Sentences with phrase «place wall text»

At times, labels can not be placed directly next to the object but every effort is made to place wall text within easy view of the art.

It simplifies a vision that held music, painting and language as part of a continuum and relegates his activities as theoretician, essayist, poet and (arts) community organizer to the show's informative, discreetly placed wall texts.

Not exact matches

On the interior walls of these burial places were carved religious texts as well as many other things that tell of the life and thought of the ancient Egyptians.

- demo has been downloaded over one million downloads - over 45k survey responses - run by pushing the analog stick all the way - hold B to run even faster (although random enemy encounters go up to balance this)- fast travel option - adjustments to designs of the environment based on the issues with visibility, especially in dungeons - traversable areas stand out, adjustments to wall and floor color, and visible landmarks, and more - radar that points players towards entrances, exits and important places - improved visibility - adjust screen brightness - adjust HD - 2D filters - fixed issue where it was too easy to accidentally overwrite your save - 9 save slots and 1 autosave slot - adjusted text size and streamlined the UI - skip scene option - option to replay cutscenes - option to change text speed - game balance refinement so that battles provide a good challenge, but are not overly frustrating - battles with a full party of four and more important elements have not yet been shown

Schad writes: «Camino Real is a 1948 play by Tennessee Williams... and when it comes to entering into a dialogue with the works at Gagosian, reading the text can be illuminating... On the set, there is a wall and a gate that separates the town from what is simply out there - an unknown wasteland, a place where no one ever comes back from, Terra Incognita... I think about Twombly at the end of a long journey, which has taken him to places in the old world and the texts of our Western culture that I would like to visit.

On the dingy bathroom wall is a gift he received from another central figure, Lawrence Weiner: a text piece that says in red, «the trace of an action past, i.e. a wet place.»

Yoan Capote is quoted in the wall text by his painting as saying, «The sea, for me and for a lot of Cubans, was like a wall, more an image of isolation than a beautiful place.

And the text presented on the walls is not meant to be read sequentially — there is no right place to begin or end.

As a postmodernist would say, art is a kind of text, even before Lawrence Weiner places text on the wall, and everyone plays a part in determining its vocabulary and its grammar.

The wall text for «Imagined Cities» notes that, today, it is impossible for people to travel to the places from which Duke forged her collection; these cities now exist only in the imagination.

Long frequently applies carefully chosen words to his works; graphic text — stenciled on the wall or placed within the picture — is often an intrinsic component of a work's structure and meaning.

Wall text placed before the mass of booths at the newly opened Collective Design Fair in New York bears a political message from the fair's founder, Steven Learner.

Or not quite «throughout»: The texts are actually placed on walls where staff offices are visible from public areas - usually through windows or glass doors.

The text refers to an experimental factory, recently closed, where the former workers or «producers» return to their original work place and over time start to work in the now redundant space — their «product» now being ideas and change, they begin to remodel the building, draw on the floor and break windows into formerly blocked up walls.

In the late 1960s, Dan Graham (American, born 1942) and Jeff Wall (born 1946) combined photographs with narrative texts and placed them in art galleries and publications to challenge traditional forms of display and the pristine aesthetics of the fine art print.

Those exploring the exhibition encountered text on the perils of excessive sitting placed next to a giant red ball, a «Happy Birthday» banner hung above un-inflated balloons seemingly frozen in time and space, a wall covered in overlapping yellow Post-It notes reading «Don't Cry,» and a swarm of copper - colored computer mice huddled on the floor.

For this show, the artist has selected a wide variety of emblematic objects that he or his uncles collected and has recontextualized them by placing them in the gallery, complete with display plinths, wall texts, and identifying labels.

By the late 1960s, Barry turned toward conceptual art, trading his brushes and canvases for text — which he places on walls, floors, and other surfaces — inspired by, he has said, «the individual power of the word to convey emotions or feelings.»

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Works that might ordinarily be placed on the floor are suspended from the wall and vice versa, and almost all are replete with imagery and text that speak to the moment of their creation.

Larry Johnson's use of photography links his work to Bruce Nauman's staged photographs of visual puns, while his reliance on language places his work in company with Lawrence Weiner's stenciled wall texts and Ed Ruscha's text - heavy paintings of industrial landscapes.

This exhibition doesn't provide wall text, instead, it leans heavily on Paglen's extensive checklist notes and essays, as well as the multiple walkthroughs and lectures that took place throughout September.

The centrally placed diary text of John Cage on the opposite side of the didactic wall sets the exhibition's tone.

Wall texts denote places of African Diaspora migration ranging from Richmond, VA to Benin, Nigeria.

In Meeting # 76, vinyl text on the wall denotes a place, date and time that suggests a future meeting point, without confirming whom he will be meeting.

Details about the Jerusalem event: â — The event will take place at the JVP Media Center the night of Thursday Feb 12 for NIS 50 â — The event will feature real - time broadcasts of various Twitter feeds integrating text, video and photos from the event and events across the globe projected on walls / screens â — They will be broadcasting and offering «Tweetorials» to attendees (especially the cleantech companies) â — Selected cleantech companies will have tables around the room as part of a «micro-expo» â — They will have additional (fun) activities around the room and outside as well as live music and a cash wine bar â — The activities will not be formal in that people can come and go as they wish as they circulate around the room.

But there's still a way to fight back, and the best place to start is by locking up all your communications behind a safe, secure, and secretive wall of encrypted texting apps.