Sentences with phrase «place in cinema history»

A single moonlit scene — in which she wades into the Trevi Fountain in a strapless evening gown, turns her face ecstatically to the fountain's waterfall and seductively calls Marcello Mastroianni's character to join her — established her place in cinema history.

Like it or not, NBK has its place in cinema history, and this disc will help keep that place secure for years to come.

Her resumé consists of critically and commercially acclaimed work as well as a span of awards and honors that illustrate Kate's talent and solidify her a permanent place in cinema history.

The movie won accolades from critics and has performed well with audiences, and its big win tonight ensures its place in cinema history.

If you're a fan of this film, you might wish for more bonus features, but given its place in cinema history, you probably won't get much more than this for a while.

It's rarely a film that people point to first as a sign of Welles» mastery, but it's no less essential to understanding his place in cinema history, and Criterion continues to prove their commitment to his filmography by LOADING this release with the kind of special features that make it desirable to cinephiles.

Still, it has secured a place in cinema history books and deservingly so.

Her resume consists of critically and commercially acclaimed work including Steve Jobs, Little Children, Eternal Sunshine of the Spotless Mind, Iris, Titanic, and Sense and Sensibility, as well as a span of awards and honors that illustrate her talent and solidify her permanent place in cinema history.

But the film does have its place in cinema history.

Frankenheimer's rightful place in cinema history is as the key transitional figure between the two eras.

Even his most seminal work was met with criticism, though the stature of his place in cinema history has steadily grown with time.

Not exact matches

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Quentin Tarantino is definitely one of those filmmakers really knows his craft and each of his films has a special place in the history of cinema.

More disturbingly, the film misrepresents the place of radicalism in the history of avant - garde cinema.

Paul Schrader is an American filmmaker whose work as a screenwriter and director hold a significant place in the history of American cinema, including Taxi Driver, Raging Bull, American Gigolo, Mishima: A Life in Four...

The perfect nexus of history, craft, thematic heft, and balls - to - the - wall entertainment, it why cinema was invented in the first place.

In 1979, Schroeter's friend and colleague, Rainer Werner Fassbinder, speculated upon the place Schroeter and his films might some day hold for the history of cinema:

There aren't a lot of people who do this job who have the kind of genuine adoration for what the cinema is, or what cinematic history is, or what made us fall in love with movies in the first place.

«There's no more meaningful place or audience with which to share our film that is a tribute both to the history of New York City and to cinema,» said Haynes in a press release announcing the selection.

As much as the 1946 adaptation of The Postman Always Rings Twice has earned its place as an important American Film Noir, so too Ossessione is essential to Italy's history of lurid, intoxicating giallo cinema.16 Ossessione provides a perfect bookend to Calamai's final performance as Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in general.

What of criticism's other functions: proselytizing on behalf of the creatively triumphant but commercially marginal; trawling through cinema's back catalogues in search of unappreciated masterpieces; placing movies within the broader narratives of intellectual history; transforming personal taste into an essayistic art unto itself?

«The Great Wall» is set in an unspecific ancient past of Chinese history but, in reality, the movie takes place in cinema's future.

The programming cuts across disciplines to take a deeper look at the place occupied by women in the culture of the last century, from literature to history of thought, from dance to cinema.

Lina's Selander films and installations often focus on junctures in history where a system or physical place collapses and something new begins to emerge, the narrative of mechanical cinema giving way to that of digital video, or a political or economic system plummeting into a new one.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

«Cinema forms the foundation of post-modern visual languages and American cinema holds a key place in that history.

Critical Response Francis McKee Wednesday 2 March 2016 Francis McKee (Director of the (External) Centre of Contemporary Art, Glasgow) reflects on how some of Grace Weir's most recent films continue to place the wonder of science in focus, and recaptures the magic and history of cinema and its synchronicity with evolving theories of time, quantum physics and the big bang.

Critical Response Francis McKee Wednesday 2 March 2016 Francis McKee (Director of the Centre of Contemporary Art, Glasgow) reflects on how some of Grace Weir's most recent films continue to place the wonder of science in focus, and recaptures the magic and history of cinema and its synchronicity with evolving theories of time, quantum physics and the big bang.