Welling was an important figure in the «Pictures Generation,» a loosely - knit but influential group of artists working in New York in the 1970s and 1980s, including Barbara Kruger, Sherrie Levine, Richard Prince and Cindy Sherman; collectively they became famous for
their pioneering use of photography, and contributed to the gradual integration of the medium into the mainstream of contemporary art.
Not exact matches
The exhibition explores the development and evolution
of Frank's characteristic style — including his
use of low light,
pioneering focal strategies, and unconventional cropping — which revolutionized contemporary
photography and understanding
of the photographer's relationship with the larger world.
A
pioneer of conceptual
photography, Laurie Simmons is at work on a new series
of staged compositions
using images
of online porn that refer to photographs she made 25 years ago
of women in color - coordinated domestic interiors.
He is engaged with the processes
of photography,
pioneering the
use of advanced lens - based and digital printing technology, and
using camera-less chemical processes to create subtle abstracts works.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature
of the aesthetic experience;
pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row
of urinals cast in red lipstick, which delivers a feminist critique
of Duchamp's readymade; Richard Pettibone's paintings
of photographs
of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique
of the
use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept
of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history
of photography.
But Shore has worked with many forms
of photography, switching from cheap automatic cameras to large - format cameras in the 1970s,
pioneering the
use of color before returning to black and white in the 1990s, and in the 2000s taking up the opportunities
of digital
photography, digital printing, and social media.
Pioneering fashion photographer Guy Bourdin, whose arresting photographs filled the pages
of French Vogue for three decades from the 1950s onwards, is notorious for breaking the boundaries
of traditional commercial
photography and reshaping the classic fashion picture,
using a daring narrative and vibrant colour palette.
Joel Meyerowitz transformed the genre
of street
photography through a
pioneering and striking
use of colour.
He has worked with many forms
of photography, switching from cheap automatic cameras to large - format cameras in the 1970s,
pioneering the
use of color before returning to black and white in the 1990s, and in the 2000s taking up the opportunities
of digital
photography, digital printing, and social media.
Using the latest VR technology, Collishaw will restage Fox Talbot's
pioneering 1839 exhibition
of photography.
Joel Meyerowitz is famed for his
pioneering use of color in his New York street
photography and his Cape Cod seascapes.
MOCA's curator at the time, Carla Hanzal, created this exhib ition
using images from artists who stand as
pioneers and icons
of southern
photography.
A digital marketing
pioneer, Brandon was a finalist in the Inman Innovative Realtor
of the Year for his
use of aerial
photography and neighborhood footage.