Sentences with phrase «placed in a contemporary context»

To that extent, Volf's analysis is a traditional one placed in a contemporary context of religious diversity and a global economy.

Upon closer inspection, the works reveal idiosyncrasies: light sources, perspectives, points of view, croppings, distinguish these paintings and place them in a contemporary context.

Not exact matches

Our goal was thus to continue to provide our visitors with all the same compelling content, but to put in place the necessary mechanisms for growth in a contemporary context — that is, to expand the functionality of the server, to increase the types of content we can provide, and to provide an experience that is consistent across all devices and platforms.

Some of these concentrate on helping to place a passage in its original context so that the reader can be aware of the concerns of the author; others apply the passage to contemporary life; others, following the teaching of St Ignatius Loyola, encourage the reader to use her imagination to picture the scene described and thereby come close to Jesus.

Furthermore, this week's New Yorker features a characteristically excellent piece by our best living literary critic, James Wood, much of which is taken up by an in - depth and very sympathetic engagement with the work of the aforementioned Professor Taylor, whose work is a sine qua non for anyone hoping to understand the place of religion in our contemporary context.

I've thought a lot about this film in the context of how it applies to our contemporary world, and I think there is something about Solomon that stretches across time and place, that touches something very deep inside us all.

The elements include the recognition and use of heritage languages; pedagogy that stresses traditional cultural characteristics and adult - child interactions; pedagogy in which teaching strategies are congruent with the traditional culture, as well as contemporary ways of knowing and learning; curriculum based on traditional culture that places the education of young children in a contemporary context; strong Native community participation in the planning and operation of school activities; and knowledge and use of the social and political mores of the community.

By placing socially historical imagery in a contemporary context, Dunn is able to rigorously question a range of issues from racial identity to social justice through his artistic practice.

The best - selling textbook Drawing: A Contemporary Approach places Lee's work in the context of 20th Century trends in drawing along with other major contemporContemporary Approach places Lee's work in the context of 20th Century trends in drawing along with other major contemporarycontemporary artists.

Additionally, exhibition curator Bartholomew Ryan's essay weaves together their various approaches, placing them in the context of broader contemporary art practice and the complex world we inhabit.

The conversation continues in the catalogue, which places dynamic artist contributions in the context of broader contemporary practices.

Filled with handwritten lyrics, stage costumes and childhood artifacts, and with hardly any attempts at placing Bowie's career within a visual art context or linking him to contemporary practices visual or otherwise, it is very difficult to see this one - dimensional exhibition as more than a tactic to get the non-art audience in the doors.

Beginning in the fall of 2016, the Museum has invited artists to respond to this collection within the context of the Grafly Commission, wherein they will produce works that will help to place Grafly's work in conversation with contemporary art.

Organized by the Kemper Museum of Contemporary Art in Kansas City, Missouri, Magnetic Fields is the first U.S. exhibition to place abstract works by multiple generations of black women artists in context with one another.

Amongst the dizzying diversity of contemporary art on view, it is this small piece that questions the present, past, and situational context — much like the greater themes pulsing through this year's fair taking place in its seasonal home of Regent's Park.

The opening will take place in the context of APERTURA 2013, an event organized by the Contemporary Art galleries association ArteMadrid.

After the initial rotation opens this September, periodic changes will place works such as Winslow Homer's Fox Hunt and other treasures in new contexts, and curator of contemporary art, Julien Robson, will make use of the historical collection to reveal the links between past and present.

In a contemporary context, the new «lenses» provided by digital technologies — from screens to optical devices and mediating surfaces — enable us to undertake perceptual journeys on which we explore spaces beyond our imagination, travel through time, experience time conjunction, and mediated representations of place.

In addition to mounting focused monographic presentations of the pillars of 20th - century art such as Peter Halley, Donald Baechler, Andy Warhol, Robert Motherwell, and Julian Schnabel, the gallery explores current themes in contemporary art through thematic exhibitions that place living artists in the historic context of their predecessorIn addition to mounting focused monographic presentations of the pillars of 20th - century art such as Peter Halley, Donald Baechler, Andy Warhol, Robert Motherwell, and Julian Schnabel, the gallery explores current themes in contemporary art through thematic exhibitions that place living artists in the historic context of their predecessorin contemporary art through thematic exhibitions that place living artists in the historic context of their predecessorin the historic context of their predecessors.

But it is impossible to place a show like this in its ideal context; instead, we must look at the complexity of the show as an additional effort to present and understand the complicated — and sometimes merely imagined — relations between Eastern and Western contemporary painting.

First, the works of Nauman's 50 - plus - year career are placed in the context of contemporary positions and discourses.

I want to uproot the imagery from the classical and European contexts, and place it in a contemporary, global context, leaving it up to viewers to interpret it from their own perspectives,» Rana says.

Through its exhibitions and programs, SJMA addresses major trends in international contemporary art, architecture, and design, with an ongoing commitment to also place the work of California artists in national and international context.

«Ultimately, the goal is to expand the understanding of the arts of Africa through landmark acquisitions and innovative exhibition strategies that link together historical, modern and contemporary African arts, and placing them in local, transnational, and global contexts.

Like ships in the night speaks to the interconnectedness and the diversity of views that shape our place within the world, shedding light on the given historical and cultural complexities of our contemporary colonial context.

In keeping with the Center's mission, our exhibitions endeavor to place book art practice within the larger context of contemporary art, exploring the book as object, as media, and as a site of resistance.

Guerilla Performance taking place in a context by COMMON AFFAIRS — Revisiting the VIEWS Award — Contemporary Art from Poland, 17 + 18 SEP 2016 On the...

In harmony with POP Montreal's mandates, Art POP strives to create a place for young, emerging artists and curators to share space alongside established talent, and to find challenging and creative ways to situate Montreal's artistic community within the context of international contemporary art practices.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

Curated by esteemed curator Djon Mundine, this exhibition will bring together historical and spiritual objects from the collection of Robert Bleakley, and place them in context against contemporary screen based works alluding to ideas of transformation.

Together with the accompanying catalogue, which will place Genzken's work in an art historical context as well as trace her influence on an international array of sculptors working today, the exhibition secures Genzken's legacy as a transgenerational force in international contemporary art.

Such modes of investigation may appear local in context, but are part of the contemporary global discourse surrounding broader notions of identity, gender, place, ecology, and technology, among others.

The programme is designed to provide a practice - led research context for students at any stage of their professional practice by focusing in - depth on aesthetic, social, political and philosophical questions that are brought to bear in any place or at any event in which contemporary art is situated.

In this exhibition, over eighty paintings and drawings from Stanley Spencer are placed in an art historical context by including twenty works of English contemporaries such as Lucian Freud and Dora CarringtoIn this exhibition, over eighty paintings and drawings from Stanley Spencer are placed in an art historical context by including twenty works of English contemporaries such as Lucian Freud and Dora Carringtoin an art historical context by including twenty works of English contemporaries such as Lucian Freud and Dora Carrington.

David Richard mounts exhibits that place artists in a historical contexts and pairs them with contemporary work that reflect, directly or indirectly, the spread of a movement or an artist's influence or legacy.

In celebration of the Madison Museum of Contemporary Art's ten - year anniversary in its striking Cesar Pelli - designed building, MMoCA will present Taking Their Place: Recent Acquisitions in Context, on view September 12 through January In celebration of the Madison Museum of Contemporary Art's ten - year anniversary in its striking Cesar Pelli - designed building, MMoCA will present Taking Their Place: Recent Acquisitions in Context, on view September 12 through January in its striking Cesar Pelli - designed building, MMoCA will present Taking Their Place: Recent Acquisitions in Context, on view September 12 through January in Context, on view September 12 through January 3.

As a contemporary art institution, the Kunstverein's mission is not only to present young art but also to place present - day artistic output in a historical context.

During the symposium, a selection of key experts in the field have addressed these questions and framed them in the wider context of the naissance of the modern and contemporary art museum and the role models of Pontus Hultén and Willem Sandberg, our continuous engagement with the art production of the 1960s, the place of these exhibitions in the wider artistic oeuvres of the participating artists, post-1960s «labyrinthine» exhibition practices at large, and the growing discipline of exhibition history.

The accompanying catalog, designed by the Walker's award - winning design studio and available at the Walker Shop, places artists contributions in the context of broader contemporary practice.

Founder of surcontexto.org, an independent organisation devoted to research and curating in context within the field of contemporary South and Latin American art and history, her ongoing projects include Plato Crítico, an art criticism platform that takes place monthly in different galleries and museums in Montevideo; Inter / View, an audiovisual project with Dokumental collective that maps thought - processes through interviews with artists, curators, philosophers, writers, etc..

Essential Experiments takes place every month and screens a wide variety of work form the full range of artist's moving image practice from avant garde classics to contemporary digital works in order to provide the audiences with the context in which the works were made and way of understanding them.

Together with the accompanying catalogue, which places Genzken's work in an art historical context and traces her influence on an international array of artists working today, the exhibition secures Genzken's legacy as a transgenerational force in international contemporary art.

Taking place in a dedicated structure, the program for the space is devised by Free Arts NYC and 826NYC who together will produce a dynamic context for students ranging from 4th — 12th grade to explore notions of contemporary art and color.

These dramatic events take place in the context of the uprising of the oppressed population, led by Norma's father, Oroveso, and places the black woman and her affect in the centre of political issues, raising questions about her status and representation in contemporary society.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — FebruContemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — FebruContemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — FebruContemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — Februcontemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — FebruContemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

White's images explore historical photographic processes and, in her numerous public commissions, places imagery of native plant species in the context of contemporary urban surroundings.

His whorl of ornamentation and the detailed drawings of knights and dark forests place him in a context of renewed interest for contemporary artists.

Elaine de Kooning is another artist whose work will be placed in a context independent from her husband, and well - known contemporary, Willem de Kooning.

In addition, forty masterpieces by contemporaries from Kunstmuseum Basel's collection place Vincent van Gogh's groundbreaking approach to nature in a broader contexIn addition, forty masterpieces by contemporaries from Kunstmuseum Basel's collection place Vincent van Gogh's groundbreaking approach to nature in a broader contexin a broader context.

Taking place a week earlier this year, Frieze Masters brings together several thousand years of art in a unique, contemporary context.