Sentences with phrase «pivotal figures in the painting»
The artist was one of the pivotal figures in the painting renaissance of the 1980s, along with Julian Schnabel and Jean Michel Basquiat, although his contributions to drawing, sculpture and printmaking should also be noted.
https://www.widewalls.ch/ Not exact matches
Zhong discusses the pivotal exhibition Dear Painter, paint me... Painting the Figure since late Picabia, which opened at the Centre Pompidou in 2002.
«Through his ties with leading modernists on both side of the Atlantic, Hoyland is a pivotal figure in 20th - century abstraction and the stain paintings from this period, many of which have never been publicly exhibited outside of London, are ripe for rediscovery and new understanding.»
Richard Diebenkorn (1922 — 1993) was a pivotal figure in the history of modern painting.
A pivotal figure in the development of Abstract Expressionism, Jack Tworkov radically shifted his painting style in the late 1960s, as he moved away from overtly gestural brushstrokes to controlled diagrammatic abstraction, as seen on SS - 68 # 2 (1968).
A pivotal figure in the 1950s Beat culture of artists, poets and musicians, DeFeo is most closely identified with one work, considered her finest achievement: «The Rose,» a nearly 12 - foot - tall painting that took eight years to complete, weighs a ton and is in the Whitney's permanent collection.
Two canvases by the great romantic French artist Camille Corot (1796 - 1875), who was a pivotal figure in landscape painting, were on sale: Archway / Auteuil, which tripled it's $ 70,000 estimate to sell for $ 232,536 while Souvenir of Normandy (Sunset) sold for $ 163,954.
The gallery's autumn show will be dedicated to Klee, a pivotal figure in 20th century art, who taught at the Bauhaus school and whose intense, radiant paintings, replete with symbolism and references to the unconscious, draw on cubism, surrealism and primitive art.
As pivotal figure in the development of Abstract Expressionism, Jack Tworkov radically shifted his painting style in the late 1960s, as he moved away from overtly gestural brushstrokes to controlled diagrammatic abstraction, as seen on SS - 68 # 2 (1968).