I'm really thinking now about the history of the White Gallery at UCLA, and what does it mean that the Hammer Museum is 25 years old, and how can we represent the history of Los Angeles, which still is underrepresented in places like the Museum of Modern Art, when in fact it is
the place for artistic production in the country right now.
Created as «Wulff's Artistic Training Facility Chambless, California», the space is
a place for artistic production and collaboration.
Not exact matches
Now, we will come full circle in mounting this significant retrospective in Sharjah, a city that was not only a site of intense
artistic production for the artist, but also a
place he greatly enriched through his teaching and community activities.
The modern museum is a
place for intellectual and
artistic production that responds to the need of society to recognize and validate its values and creativity, or to examine its history and perspective of development.
Clugage acts as a director
for the Craft Advanced Research Projects Agency (CARPA) and hosts a series of public salon dinners themed on the
artistic production models and culinary histories of diverse times and
places.
Curated by Steven Bridges
for the Hyde Park Art Center and Contemporary Arts Council, Cosmosis investigated how the cosmos and the field of Cosmology continue to inspire
artistic production and exert influence on human understanding of the universe — and our
place therein.
Today's funding trends such as Creative
Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art
production, made by and
for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of
artistic interventions?
Delier engages with questions on how
artistic and capitalistic modes of
production overlap by
placing himself in the role of maker / producer and creating a product
for commodification in the industry of art.