Instead, the video ends with Herzog zooming out from Segers's pieces, calling attention to them as objects by
placing them against a white background, their edges finally visible.
Not exact matches
There's a great design floating out there that
places the flight number, gate, seat assignment and zone in large,
white text
against a black
background in the middle of the pass, then splashes the airline's logo colors in the
background and relegates the bar code to a small section in the bottom right corner.
* Here is that hearing that took
place, it's lengthy but first the claims are made, the panels give their respective views based on their
background and relation to the industry and where they see it going followed by Sega (represented by Bill
White) and Nintendo's Howard Lincoln answering the challenges and facing off
against each other, challenging each companies approach to the industry, worth a watch, history in the making ~ https://m.youtube.com/watch?v=nD-Afpg4P2U
They're pretexts for Katz to try out color combinations, and to
place figures first
against neutral (usually off -
white)
backgrounds, then
against even fields of saturated color, and finally to cut away the
backgrounds entirely, presenting the figures as freestanding cutouts.
The third present Andy Warhol-esque takes on significant individuals from black history, with black - and -
white images
placed against tan
backgrounds.
«Soul of a Nation», which after Tate will tour to Crystal Bridges Museum of American Art and the Brooklyn Museum in the US, takes
place against a
background of the increasing prominence of African American artists of the 1960s and»70s, as well as the art world's more gradual attempt to debunk the history of modernism as a
white western male phenomenon.
Each painting bears a
place and a date, etched in
white against a pitch - black
background: Budapest 1956, Vietnam 1963 - 75, Selma 1965 etc..
Cutler's compositions are often concentrated
against a stark
white background, which imbues them with a sense of timelessness and indeterminacy of
place.
In Personhood, a work synonymous with the title of the exhibition, a thin,
white outline
against a high - key graphic red
background denotes a nearly symmetrical illustration of two heads facing one another, the only difference being that the one on the left is demarcated with a perfectly
placed tear drop, both connected by a rainbow extending from the eyes.