Sentences with phrase «pioneering figures such»

Not exact matches

In 1998, he published his book Relational Aesthetics, which theorized a new style of art — pioneered by such figures as Pierre Huyghe and Dominique Gonzalez - Foerster — that placed an increased emphasis on viewer participation and the interaction between humans surrounding works.

The history of such objects had not been formally considered in the visual arts until the pioneering institutional critique of Fred Wilson, whose 1992 Mining the Museum project paired artifacts of slavery with representations of the founding fathers and other figures of American history.

Alongside the exhibition, pioneering works by Gerhard Richter from the collection of the Museum Ludwig are being presented, including icons such as Ema (Nude on a Staircase) from 1966, 48 Portraits of German intellectual figures from 1971/72, the abstract painting War from 1981, and the glass work 11 Panes from 2003, among others.

It brings together leading avant - garde composers of the early postwar period such as Elliot Carter, Pierre Boulez and Karlheinz Stockhausen; pioneers of electroacoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis and Peter Zinovieff; minimalist and Fluxus - inspired artist - musicians such as Tony Conrad, Henry Flynt, Phil Niblock, Yoko Ono, Steve Reich and Terry Riley; and figures that have moved between classical / experimental realms and more pop terrain, such as Brian Eno, Kraftwerk, Howie B., Arto Lindsay and Caetano Veloso.

The 1960's proved to be the decade that produced work of prime significance in Warhol's career, with brand name American products, such as Campbell's Soup Cans, 1962, and Brillo Box (Soap Pads), 1964, which solidified Warhol's place as one of the pioneering figures of emerging Pop art.

Bacon's unsettling figures recall painterly masters such as Velàzques, Rembrandt and Goya, at the same time as his level of abstraction reveals a relation to pioneers of modernism such as Picasso and Matisse.

Alongside names that will be familiar to most followers of contemporary art, the show features the work of many outsider artists and historical figures who might not even consider themselves artists per se, such as Austrian theorist and educator Rudolf Steiner, black magician Aleister Crowley, and pioneering psychoanalyst Carl Jung.

From fresh surveys of movements such as De Stijl and Surrealism, to retrospectives of legends of Modern Art, to pioneers of photography and relevant figures in Contemporary Art, all of these exhibitions are definitely worth the trip.

It played a key role in the careers of pioneering twentieth - century art world figures such as Joseph Beuys, Eva Hesse, Bruce Nauman, and Richard Serra.

Though not as well - known as figures such as Frank Stella, Sol LeWitt, or Dan Flavin, Ryman is nonetheless one of the pioneers of Minimalist painting, whose works attempt to empty the painting of content — and color — in order to focus almost entirely on form and process, an idiom in which he has continued to work for some sixty years, long past the demise of Minimalism as a cutting - edge movement.

Though not as well - known as figures such as Frank Stella, Sol LeWitt, or Dan Flavin, Ryman is nonetheless one of the pioneers...

These presentations of modern masters and their tribal influences are complemented by the expanded Spotlight section, which will highlight solo artist presentations of 31 pioneers of 20th - century practice, such as Thomas Kovachevich (Callicoon Fine Arts, New York); self - taught artist Felipe Jesus Consalvos (Fleisher / Ollman, Philadelphia); Barbara Chase - Riboud (Michael Rosenfeld Gallery, New York); and Dom Sylvester Houédard — a Benedictine monk turned counter-culture cult figure of 1960s London (Richard Saltoun Gallery, London).

The gallery represents a diverse, international group of artists working in all mediums including pioneering figures who emerged in the mid-20th Century such as Robert Watts, Agnes Denes, Michelle Stuart and Kunié Sugiura, and established younger artists such as Amy Cutler, Laurel Nakadate, Malerie Marder, Dean Byington and Ian Davis.

The splashiest case to come before the panel in recent years involved the estate of blue - chip art dealer Ileana Sonnabend, whose résumé included shows by such cornerstone figures as pop prince Andy Warhol, minimalist mage Donald Judd, performance pioneer Vito Acconci and globally diversified corporate entity Koons.

Studio items such as the manipulation of photographs including those of John Deakin, Peter Stark and Peter Beard; reproductions of Muybridge's pioneering studies of the human figure and animals in motion; images torn from books, magazines and newspapers of skin diseases, war atrocities, boxers, wildlife, art, lovers and friends all of which are of intense interest and relevance in the field of contemporary art practice.

A pioneer of photomontage, whose images of women presaged the ideas of Simone de Beauvoir and Second Wave Feminism half a century later, Hoch was a pivotal figure in Dada, the anti-art movement that outraged conventional opinion in the final years of World War One, working alongside iconic male artists such as George Grosz, John Heartfield and Raoul Hausmann.

Beginning in the early 1950s, Rauschenberg worked closely with the composers and performers associated with the New York School, including such pioneering experimental figures as Earle Brown, John Cage, Morton Feldman, David Tudor, and Christian Wolff.

He moved to New York where, along with figures such as Claes Oldenburg and Allan Kaprow, he first established himself as a pioneer in the «Happenings» scene.

With the advice of J. Alden Weir, Erwin Davis had pioneered such acquisitions, obtaining Manet's Boy with a Sword and Woman with a Parrot in 1881, early dark and dramatic figure pieces however, which foretold little of Impressionist tendencies.

An article in the Wall Street Journal from 1999 states that «Although Pollock was hardly a traditionalist in his own art, his taste in jazz was for the classic New Orleans pioneers, the quintessential swing bands, the blues bards and Billie Holiday,» adding that «he had no use for such legendary modern - jazz figures as Charlie Parker, who were accused by traditionalist critics of burying the melody, splintering the rhythms and creating dissonance within dissonance.»