Sentences with phrase «place in art»

The Merlyn Series 8 single - door offset quadrant shower enclosure also gives you the sort of style which wouldn't look out of place in an Art Deco home — with its chrome frame and fittings.

With an endless trove of galleries and online sites that curate beautiful paintings, photography and sculptures, and an ever - growing list of emerging artists seeking a place in the art world, it can be difficult to find a starting point.

His place in art history was secured by «Four Abstract Classicists,» a 1959 traveling exhibition organized by the Los Angeles County Museum of Art featuring paintings by Hammersley, Lorser Feitelson, John McLaughlin and Karl Benjamin.

Clement Greenberg discovered and championed the artist with a Pygmalion - like devotion that secured Louis's place in the art history textbooks but may also have obscured the range of his achievement.

[2] The works presented in Classic Attitude encapsulate Lundeberg's uniquely classic approach, and underscore her rightful place in the art historical canon.

The Tate Gallery gave her a retrospective exhibition in 1983 - a late recognition of the quality of her work and her significant place in art history as one of the first British artists to embark on a lifetime exploration and development of abstraction.

Pierre Matisse, the younger son of the French artist Henri Matisse and his wife Amélie, earned his own place in the art world as one of the most important dealers of modern and contemporary art.

If ever a question existed about Los Angeles's place in the art world, the city's top talents and institutions are helping to quell it.

The 20 - year - old from Buckingham beat five finalists to win a place in art mogul Charles Saatchi's current show and studio space for three years.

Lichtenstein's unconventional paintings, regarded by many as beyond the bounds of fine art during the 1960s, are now considered icons of the Pop Art movement and have secured the artist's place in art history.

«And it has an iconic place in art history.»

The exhibition should grant this artist (once the sole female protagonist in Leo Castelli's gallery) her rightful place in art history alongside male peers such as John Chamberlain, Robert Rauschenberg, and Jasper Johns.

Her place in art history would be much greater than it is in fact had color - field abstraction genuinely become the painting of the future.

Numerous solo exhibitions have also taken place in art institutes and galleries around the world.

But this week's attempt to place himself in art history's pantheon, with a new painting exhibition alongside the old masters at the Wallace Collection in London, looks bombastic and irrelevant.

But understanding the medium's place in art history can help the viewer appreciate -LSB-.....]

She has been selected two times for the National Fund FONDART, plus obtaining the second place in the art contest «Artists of the XXI Century» organized by the Pontifical Catholic University of Chile and Banco Santander.

Not that the late Jean - Michel Basquiat doesn't deserve this kind of success: he was truly a rare bird that came to roost at just the right time and place in art history.

Read on for our round - up of opening receptions, artist talks and other events taking place in the art galleries of The Hamptons, The North Fork and East End through the end of the month.

The organization has developed a place in art history for artists» books, temporary installation art, and performance art, and researched the history of the contemporary artists» book through such exhibitions as Cubist Prints / Cubist Books, The Avant - Garde Book: 1900 - 1945, Fluxus: A Conceptual Country, as well as thematic shows such as Artists» Books: Japan, Multiples by Latin American Artists, Contemporary Russian Samizdat, and Eastern European Artists» Books.

Not just hoping they are welcomed into the mainstream, but to really go after a place in the art world because your pursuits are truly transformative.

The finished piece is the sound of a brash young artist who grew into an influential painter at peace with his place in the art world.

However, she says she still feels unsure about her place in the art world.

Not only do the paintings look eerily contemporary, but the exhibition will undoubtedly change how we see Frankenthaler's work and her place in art history.

West Texas occupies a special place in the art world's heart; Donald Judd saw to that long ago.

The late Anthony Caro is cursed with a place in art - history textbooks for his 1960s abstract works.

London has been treated in recent years to the unedifying spectacle of no - longer - young British artists trying to claim a solid place in art history by making their works bigger and more imposing.

And in 2011 they got a rubber - stamped place in art history when Penguin books included them in much talked - about anthology 100 Artists» Manifestos: From the Futurists to the Stuckists.

As far as her place in the art world at large, Akashi is charmingly humble.

In a January 2014 article Catherine Craft reassessed a 1970 Whitney Museum exhibition by African American artist Melvin Edwards asserting, «A reconsideration of Edward's exhibition reveals its seminal place in art of the period as both an incisive response to the most radical forms of sculpture and installation -LSB-...]

Also to strengthen Turkish International reputation in contemporary art circles and improves its national market place in the art market.

In this course, students will explore the New York art scene and prominent place in the art world within a historical context.

But, the Grey Art Gallery's A Feast Of Astonishments: Charlotte Moorman and the Avant - Garde, 1960s - 1980s did a good job of posthumously returning Moorman to her rightful place in the art history.

did a good job of posthumously returning Moorman to her rightful place in the art history.

Since time immemorial, blue has held a special place in art history, evoking the loftiest sentiments, the most aristocratic pedigrees, and the profoundest spirituality.

In a January 2014 article Catherine Craft reassessed a 1970 Whitney Museum exhibition by African American artist Melvin Edwards asserting, «A reconsideration of Edward's exhibition reveals its seminal place in art of the period as both an incisive response to the most radical forms of sculpture and installation and as an uncommonly nuanced articulation of social and political issues.»

It seems Ceramics had cemented their place in the art - world mainstream, as Anne Agee's Lake Michigan Bathroom (II), 2014 provided the frontispiece for the P.P.O.W Gallery.

His inclusion in the 1985 Whitney Biennial cemented his place in the art world.

Legions of students and other followers were captivated by Hartigan's formidable presence and by her bold pronouncements, which were often about her place in the art world.

Ceramics Finds Its Place in the Art - World Mainstream Lilly Wei writes... From the first generation of modernists who worked in clay to contemporary practitioners, all have made breakthroughs: in scale, in single objects as well as expansive installations; in technical experimentation; in increasingly original formal resolutions from the abstract to the realistic; and in content, exploring issues about the body, identity, politics, history, feminism, domesticity, means of production, and beauty... more

At least since the romantic era, it increasingly acquired an autonomous place in art because of the possibilities of immediate subjective expression.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

I saw artists of my generation in them, which made me feel like I had a place in the art world.

Dubbed «the reigning doyenne of superrealism» by art historian John T. Spike, Feuerman has solidified her place in art history.

The presentation of Robert's work is rooted in Visual AIDS» mission to ensure the legacy of visual artists with HIV and work to secure their place in art history.

Furthermore, to routinely omit artists such as Norman Lewis, who participated in the famous closed - door Studio 35 sessions defining abstract expressionism, is to disregard abstraction's debt not only to black culture, but to the artists who shaped its contours and analyzed its place in art history and theory.

A large retrospective took place in the Art Centre of Palack.

From Raphael's «The School of Athens» to Willem de Kooning's abstract renderings of the human body, the figure has held a central, though now, increasingly contested place in art history.

The processes of change that continue to take place in art are slower and more hidden, necessarily, than the critic would wish them to be.

This beautifully designed exhibition catalogue includes an essay examining Kudo's philosophy, the evolution of his artistic vocabulary and his place in art history by curator Doryun Chong; a reflection by artist Mike Kelley; a selection of Kudo's writings, interviews with the artist and other historical criticism; and an illustrated chronology by Hiroko Kudo.