Sentences with phrase «pioneering group show»

His first two excursions there were financed by the photographer and art dealer Alfred Stieglitz (American, 1864 - 1946), who promoted Hartley's work in a one - man exhibition at his gallery 291 in 1909 and in a pioneering group show there the following year, Younger American Painters.

The highlights of the exhibition include the reconstruction of several of his earliest works to go on display, created for Diego Cortez» pioneering group show «New York / New Wave» in PS1 in February 1981.

After Hansa closed in 1959, Bellamy earned his place in history as the founding director of Green gallery, where his pioneering group shows fueled the explosion of smaller movements that succeeded abstract expressionism in the early 60s: pop, minimalism, conceptual art, op art.

The gallery has also exhibited pioneering group shows such as gutai and the Pioneers of Chinese Modern Paintings in Paris.

Not exact matches

In her pioneering study of cosmologies of different peoples, she shows that the human body is our most accessible metaphor for figuring what we really suspect about our group's and the world's makeup.

Ford's challenge is that the pioneer often learns customer likes and dislikes that didn't show up in focus groups, since it has no one else's experience to draw from, while competitors learn from those same problems.

Ledare has shown in the last year in Chelsea and in a group show on Madison Avenue, and his video plays at a Lower East Side pioneer that has now slipped two blocks north of Houston.

The show will introduce the Spanish public to the contemporary works of this group of pioneers in Mali who use this traditional technique to make works of contemporary art.

Jack Tilton is showing a group of collages by Derrick Adams that furthers some of the concerns around portraiture and identity in his recent, grandly scaled exhibition at Pioneer Works in Red Hook, Brooklyn.

Having exhibited at the South London Gallery in the group shows Independence in 2003 and Nothing is Forever in 2010, acclaimed American artist and reluctant pioneer of conceptual art Lawrence Weiner returned to the gallery with a solo exhibition ALL IN DUE COURSE.

And for hardcore graffiti fans, one couldn't ask for more than a group show curated by Roger Gastman, featuring New York legends CRASH and FREEDOM, alongside historic LA pioneer and figurehead RISK.

Having exhibited at the South London Gallery (SLG) in the group shows Independence in 2003 and Nothing is Forever in 2010, acclaimed American artist and reluctant pioneer of conceptual art Lawrence Weiner returns to the gallery with a solo exhibition.

One of the newer pioneers in this quest is Letha Wilson, whose work surrealistically combining photography with architectural elements (sometimes printing the images on concrete) gained avid attention when she was included in several well - received group shows last year, such as «What Is a Photograph» at the ICP and «Ain'tings» at Robert Blumenthal Gallery.

This exhibition celebrates the 60th Anniversary of the ground breaking East Ninth Street Show by featuring many of the pioneering women who participated in that historic group show here on East 9th Street in 1Show by featuring many of the pioneering women who participated in that historic group show here on East 9th Street in 1show here on East 9th Street in 1951.

Many of the artists in ««Bad» Painting,» Marcia Tucker's pioneering group exhibition at the New Museum in 1978, have faded from view, and those who haven't (Neil Jenney, Joan Brown, William Wegman) aren't often discussed in the context of that show.

Lipp's work can currently also be seen at Art in General and in the group show «Under Construction - New Positions in American Photography» at Pioneer Works in Brooklyn.

If you haven't seen Amor Fati, the current group show at Pioneer Works, you should check it out this weekend.

She also presented established positions such as the pioneer filmmakers Hans Richter or Kenneth Anger, and a number of group shows, including «Bremer Freiheit» (Bremen Freedom), «Not a Drop but the Fall» and «Nichts weiter als ein Rendezvous» (Nothing more than a rendezvous).

Fresh off a string of high profile solo and group exhibitions in Europe and the States, the artist brings three monumental installations — along with a couple of smaller, more intimate sculptures — to his commissioned solo show at Pioneer Works.

Smith's work paved the way for a group of artists who would continue the development of this style into a fully - fledged art movement, one of the first pioneers of which was Frank Stella, whose «Black Paintings», which were first shown at MoMA in 1959, consisted of flat stripes of black paint, well aware of their own two - dimensionality.

Visitors can expect a wide range of cultural events such as the curated group show, the Live music solo concerts by Mario Stracuzzi (guitar) and special guest Laurence Gartel, the pioneer of the Digital Art Movement.

Among standout exhibitions are the sound pioneer Audra Wolowiec at Studio10, the disaster artist Joy Garnett at Slag, a vertiginous, cubistic interpretation of the L Train by Isidro Blasco at Black and White Gallery, and a group painting show at Life on Mars featuring Glenn Goldberg, Steve DiBenedetto, and Brenda Goodman, along with their selection of younger artists in the project space.

Richard Taittinger Gallery is honored to present at the Gallery and The Armory Show, the historical group exhibition, 1959 - 1963 American Pioneers of Castelli Gallery, a Tribute to Nassos Daphnis.

At once a snapshot of a specific group and a portrait of a generation, the show celebrates the pioneering nature of both the art and the transnational vision advanced by the ZERO network during a pivotal decade.

Like Graham, Long is one of a group of artists shown by Nicholas Logsdail in the earliest years of the Lisson Gallery and his legacy as a pioneering conceptualist and one of the originators of the Land Art movement is especially relevant now, as evidenced by the recent re-staging of «When Attitudes Become Forms» at the Fondazione Prada.

During the early to mid-1990s, he curated a number of pioneering video programmes and group shows featuring artists such as Jake & Dinos Chapman, Cerith Wyn Evans, Gary Hume and Sam Taylor - Wood.

Castelli had seen his work in a group show at New York's pioneering Jewish Museum, but the «discovery» came only when Castelli was taking a studio tour of another young Southerner who'd also shown in the museum's exhibition: Rauschenberg.

She studied with the influential German émigré abstract artist Hans Hofmann, was included in pioneering group exhibitions of abstract art at Peggy Guggenheim's Art of This Century gallery, the Art Institute of Chicago and elsewhere and showed with the powerful Betty Parsons Gallery.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

Actions speak louder: while it's understandable that the show made no attempt to disrupt the critical consensus around who the «big four» pioneers should be — the decidedly male Still, Pollock, de Kooning and Rothko — it also failed to allow any women into the wider group that was given substantial space: Gorky, Kline, Newman, Reinhardt, Motherwell, and sculptor David Smith.

As many of you will know, and perhaps recall from living memory, alarm bells started ringing when pioneering research by a group of brilliant chemists (Frank Sherwood Rowland, Mario Molina and Paul Crutzen, who were jointly awarded the Nobel Prize for Chemistry in 1995) showed that chlorofluorocarbons (CFCs), a family of chemicals used in many everyday applications such as refrigeration, air conditioning and aerosols, were destroying the ozone molecules which make up the protective layer shielding Earth from the sun's harmful rays.

XenZone, pioneer of online counselling and support services, has released figures today showing a steep rise in demand for Kooth, its digital therapy service for children and young people, as it is commissioned by more clinical commissioning groups (CCGs) and Local Authorities throughout England.

Nomura Holdings, the U.S. brokerage unit of Japan's Nomura Securities, was a pioneer in CMBS, while WMF Group, a mortgage company, came late to the show.