Sentences with phrase «pioneering generation of women»

These works reveal Bourgeois's role as a member of a pioneering generation of women who broke down many of the barriers in the overwhelmingly masculine artistic circles of the time.

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Women's History Month is a time to recognize the women before us who paved the way, support our peers in business, and help the next generation of female pionWomen's History Month is a time to recognize the women before us who paved the way, support our peers in business, and help the next generation of female pionwomen before us who paved the way, support our peers in business, and help the next generation of female pioneers.

That pioneering approach inspired a new generation of founders from the Gilt ranks, including Zola, Flow, HQ Trivia and now CoEdition, a curated fashion marketplace for women size 10 and up, which launched in March.

And for his portrayal of transgender pioneer Lili Elbe in last year's The Danish Girl (for which he received his second Best Actor Oscar nomination) he met with transgender women from different generations to get a sense of the scope of trans life throughout history.

March is a time for paying tribute to the pioneering heroines who paved the way for the generations of women after them.

«Coming To Power» pays homage to the first generation of women artists who pioneered a new artistic genre in the mid 60s and early 70s using explicit sexual imagery.

Osborne was only the third woman to be hired as an instructor at the Academy, making her a pioneer and mentor to a generation of Philadelphia artists.

In 2016, Johnson received Center support to present Making / Breaking the Binary: Women, Art, & Technology 1970 — 1985, an exhibition that surveyed a generation of pioneering female artists and related their work to the technology innovators who helped shape the information age.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

The collision of Post-Minimalism and feminism in the 1960s and 1970s witnessed women making their boldest breakthroughs and pioneering a «no going back» course for subsequent generations of the 1980s, 1990s, and beyond.