculptural installation including various screens, the other a subtle video manipulating images of The Beatles, fail to captivate when set amongst the work of the other more contemporary artists who seem to whiz and bang comparatively.
Other artists also frequently performed Cage's works at the MCA, notably the pioneering video artist Nam June Paik and cellist Charlotte Moorman in a 1969 program titled «Mixed Media» that featured Variations III and 26» 1.1499» for a String Player.
The child of two painters and WPA artists, and educated as a painter at the Rhode Island School of Design and the Art Students League, Sheer pioneered in making video art in the 1970s, running the «Egg Store» video facility in Manhattan where his many clients included Twyla Tharp, Yoko Ono, Nam June Paik, Bill Viola and Merce Cunningham.
NAM JUNE PAIK Reclining Buddha, 1994 2 color televisions, 2 Pioneer laser disk players, 2 original Paik laser disks, found object Buddha 20 X 24 X 14 inches
James Cohan Gallery is proud to present an exhibition of important works by the late pioneer of video art, Nam June Paik, opening on April 14th and running through June 6.
★ Smithsonian American Art Museum: «Nam June Paik: Global Visionary» (through Aug. 11) Including a large and fascinating trove of material from the Nam June Paik archive, acquired by the Smithsonian from the artist's estate in 2009, this survey of the avant - garde musician, multimedia wizard and video art pioneer (1932 - 2006) looks startlingly current despite the preponderance of analog televisions and other obsolete hardware.
Over in Germany, Nam June Paik, a major retrospective of the pioneer of new media art which opens at Tate Liverpool on 17 December, is being exhibited at the Museum Kunst Palast (MKP), Dusseldorf.
Pioneers of video installation include: Nam June Paik (1932 - 2006) whose 1960s arrangements typically involved multiple television monitors in sculptural arrangements; as well as Andy Warhol (1928 - 87), Peter Campus (b. 1937), Wolf Vostell (b. 1932), Bill Viola (b. 1951), Gary Hill and Tony Oursler.
Apart from this filming of Pope, Nam June Paik was more known for his producing of musical video art, while Joan Jonas was one of the pioneers of combining video and performance art.