Sentences with phrase «place in a film like»

Swanberg's inclusion is a notable one, as the film has been referred to as helping to establish a new (and somewhat on the nose) subgenre that mixes the low budget and improvisational style of mumblecore with the horror setting («mumblegore» if you will), and the conversations here take on a casual, loosely scripted feel that would not seem out of place in a film like Computer Chess or The Puffy Chair.

Not exact matches

She has a keen understanding of her place in Hollywood, right now — as one of the breakout stars of a beloved sitcom; as the most fascinating character on Legion, one of current TV's most fascinating shows; as a high - profile woman in an industry currently under an enormous amount of scrutiny for how it treats women; and as an actress building a singularly astonishing resume of excellent, low - flying indie oddball films like Ingrid Goes West and Safety Not Guaranteed.

1) Put flour, salt, sugar and melted butter in a mixing bowl 2) Pour in warm water bit by bit, and knead dough until it achieves a homogenous, smooth and soft texture 3) Roll the dough into a small ball and place it in a bowl, covering it with transparent film, and allow the dough to rise for 30 minutes 4) Chop onions and garlic finely, and saute onions in a pan until onions are caramelized, then add chopped garlic 5) After 30 minutes is up, press the dough to get rid of the gas created by the yeast 6) Add the sauteed onions and garlic to the dough, and knead well so that ingredients are dispersed homogeneously in dough 7) Shape the dough in any way you like and then leave it on a greased baking tray for 30 minutes (during which the dough should double in size) 8) After the 30 minutes of waiting time, bake in pre-heated oven at 180 — 200 deg cel for around 20 to 25 minutes (or until the crust is golden brown)

I mean, playing games at places like Cameron Indoor or in the NCAA Tournament as the guy other teams are trying to stop may be of some value in terms of basketball development, but it doesn't hold a candle to FILM STUDY and EXERCISING IN A POOin the NCAA Tournament as the guy other teams are trying to stop may be of some value in terms of basketball development, but it doesn't hold a candle to FILM STUDY and EXERCISING IN A POOin terms of basketball development, but it doesn't hold a candle to FILM STUDY and EXERCISING IN A POOIN A POOL!

The film itself is a bit scattered — in trying to cover so much ground, it sometimes feels as though the story itself is all over the place, and some of the points it makes (like the societal pressure on men to eat meat as a reflection of their manhood) are much stronger than others.

1) Back to the Future Lego: Like most children who grew up in a certain era, there's a nostalgic place in my heart for the Back to the Future films (in best to worst order, 2, 1, 3 — discuss).

You know as well as I do that the phrase «reasonable suspicion» is a carte blanche term of legalese which allows the police to prevent photography - like the film clip we're discussing - to be shown in public or even made in the first place..

The film itself is an excellent introduction to Second Life and its use for education and persuasion — if you've never played in this virtual world, the video will give you a sense of what it's like and why people are drawn to it as a place to spread political messages.

Hein added that, with the tax credit in place, Ulster County stood to be even more competitive than other Hudson Valley communities like Poughkeepsie and Newburgh due to its status as the first county beyond New York City where film productions are not subject to the state's MTA tax.

The film's sequels had survivors holing up in places like shopping malls, through which zombies would wander aimlessly all day, as if retracing the steps of their former lives as consumers.

Do you have a special place, where you feel amazing, where you feel like you are in a film and you're the main character?

The film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.

Who still import food from their homelands, who stick to their own languages books and films, and who feel like they can just carry on living in their own country, just in a different place.

I am interested in all sorts of things, but really like going to the cinema or watching films at home, eating out, visiting places of i...

Like all good art, films should reflect the world we live in, and like it or not - the world can be a mighty depressing place sometiLike all good art, films should reflect the world we live in, and like it or not - the world can be a mighty depressing place sometilike it or not - the world can be a mighty depressing place sometimes.

There's no place for mawkishness in a film like this; such elements might have worked had the movie claimed to be a realistic portrayal of young adults, but when you have a character as outrageous as Stifler, that's clearly not the case.

Those promos made the film look like a taut thriller, while the end result landed in a place far, far away from that depicted genre.

In the moment, it seems like a loaded, inflammatory thing to place so early in the filIn the moment, it seems like a loaded, inflammatory thing to place so early in the filin the film.

In place of the emotional stage - setting another film might waste its time on, there is instead a lengthy getting - ready montage, with drooling close - ups of Anastasia (Dakota Johnson) slipping into her lacy gown while her husband - to - be Christian (Jamie Dornan) fastens his cufflinks, which look like two enormous platinum Chewits.

If you placed a few hundred random people into a movie theatre and asked them to invest their time in this film, I can guarantee that at least 50 percent would either walk out or despise their experience, but that's okay because not everyone likes every single piece of art.

Nobody has ever seen anything like «Black Panther» — not just an entire civilization built from the metal stuff inside Captain America's shield, and not even just a massive superhero movie populated almost entirely by black people, but also a Marvel film that actually feels like it takes place in the real world.

It is also an interesting political take on the chain of command in the military, lampooning the superior officers as incompetent fools, despite having their hearts in the right place, the film manages to successfully create sympathy for Col. Berman (Ed Harris) in that despite his general inability to do the job, he is actually well liked.

Like its predecessor, Inglourious Basterds, the film's opening sequence places Quentin Tarantino's loquacious script in the capable hands of Christoph Waltz to set up an elaborate deception, making purposeful use of Elmore Leonard-esque dialogues.

The Legend of Tarzan feels like the sequel to a much more interesting film... I wish Yates would have just focused on the elements of Tarzan's story that made it so interesting in the first place instead of foolhardily trying to modernize it.

The success of the film led to a job directing the 1989 big - budget version of Batman; a darkly lavish, gothic production, the film proved to be a huge hit, securing Burton a place on the roster of A-list directors.His next film, 1990's Edward Scissorhands was the tongue - in - cheek gothic tale of an artificial boy put together by a benign scientist, who dies before he can complete the boy; as a result, the fabricated youth has hedge clipper - like scissors for hands.

Like most of Mr. Ferrara's films, The Blackout takes place in a trance state — events are fuzzy, line readings even fuzzier.

They always say «write what you know», and although I have no knowledge of Colangelo's background, either she lived in a place like this or she has the greatest imagination any filmmaker has ever had, because this film feels like a true story dripping with drama.

Within seconds the film goes from being a really decent sensible fantasy to dumbed down superhero crapola just like the original trilogy, in places.

Since director Sebastian Gutierrez likes to employ loosely connected vignettes in his films, these deleted scenes should fall into place pretty well.

Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place in Utah, Texas, and beyond), and his nod to films like The Searchers with scenes of near - helpless families under attack in the wilderness.

Kubrick fanatics will probably be the most gladdened at the participation of critic and Kubrick: The Definitive Edition author Michel Ciment, who goes full - tilt film studies in his 20 - minute conversation, picking Barry Lyndon apart like a mechanic dismantling an engine to show how it works, and its place of importance within the director's body of work.

Sound was added during production, but the film's trance - like images could stand on their own as a visual poem in which the action seems to take place on the cusp of dreams and reality.

But when the soundtrack kicks in, utilizing dated pop and rock songs that feel completely out of place in the film, Shrek begins to feel more and more like a mere product as opposed to a film.

There are numerous instances like this, such as the insistent neighbor in need of a dog - sitter that feels like a subplot or the fact that film conveniently takes place on Chahārshanbe - Sūri / Wednesday Feast, a holiday dating back a few centuries that both celebrates the oncoming of Spring and is a ritual that promises warmth and good health.

In this series of interviews, the actors - alongside director Rian Johnson - open up about their roles in this fantastic franchise, the extraordinary sets and scenaries they were placed in during filming, and just what it's like to be part of such a well - loved worlIn this series of interviews, the actors - alongside director Rian Johnson - open up about their roles in this fantastic franchise, the extraordinary sets and scenaries they were placed in during filming, and just what it's like to be part of such a well - loved worlin this fantastic franchise, the extraordinary sets and scenaries they were placed in during filming, and just what it's like to be part of such a well - loved worlin during filming, and just what it's like to be part of such a well - loved world.

Part of me feels like Stark should have taken the place of the absent Nick Fury in this film, more elder statesman than rival leader.

With such a farfetched plot already in place, this is the sort of film that could have easily degenerated into a muddled farce with a one - note stand - up comic as the lead, but with a good comedic and dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each scene.

but overall i give it a 8 because i liket one of the actors and the place it was filmed in:) so i recommend it to those sci - fi freaks out there like me:)

This film is nothing like Knocked Up so if you are hoping for some similar laughs you are lookin in the wrong place.

In one scene, Ant - Man hovers in a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the filIn one scene, Ant - Man hovers in a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the filin a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the filin and out of throughout the film.

It felt like I was waiting a decade for this film, and that last gentle push that nudged its Australian release date into January meant that its foretold (but hardly inevitable) place in my end - of - year list would be delayed by another full calendar year.

The way they make it seem, it sure looks like a fun and problem - free place to work (free food, nap - pods, and fun team - building games and exercise classes galore), so one can only imagine the spike in applications the company will receive during this film's initial release in theaters and on video.

It plays like one of those films based on a true story, but it's really a fiction film that draws from some personal experiences of actor (and former pro soccer player) Andrew Shue (The Rainmaker, «Melrose Place») growing up and attending Columbia High School, the South Orange, New Jersey school depicted in the movie.

«It feels like we are living in the sunken place right now,» said «Get Out» writer - director Jordan Peele, accepting the Stanley Kramer Award, making a reference to the film's signature moment that he sees as a symbol for the marginalized.

In honor of the movie's home video release (and before this weekend's Academy Awards, where it's nominated for Best Animated Feature), I spoke with Molina about the power of the film's music, how physically visiting a place like Monte Alban actually translates into a movie's screenplay, and much more.

Where Cianfrance uses this — I suppose — signature style of his so effectively in Blue Valentine and The Place Beyond the Pines, it's a bit of a bummer that it doesn't work as well with a story like the one in his latest film, The Light Between Oceans.

Like many films made around this period, there is a slice - of - life attitude, showing you the ups and down of the work place, never really in a hurry to get to the main point.

The film bathes in this sort of humor throughout, and much like «Lock, Stock,» part of the winning comedy of Ritchie's vision is that most of the slaughter takes place just left of the cameras.

To prepare for working on a film set in the»70s, aside from learning how to use cameras from that era, Gerwig says it was «more about trying to place more what it would feel like to encounter it for the first time.»

I must believe Crystal Moselle's heart is in the right place — the film feels like a sincere effort to tell a story and to tell it truthfully — but the skill, or lack thereof, undermines the effort too much to be able to recommend the film wholeheartedly.