Sentences with phrase «placed in the common spaces»

Ordinary everyday objects placed in the common spaces suddenly became sources of interest.

Not exact matches

These classes take place in common areas and on rooftop decks in select New York locations, including one at 110 Wall Street — home of the first WeLive co-living space.

The truth is it's not that there weren't any like - minded entrepreneurs in my area, we just didn't really have a common place to go until co-working spaces started popping up.

It could also work for telepresence systems, which allow colleagues in separate places to work together in a common space.

If you have room for it, place a bookshelf in the common space.

A 2MP on the front and a 8MP plus BMI sensor on the rear would seem to be pretty paltry compared to what we are seeing in the smartphone space where 16MP - 20MP sensors are becoming more common place.

Also this cloud tech isn't exclusive to one company if one started using it more and more any developer or publisher can get it in their games they just need the servers and they can be bought or rented from many many places if required it will just cost and I have to question if it's been used for a games main campaign what happens when inevitably they shut down the servers which if every game were using compute tech would become more common due to both physical space among other limitations.

Taking place almost exclusively in an All - Girls school, main character Hinako is pulled into a space known as «The Common» by her adjacent classmates Yuzu and Lime - a supernatural plain where alien - looking creatures roam freely - to collect the «fragments» spawned by the woes of the other students.

In his large scale sculptures and wall mounted works, Hodges challenges expectations of space and movement by placing common materials into a new fragmented context.

A good painting (and there are plenty of good paintings in this show) creates a kind of commons — a place where an artist can share subtle perceptions, extended across space and time.

Just as Artists Space itself is transformed into a self - regulated commons, Decolonize This Place will «strike art» to «liberate art from itself» — in the words of MTL + member Nitasha Dhillon: «not to end art, but to unleash its powers of direct action and radical imagination.»

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Stories place each work in a specific place for investigation and a common intervention space.

What they all have in common is that they are using found photographs and objects to question the intersecting forces and racial biases that place photographic images of Black males in public spaces.

As is visible in the pictures, lots of new windows were placed above to let natural light in, while common spaces outside the wooden warehouses were naturally ventilated (no AC or heat is used in those areas).

For those who aren't familiar with the equipment, in order to convert your vehicle you need a special tube - shaped tank, which is placed in the rear, top, or trunk of your car (last is most common), losing some space but gaining economically and environmentally.

These recognitions are now common place for all public spaces in recent years, not as something which has been done for quite some time.

Small spaces have been common for a while in places like Japan, New York, Seattle, and more recently Portland or a downtown parking garage near you.

Lot 34 in Haden Place borders the common area at the subdivision property line creating the illusion of a much larger space.