This summer, 12 leading non-profit and alternative art spaces in New York co-host a city - wide exhibition of the work of
pioneering artist John Giorno, curated by Ugo Rondinone.
Not exact matches
Program 1 features short films by Jud Yalkut — a pivotal force in the avant - garde scene in the 1960s and»70s, intermedia
artist, and video
pioneer — featuring
John Cage, Yayoi Kusama, Timothy Leary, Carolee Schneemann, and others.
In the years following World War II, a distinctive style of art, identified as Hard - Edge painting, was developed by
pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and
John McLaughlin.
The city provided these
artists new platforms for expression and provocation — for example,
pioneering artists like Yoko Ono, Shigeko Kubota, and Ay - O were able to contribute further to the burgeoning Fluxus movement, and Shusaku Arakawa and Ushio Shinohara to Neo-Dada, working with and around New York figures like
John Cage, Nam June Paik, Alison Knowles, Allan Kaprow, Robert Rauschenberg, and Jasper Johns.
Drawn from the local collection of Margaret and
John Gottwald, the exhibition explores black artistic production and patronage at mid-century through work once associated with the Barnett Aden Gallery (1943 - 1969), a
pioneering and influential private gallery located in Washington, D.C. — among the first with an integrated stable of
artists and patrons.
«Sutter's Mill» (2000) is Rhoades's reconstruction of gold rush
pioneer John Sutter's sawmill in Coloma, California, near the
artist's childhood home.
We also have a very exciting show coming up in New York in May, presenting seminal works by the
pioneering conceptual
artist John Latham, alongside work by the Benedictine monk and influential cultural figure, Dom Sylvester Houédard.
Frieze New York is a vital platform to encounter today's most significant
artists and artworks from around the world, including main section solo exhibitions featuring: Lorna Simpson, presenting new paintings and sculptures in her first ever project with Hauser & Wirth (New York); the celebrated American painter
John Currin with Gagosian Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman Gallery (New York), ahead of the
artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his
pioneering neon sculptures with two new series of works; Tala Madani with David Kordansky Gallery (Los Angeles), coinciding with the
artist's presentation in the Whitney Biennial; and Kevin Beasley showing with Casey Kaplan (New York).
Sprüth Magers (Berlin, main) will bring together key figures of post war art with contemporary European and American
artists whom they have influenced; and Franklin Parrasch (New York, main) will explore the history of art within America, showing work from the 1960s through the 1980s by Californian
pioneers Peter Alexander, Billy Al Bengston,
John McCracken, Ken Price, Deborah Remington and Ed Ruscha.
This year's Global Focus series featured the first solo indoor exhibition of Pakistani
artist Imran Qureshi in a U.S. museum, and a major exhibition of
pioneering filmmaker, director, and theorist
John Akomfrah.
Solo Shows Visitors will encounter solo exhibitions across the main section, including: Lorna Simpson, presenting new paintings and sculptures in her first - ever project with Hauser & Wirth (New York); the celebrated American painter
John Currin with Gagosian Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman Gallery (New York), ahead of the
artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his
pioneering neon sculptures with two new series of works; and Tala Madani with David Kordansky Gallery (Los Angeles), coinciding with the
artist's presentation in the Whitney Biennial.
The
artist John Latham (1921 - 2006) was a
pioneer of British conceptual art.
The operas selected for First Take explore themes ranging from gender equality — Laura Karpman's Balls, about the legendary tennis match between Billy Jean King and Bobby Riggs — to ecological anxieties, in
John Hastings» The Former World, adapting texts by
pioneering land
artist Robert Smithson.
Sutter's Mill (2000) is Rhoades's reconstruction of Gold Rush
pioneer John Sutter's still - extant water - powered sawmill in Coloma in California, near the
artist's childhood home.
Famous Neo-Dadaists included Robert Rauschenberg (1925 - 2008), Jasper Johns (b. 1930), Larry Rivers (1923 - 2002), the modernist composer
John Cage (1912 - 92), the metal sculptor
John Chamberlain (b. 1927), the Performance
artist Allan Kaprow (1927 - 2006), the «Happenings»
pioneer Jim Dine (b. 1935), the Nouveau Realiste Yves Klein (1928 - 62), the Fluxus leader George Maciunas (1931 - 78), the Pop sculptor Claes Oldenburg (b. 1929), the collage
artist and father of mail art Ray Johnson (1927 - 95), the Japanese concept
artist Yoko Ono (b. 1933), the video
artists Nam June Paik (1932 - 2011), and Wolf Vostell (1932 - 98), and the installation
artist Joseph Beuys (1921 - 86).
Perhaps for that reason, I came to associate his photography with Southern California — with its abundant sunlight and also the
pioneering aesthetic of
artists like
John Baldessari, Robert Heinecken and James Turrell.
Inspiration for the Social Realists came from the Ashcan School (many of them had studied with Ashcan
artist John Sloan at the Art Students League in New York) and from the Mexican murals
pioneered by Gerardo Murillo (1875 - 1964).
Joining the evening's celebration were Grammy Award - winning violinist Joshua Bell,
artist Mark Sheinkman, rock singer Tony Harnell, Beat Poet and
pioneering multi-media
artist Gerd Stern, Nobel Prize Winner and Al Gore's Advisor on Global Warming David Rind,
John Devol, Founder of Arts Horizons, Elizabeth Halverstam, Executive Director of Arts Horizons, opera singer Larisa Martinez, Associate Publisher at Art News, Judith Esterow, and inspiring basketball player Kevin Laue.
With the leadership and curatorial strength of museums like LACMA and the Hammer, together with new museums and galleries slated to open, like The Broad and Hauser, Wirth, + Schimmel;
pioneering programming planned at the city's renowned institutions — Mike Kelley's retrospective at MOCA,
John Altoon at LACMA, and Hiroshi Sugimoto at the Getty, among others — and so many L.A.
artists being included in the Whitney Biennial (more than 15 from CalArts alone), the prominence of Los Angeles will be undeniable in 2014.
Also at Tate Britain, Art and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between
pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist
artists, including works by
John Everett Millais,
John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of
artists.
In the State of Flux Gallery:
John Driscoll (USA), «Slight Perturbations» In the Main Gallery: Sonia Paço - Rocchia (QC), «Sentier Sonore» Composers Inside Electronics:
John Driscoll and Phil Edelstein» [CIE is] a
pioneering collective of musicians and sound
artists centered around David Tudor, who is best - known for his collaborative relationships with composer
John Cage and choreographer Merce Cunningham.»
CA: Many contemporary
artists work with sound nowadays, and additionally there is a long tradition of sound art; just think of
pioneers like
John Cage or LaMonte Young.
A
pioneer of photomontage, whose images of women presaged the ideas of Simone de Beauvoir and Second Wave Feminism half a century later, Hoch was a pivotal figure in Dada, the anti-art movement that outraged conventional opinion in the final years of World War One, working alongside iconic male
artists such as George Grosz,
John Heartfield and Raoul Hausmann.
According to Flam, «
John Yau focuses his attention on how the
artist's
pioneering paintings relate to life as it is lived — and on what they tell us about what it means to be mortal and alive in time.
Exhibition explores full career of revolutionary Ashcan School
artist WILMINGTON, DE American realist painter
John Sloan (1871 — 1951) is best known for his images of New York during the early 20th century and as one of the
pioneers of the Ashcan School.
Notable participants include: choreographer and dancer Kyle Abraham; poet Elizabeth Alexander; performer Eric Berryman; performance and installation
artist Tania Bruguera; urban revitalization strategist Majora Carter; innovator James Burling Chase; actress and playwright Eisa Davis; architect Elizabeth Diller; The Met's Kimberly Drew; photographer
John Edmonds; juvenile justice reformer Adam Foss; writer and performance
artist Malik Gaines; social practice
artist Theaster Gates; filmmaker Tony Gerber; FLEXN dance
pioneer Reggie (Regg Roc) Gray; trombonist, painter, and composer Dick Griffin; dancer and choreographer Francesca Harper; trombonist Craig Harris; vocalist Nona Hendryx; playwright Branden Jacobs - Jenkins; cinematographer Arthur Jafa;
artist and cultural worker Shani Jamila; trumpeter JAWWAAD; gaming
pioneers Navid and Vassiliki Khonsari; NYU Professor and musician Jason King; philosopher Gregg Lambert; composer and Bang on the Can co-founder David Lang; novelist, filmmaker, and curator Ernie Larsen; Wooster Group founding member and director Liz LeCompte; Harvard Professor Sarah Lewis; journalist Seamus McGraw; poet Aja Monet; jazz pianist and composer Jason Moran; performance studies professor Fred Moten; visual
artist Shirin Neshat; playwright Lynn Nottage; professor of contemporary rhetorical theory Kendall Phillips; doctor Jeremy Richman; poet Carl Hancock Rux; performance
artist Alexandro Segade; writer and activist Tanya Selvaratnam; guitarist and composer Marvin Sewell; playwright and actress Anna Deavere Smith; conceptual
artist Hank Willis Thomas; performance
artist Carmelita Tropicana; puppeteer Basil Twist; theater director Roberta Uno; vocalist and composer Imani Uzuri; and Wooster Group founding member and actress Kate Valk, among others.
During the 1970s Breakwell worked with the
Artist Placement Group a
pioneering artists» organisation founded in 1966 by Barbara Steveni and
John Latham, together with David Hall, Barry Flanagan, Anna Ridley, and Jeffrey Shaw among others.
One of the top contemporary
artists in the field of photorealism, the American sculptor Carole Feuerman continues the tradition of representational art
pioneered by 20th century sculptors like Duane Hanson and
John De Andrea.
The best known digital
artists include the German
pioneer Manfred Mohr (b. 1938); the American
artist Ronald Davis (b. 1937) who is associated with the movement's geometric abstraction and lyrical abstraction;
John Lansdown (1929 - 99), and Jean - Pierre Hebert whose specialty is algorithmic art and mixed media.
Although not invented by the Impressionists - it was
pioneered by the likes of
John Constable (1776 - 1837) and Richard Parkes Bonington (1802 - 28), (
artists incidentally whose works Sisley became familiar with during the four years he spent in England from 1857 to 1861), as well as the Barbizon School - it was the Impressionists who revolutionized its use, and Impressionist landscape painting that captured the imagination of the world.
Organised at Almine Rech Gallery by the
artist DeWain Valentine, «Plastic Show» is presenting a series of works by five Californian
artists (Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010),
John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-RRB- who have been investigating the potential of plastic (synthetically produced resins) in art:» Known for their
pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these
artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes.»
• Performance Art and Happenings (Early - 1960s onwards)
Pioneered by
artists like
John Cage (1912 - 92) and Allan Kaprow (1927 - 2006), this genre became a new way to present art to the masses.
Hannah Hoch, Richard Huelsenbeck,
John Heartfield, and others
pioneered the technique of photomontage, using preexisting photographs, often drawn from mass - media sources, to create composite images that sharply critiqued German society and culture in the aftermath of World War I. Drawing on the foundations of Dada, neo-avant-garde
artists of the 1950s like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.
Participating
artists include Pip and Dwayne Brant; Randy Burman; C.M. Clark;
Artist - in - Residence (AIR) Elaine Defibaugh; FIU Honors College with professors
John Bailly, Jose Rodriguez, Gretchen Scharnagl
Pioneer Winter and students,
Pioneer Winter with Marissa Alma Nick; (AIR) Vanessa Garcia; Jackie Gopie, Amy Gross, (AIR) Michelle Grant Murray and Miami Dade College students; Doug Hoekzema; (AIR) Nicole Hospital - Medina; Frank Hyder; Regina Jestrow; (AIR) Luis Lazo; Lucinda Linderman with Kerry Phillips and also with Joan Miguel Porquer; Temisan Okpaku; Ernesto Oroza; Jee Park, Lisa Rockford, Karen Rifas; Tom Scicluna; (AIR) Magnus Sodamin; Magnus Sigurdarson; (AIR) Gerry Stecca; Alex Trimino with Michael Loveland; Clara Varas.
Cubism, Expressionism, Dada and Surrealism were the most important of these movements, and attracted a number of indigenous American
artists, including: the New Jersey Cubist / Expressionist
John Marin (1870 - 1953); the vigorous modernist Marsden Hartley (1877 - 1943); the expressionist Russian - American Max Weber (1881 - 1961); the New York - born Bauhaus
pioneer Lyonel Feininger (1871 - 1956); the unfortunate Patrick Henry Bruce (1881 - 1937), noted for his semi-abstract impastoed pictures; Stanton Macdonald - Wright (1890 - 1973) and Morgan Russell (1883 - 1953), two Americans living in Paris who invented a colourful abstract style known as Synchromism; Arthur Garfield Dove (1880 - 1946) noted for his small scale abstracts, collages and assemblages; the Mondrian and De Stijl - inspired Burgoyne Diller (1906 - 65); the influential American Cubist Stuart Davis (1894 - 1964); the calligraphic abstract painter Mark Tobey (1890 - 1976); the surrealist Man Ray (1890 - 1976); the Russian - American mixed - media
artist Louise Nevelson (1899 - 1988); the Indiana metal sculptor David Smith (1906 - 1965); Joseph Cornell (1903 - 72) noted for his installations; the Iowa - raised Grant Wood (1892 - 1942) noted for his masterpiece American Gothic (1930), and the Missouri - born Thomas Hart Benton (1889 - 1975), both of whom were champions of rural and small - town Regionalism - part of the wider realist idiom of American Scene Painting; and Jacob Lawrence (1917 - 2000) the famous African - American
artist.
Here, Dine became an early
pioneer of Happenings, a type of chaotic performance art, along with other young
artists like
John Cage (1912 - 92), Claes Oldenburg (b. 1929) and Allan Kaprow (1927 - 2006).
He studied under the conceptual
pioneer,
John Baldessari, in the 1970s, and this recent body of work was informed by the iconography of the capitalist realism movement which included German
artists like Sigmar Polke and Gerhard Richter.
In a serendipitous discovery Booth # 208 — Vivian Horan Fine Art (NY) had two
artists with museum shows currently going on: Cindy Sherman with her photography retrospective at the MoMA and
John Chamberlain, the
pioneer who made crushed automobiles into art, at the Guggenheim (He recently passed away last December 2011).