Influenced by
pioneering artists such as Bridget Riley, Victor Vasarely, M C Escher, the Beautiful Losers artists, and nostalgic memories of early pixelated video games, Cashman's work brings the term flat to a whole new level.
In the years following World War II, a distinctive style of art, identified as Hard - Edge painting, was developed by
pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.
Not exact matches
Services
such as Music Glue and TopSpin have
pioneered «direct - to - fan» marketing, which allows
artists to sell music, tickets, and merchandise directly to their fans from centralized online marketplaces.
There are contributions from the collections of major Russian art institutions, contemporary
artists and curators and we even get to hear from the direct descendants of the
pioneering artists in question
such as Chagall, Kandinsky and Malevich.
He profiles many
such pioneering artists in this illuminating and richly illustrated volume.
The program at MARC STRAUS, which began with mostly international
artists new to the market, has increasingly added to the roster mid and late career
pioneering artists,
such as Hermann Nitsch and Sandro Chia.
Spearheading this movement, Robert Irwin began to take ideas from philosophical inquiries into the nature of human experience and radical advances in perceptual psychology and combine them with the immersive abstraction that had been
pioneered by
artists such as Jackson Pollock, Mark Rothko, and Barnett Newman.
She has collaborated with numerous
artists of her generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a
pioneer of the artistic reflection on new and emerging technical advancements
such as virtual reality, artificial intelligence, and computer games.
«We are privileged to collaborate with
such pioneering artists on our 2015 towel series,» said Art Production Fund Co-Founders Doreen Remen and Yvonne Force Villareal.
Said the board, «Ghez has played a
pioneering role in the field by introducing and giving young
artists such as Jeff Wall, Mike Kelley, Isa Genzken, Thomas Struth, and Kara Walker their first museum exhibitions.»
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of
pioneering spaces — like P.S. 1,
Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects
such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
A
pioneering gallerist, she took a daring approach — like mounting Acconci's controversial Seedbed — and introduced or gave early shows to major
artists such as Carroll Dunham and Ashley Bickerton in 1980s.
Having graduated from Syracuse University in the state of New York, he landed a job as a technical director at the
pioneering video - studio Art / Tapes / 22 in Florence, where he encountered video
artists such as Nam June Paik, Bruce Naumann and Vito Acconci.
One is a work clearly made from the backs of bras, here used as graphic geometric patterns, another symbol of femininity used by Bourgeois, who amongst all 20th century
artists was a
pioneer who made materials
such as textiles appropriate to be used in fine art.
Through a
pioneering partnership with MOCA LA, upcoming exhibitions will draw upon
such diverse works from the MOCA collection by
artists such as James Turrell, Elsworth Kelly, Nancy Spero, Jean - Michel Basquiat, Marlene Dumas, Martin Kippenberger, Luc Tuymans, and more.
By presenting the public with
such notions, Abramovic became arguably the most important member of the generation of
pioneering performance
artists that includes the likes of Bruce Nauman, Vito Acconci and Chris Burden.
Marcel Duchamp was a
pioneer of the Pop Art movement and a pivotal influence of great
artists such as Andy Warhol, Jim Dine, Ed Ruscha and others.
This includes
artists such as conceptual art
pioneer Stephen Willats, whose multimedia works employed computers as early the 1970s.
The 2017 Frieze Teens learn about the inner workings of the contemporary art world through visits with leaders in the field including
artists Nicole Eisenman, Caroline Larsen and Jean Shin; trips to major exhibitions at city museums including The MET Breuer and the New Museum; and participation in events
such as
Pioneer Works» Alternative Art School Fair.
It brings together leading avant - garde composers of the early postwar period
such as Elliot Carter, Pierre Boulez and Karlheinz Stockhausen;
pioneers of electroacoustic music
such as François Bayle, Pauline Oliveros, Iannis Xenakis and Peter Zinovieff; minimalist and Fluxus - inspired
artist - musicians
such as Tony Conrad, Henry Flynt, Phil Niblock, Yoko Ono, Steve Reich and Terry Riley; and figures that have moved between classical / experimental realms and more pop terrain,
such as Brian Eno, Kraftwerk, Howie B., Arto Lindsay and Caetano Veloso.
Ewa Partum is well known in Eastern Europe where she is perceived as a
pioneer of feminist art, as well as in Western Europe largely because of her move to Berlin in 1982, and her close cooperation with European Fluxus
artists,
such as Wolf Vostell.
Brâncuși's impact, with his vocabulary of reduction and abstraction, is seen throughout the 1930s and 1940s, and exemplified by
artists such as Gaston Lachaise, Sir Jacob Epstein, Henry Moore, Alberto Giacometti, Joan Miró, Julio González, Pablo Serrano, Jacques Lipchitz [123] and by the 1940s abstract sculpture was impacted and expanded by Alexander Calder, Len Lye, Jean Tinguely, and Frederick Kiesler who were
pioneers of Kinetic art.
Explore the history of Pop Art from its early roots in 1940s collage by British
artists to US
pioneers such as Jasper Johns through to the masters of Pop, Warhol and Lichtenstein.
He saw himself as a
pioneer of Concrete Art, a movement that was strongly supported by architects
such as Le Corbusier and
artists such as Laszlo Moholy - Nagy, Piet Mondrian and Max Bill.
His luminous disk paintings from the late 1960s made him a
pioneer in the Los Angeles - based Light and Space Movement, along with
such artists as Larry Bell and James Turrell.
Her
pioneering, immediate approach widened the practices of abstract expressionists and went on to inspire Color Field abstract painters
such as Morris Louis and Kenneth Noland and generations of future
artists.
The exhibition offers a new assessment of the
artist's
pioneering work, including rarely seen pieces
such as his series of hand - painted photographs of graffiti.
The Pompidou may largely be closed but it's not idle: Among recent undertakings, it has organized this exhibition of roughly a hundred paintings and drawings, charting the early development of the
pioneering modernist, who conceived of abstraction in purely visual terms, quite distinct from the spiritual motivations of early nonobjective
artists such as Kandinsky and Mondrian.
The changes mostly highlight the fair's strengths, with
such alternative spaces as
Artists Space and White Columns alongside
such urban
pioneers as Paula Cooper — and often provocative art.
If early efforts by video
pioneers such as Nam June Paik, Bruce Nauman and David Hall took the definition of an art object beyond its conventional parameters as a static entity produced for visual consumption, perhaps the greatest strength of video art triumphed in this show is the unprecedented potential of experiential interactivity between
artist, installation and spectator.
The exhibition traces the impact of the work of 20th Century
pioneers of textiles, fashion and handcrafted practice,
such as Anni Albers, Louise Bourgeois, Sonia Delaunay, Eva Hesse and Hannah Ryggen, on younger generations of
artists who incorporate similar materials and processes into their work, as well as bringing together 8 new works, created especially for the show.
Key vintage prints are brought together from
pioneers like Paul Strand, László Moholy - Nagy and Man Ray, as well as lesser - known experimental works and those of contemporary
artists such as Barbara Kasten and Thomas Ruff.
Highly engaged with international art movements
such as cubism, abstract expressionism, arte povera, and conceptual art — but also having studied and lived in Europe and the United States — an older generation of the
artists on view
pioneered modern art in Cyprus, through a dialogue within local traditions.
Founded in 2009 in San Francisco, Altman Siegel Gallery specializes in contemporary art, representing a number of
pioneering international
artists working across a wide range of media,
such as Trevor Paglen and Shannon Ebner.
Over the past decade, New York — based
artist Wade Guyton has
pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies,
such as the desktop computer, scanner, and inkjet printer.
Working from the early 1970s through to the mid-1980s, Mendieta
pioneered themes
such as displacement, identity politics and the female body which continue to forefront the work of major contemporary
artists today.
Alongside names that will be familiar to most followers of contemporary art, the show features the work of many outsider
artists and historical figures who might not even consider themselves
artists per se,
such as Austrian theorist and educator Rudolf Steiner, black magician Aleister Crowley, and
pioneering psychoanalyst Carl Jung.
Joffe is conscious of the distinct challenges that confront women
artists and admires
pioneering female painters who worked from life,
such as the French Impressionist Berthe Morisot, the German Expressionist Paula Modersohn - Becker and Alice Neel, the American portrait painter, acknowledging how courageous they were.
CAC is founded in 2013 by the entrepreneur Dillion ZHANG, independent curator LI Zhenhua, and
artist HU Jieming, and presented
pioneering projects
such as Extra Time with Raqs Media Collective and Jeffrey Shaw & HU Jieming Duo Solo Exhibitions, among others.
Included in this group portrait are the famous: Roy Lichtenstein and his «Blam - Pow» comics panels, Andy Warhol, shy, shrewd and tough as nails, the power couple of Leo Castelli and Ileana Sonnabend; the infamous,
such as the collector Robert Scull, who bought so heavily that his own dealer deemed him «vulgar»; and a variegated cast ranging from
artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to
pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others.
The photographs in the show represent a wide range of approaches and sensibilities and include
such pioneers of instant photography as Ansel Adams, Ellen Carey, Chuck Close, Walker Evans, David Hockney, Dash Snow, Joyce Neimanas, Andy Warhol, and William Wegman as well as a new generation of
artists including Anne Collier, Bryan Graf, and Grant Worth.
Founded in 2006, Lazarides Rathbone has proudly presented a number of exhibitions by influential creatives who have changed the way art is made, including
pioneering street
artists such as Mode 2, Invader, Todd James, along with painters
such as Jonathan yeo and Antony Micallef.
These presentations of modern masters and their tribal influences are complemented by the expanded Spotlight section, which will highlight solo
artist presentations of 31
pioneers of 20th - century practice,
such as Thomas Kovachevich (Callicoon Fine Arts, New York); self - taught
artist Felipe Jesus Consalvos (Fleisher / Ollman, Philadelphia); Barbara Chase - Riboud (Michael Rosenfeld Gallery, New York); and Dom Sylvester Houédard — a Benedictine monk turned counter-culture cult figure of 1960s London (Richard Saltoun Gallery, London).
Artist and filmmaker Lynn Hershman Leeson is acclaimed for the
pioneering use of new technologies through which she deals with issues
such as identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds.
The gallery represents a diverse, international group of
artists working in all mediums including
pioneering figures who emerged in the mid-20th Century
such as Robert Watts, Agnes Denes, Michelle Stuart and Kunié Sugiura, and established younger
artists such as Amy Cutler, Laurel Nakadate, Malerie Marder, Dean Byington and Ian Davis.
The definitive monograph, created in close collaboration with the
artist, a
pioneer of abstract art, who influenced subsequent generations of
artists such as Tauba Auerbach, Matt Connors and Alex Israel.
From the collection of the CU Art Museum in Boulder,
pioneers of the American Pop Art movement
such as Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist will be featured, while the rest of the exhibition will highlight regional contemporary
artists and their perspectives on Pop Art today.
This
pioneering exhibition includes work by
artists such as Anni Albers, Helen Frankenthaler, Lee Krasner, Elaine de Kooning, Agnes Martin, Joan Mitchell, Louise Nevelson, Louise Bourgeois, Janet Fish, Joyce Kozloff, Jennifer Bartlett, Joan Snyder, Lynda Benglis, Lee Bontecou, Judy Chicago, Barbara Kruger, Elizabeth Murray, Judy Pfaff, Susan Rothenberg, Faith Ringgold, Kiki Smith, Pat Steir, Lorna Simpson, Lesley Dill, Nancy Graves, Yvonne Jacquette, Kara Walker, Betty Woodman, Arlene Shechet, and Betye Saar.
The abstract works in Marks Made are by
such pioneers as Anni Albers, Helen Frankenthaler, Lee Krasner and Elaine de Kooning; and by contemporary
artists like Julie Mehretu and Jessica Stockholder.
Despite the efforts of the above
pioneers, along with those of inter-war
artists Marcel Jean (1900 - 93), Joan Miro (1893 - 1983) and Andre Breton (1896 - 1966)- see their respective works Spectre of the Gardenia (1936, plaster head, painted cloth, zippers, film strip, Museum of Modern Art NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when
artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture),
such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC).