The strength of Euler's perplexing body of work is that it simultaneously celebrates and mocks (art - world) power, institutions, and celebrity culture; this show was no exception, at once anticipating and scorning its
place in the
glossy pages of
magazines like this one.
Along its ideological trajectory the RCP's
magazine (initially «Living Marxism», renamed «LM» — a surprisingly
glossy publication for a party with a tiny membership and no other visible means of support) found time to deny that genocide took
place in Rwanda, and accuse reporters for British television company ITV of faking footage of Bosnian Muslims
in a Serb - run detention centre.