Sentences with phrase «place in artistic practices»

How could the issue of resistance find a place in artistic practices?

Not exact matches

Moving forward with my artistic practice, I hope to continue to weave together the information from scientific texts with my personal experiences in wild places.

Marfa Dialogues / NY is an examination of climate change science, environmental activism and artistic practice taking place this October and November 2013 in New York City.

In situating the development of his art directly alongside his life experiences, and in expressing doubt and desperation, LaDuke placed painting firmly at the center of a sentient artistic practicIn situating the development of his art directly alongside his life experiences, and in expressing doubt and desperation, LaDuke placed painting firmly at the center of a sentient artistic practicin expressing doubt and desperation, LaDuke placed painting firmly at the center of a sentient artistic practice.

Seung - taek Lee's experimental practice holds an influential place in the history of Korean art; throughout his career, he has challenged traditionally held notions of identity and history, forging a new path for artistic exploration of environment, culture, and philosophy.

Photographs and video - installations are some of the technological mediums that expose Taquini's trajectory, becoming not only a collection of pieces that take part in a visual art exhibition, but also the portrait of a life in the art, in which the curatorial practice that took place during a great part of her professional development converges with her more recent artistic practice.

He positions his artistic practice as a tool for reflection on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and dystopia.

In organizing and running this residency project, it is the main goal of the members of PILOTENKUECHE to offer a platform that encourages dialogues and exchange about artistic practice from different people, coming from different places, and working in different techniqueIn organizing and running this residency project, it is the main goal of the members of PILOTENKUECHE to offer a platform that encourages dialogues and exchange about artistic practice from different people, coming from different places, and working in different techniquein different techniques.

By placing socially historical imagery in a contemporary context, Dunn is able to rigorously question a range of issues from racial identity to social justice through his artistic practice.

The series chronicles the lives of New York - based emerging artists in the first decade of their career, and provides glimpses into their artistic practice, taking visitors into their studios and apartments, places of work and leisure.

Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body of work that the artist has cultivated since 1972.

Talking about her artistic practice and inspiration, Thompson says «My work is about things, people and places in the world.

In this exhibition, the gallery explores artists rooted in a specific culture, yet whose artistic practice defies place or origiIn this exhibition, the gallery explores artists rooted in a specific culture, yet whose artistic practice defies place or origiin a specific culture, yet whose artistic practice defies place or origin.

Central Saint Martins student Eva Cookney on Becoming The Other, an exhibition exploring ethnography / anthropology within artistic practice that she participated in at Rivington Place this May.

Through these works McGinley had discovered new grounds for his artistic practice, placing his naked subjects in vast and breathtaking landscapes to roam and cavort freely as they please, thereby capturing a sublime and mystical view of the world.

The art practices of these Northern California artists in the late 1950s and early 1960s animated broader social and artistic discussions throughout the United States and carved out an important place for West Coast activities for decades to come.

The show captured the impossibility of capturing the essence of those years in that place, given the multifariousness of the activities and artistic practices that flowered there.

By placing two discrete generations of artistic practice in conversation with one another, Liquid Modernity reevaluates the ways in which the ubiquity of technology influences the interpretation of information.

Deaf since the age of ten, Joseph Grigely has dedicated his fifteen - year artistic practice to researching the various translations and subsequent shifts in meaning that take place when music, language, and informal talk are communicated through visual form.

Tactile Notation In this interdisciplinary writing workshop, we will explore what it means to be in situ, or «in position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounIn this interdisciplinary writing workshop, we will explore what it means to be in situ, or «in position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin situ, or «in position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin, and into elemental places, to foreground that which is perceived through touch and sound.

Discussing the transformations wrought by the Internet — particularly the latter's implications for artistic practices — the participants in this forum illustrate how the impassioned debates taking place on the Net can help forge new kinds of communities, discourses, and intimate connections across this most transitory of landscapes.

This year's Sonica festival takes place along with the first anniversary of MoTA Point and is again focusing on diverse artistic practices which all involve transitoriness in the medium of...

It will be the first major survey of her artistic practice held in Malmö, the artist's place of birth.

In the numerous letters Jay DeFeo wrote to curators and art critics in the hope of finding a place for her masterpiece, the desperation is almost palpable.3 Where The Rose had first been a site for inspiration and artistic practice, it later became a burdeIn the numerous letters Jay DeFeo wrote to curators and art critics in the hope of finding a place for her masterpiece, the desperation is almost palpable.3 Where The Rose had first been a site for inspiration and artistic practice, it later became a burdein the hope of finding a place for her masterpiece, the desperation is almost palpable.3 Where The Rose had first been a site for inspiration and artistic practice, it later became a burden.

«For Almanza, the addition of this fluorescent scaffolding adds a new screen through which we understand a narrative of historical imbalance with regard to the artistic legacy of Rivera and his place in Latin America artistic practice.»

Olly Olly, an alternative art space in Fairfax, VA, presents Embracing the Power of Artistic Practice, a new collection of art in conjunction with Al - Mutanabbi Street Starts Here DC 2016, a book arts and cultural festival taking place throughout the Washington, DC area from January through March 2016, commemorating the 2007 bombing of Baghdad's historic book selling street.

In harmony with POP Montreal's mandates, Art POP strives to create a place for young, emerging artists and curators to share space alongside established talent, and to find challenging and creative ways to situate Montreal's artistic community within the context of international contemporary art practices.

Amanda has an architecturally inspired artistic practice and obsessed with color as both a material concern and social construct and she makes art that uses color as a lens to highlight the complexities of the politics of race, place and value in cities.

Having grown up in Mbare, Harare, a place that is considered one of Zimbabwe's most notorious ghettos, Nyaude's work emphasises his youthful exuberance and the influence of the urban environment on artistic practice.

She is interested in artistic practices that reflect an engagement with issues of place, identity, and political imagination and has recently worked with artists such as Yael Bartana, Nicole Cherubini, Adler Guerrier, Iman Issa, LOS JAICHACKERS (Julio Cesar Morales and Eamon Ore - Giron), Bouchra Khalili, and Nari Ward to develop new projects and exhibitions.

Alongside Art in General's exhibition programs that take place in New York and internationally, its public programs and publications examine critical and timely issues in artistic and curatorial practice.

Whatever personal ties Hsieh may retain to his place of origin, he effectively transformed himself, in his artistic practice, from a restive Taiwanese citizen who jumped ship in the US in 1974 to a full - fledged Western avant - garde artist, known familiarly in the downtown New York art scene as «Sam.»

With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.

The Sharjah Art Foundation announces the fourth annual March Meeting, a three - day symposium featuring presentations by 42 institutions, artists and art professionals on artistic practice and production in the Middle East, North Africa and South Asia (MENASA) region and beyond, to take place in Sharjah from March 13 to March 15, 2011.

It is the Audain gallery's mission to encourage «conceptual and experimental projects that explore the dialogue between the social and the cultural in contemporary artistic practices» and SFU prides itself on its adherence to the principles of an autodidactic education, placing an emphasis on «self - directed and individual modes of learning».

Situated in the coastal town of Llandudno, it is Wales» foremost contemporary gallery and visual arts centre, serving as a place to form and share new perspectives through artistic / curatorial practice and audience engagement.

Doug Harvey in the LA Weekly: «One of the most pronounced symptoms of the wide - scale institutionalization of artistic practice has been the rise of curatorial studies as an academic category and the subsequent escalation of the curator's role and visibility — sometimes to the point of supplanting the place of the artist as the raison d'être of an exhibition.

This exhibition of more than 120 works seeks to emphasise the fundamental importance of land to his artistic practice: he was one of the first to take sculpture out of the gallery and place it directly in the landscape.

Since Carolyn is closely involved in working with artists, she has a grasp on the larger historical understanding of artistic practice from different places.

I guess when somebody places it in the context of their artistic practice.

What constitutes her artistic practice is not just storytelling, but the formation of a place in which the investigation of the act of photography, the camera as apparatus, the common desire for film and photography to act as evidence of events, and the complex historical and personal synchronicities of events themselves are not separated.

A response by guest blogger Nicola Simpson «Where can we place the artistic practice of Li Yuan Chia in relationship...

The artistic practice of Kader Attia (born in 1970 in Dugny) is characterized by his life between various European and African cultures and places and their contrasts and differences.

Artists should propose projects that benefit from the dialogue and education that will take place in PPAC's Artist Lab and the month long residency should be used to advance your artistic practice in a meaningful way.

During the symposium, a selection of key experts in the field have addressed these questions and framed them in the wider context of the naissance of the modern and contemporary art museum and the role models of Pontus Hultén and Willem Sandberg, our continuous engagement with the art production of the 1960s, the place of these exhibitions in the wider artistic oeuvres of the participating artists, post-1960s «labyrinthine» exhibition practices at large, and the growing discipline of exhibition history.

With its status of first visual art biennial in Central Africa, the Lubumbashi Biennial offers a large choice of artworks: from those testifying the current situation of artistic practice in D.R.Congo to the productions of invited artists from different geopolitics places.

Oskar Schlemmer, conceiving the human body as an artistic medium and placing the study of body movements at the core of his artistic thinking and practice, played a pivotal role in the history of performing arts.

They convey the artist's explorations inside the shift of her practice towards the medium of painting that took place in the second part of her artistic career.

As Reader in Photography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of photography today, and This Must Be the Place assesses the medium's new role in the international artistic forum.

He is a founding member of the Red Conceptualismos del Sur, an international platform active since 2007 that seeks different possibilities in writing, archiving, thinking, positioning, exhibiting and politically historicizing the artistic - political practices that have taken place in Latin America since 1960s.