Sentences with phrase «placed on artistic practice»

As the restrictions placed on artistic practice began to wane over the course of the 19th century, women began to «strike out on their own.»

In doing so, we wanted to broaden this discussion beyond the region and engage in a debate about the pressures and demands placed on artistic practices within the instrumentalizing logic that underwrites the reductive rhetoric of our revolutionary, neo-liberal, globalized, and late - capitalist milieu.

Not exact matches

The conversation will focus on their individual artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.

Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis on the process of collaboration and the subjective experience within artistic practice.

He positions his artistic practice as a tool for reflection on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and dystopia.

Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body of work that the artist has cultivated since 1972.

Draughtsmanship was an essential part of Lord Leighton PRA's artistic practice and he placed great value on his drawings.

«Cross Country» will bring together works by more than 80 artists to explore the impact of the American countryside on their artistic practice and how they adapted the modernist style to express their sense of place.

Central Saint Martins student Eva Cookney on Becoming The Other, an exhibition exploring ethnography / anthropology within artistic practice that she participated in at Rivington Place this May.

Examining the impact of time and space on identity constructions, places, and (hi) stories, these works record, critique, and expand the understanding of the social role of artistic practice.

Discussing the transformations wrought by the Internet — particularly the latter's implications for artistic practices — the participants in this forum illustrate how the impassioned debates taking place on the Net can help forge new kinds of communities, discourses, and intimate connections across this most transitory of landscapes.

This year's Sonica festival takes place along with the first anniversary of MoTA Point and is again focusing on diverse artistic practices...

This year's Sonica festival takes place along with the first anniversary of MoTA Point and is again focusing on diverse artistic practices which all involve transitoriness in the medium of...

Having grown up in Mbare, Harare, a place that is considered one of Zimbabwe's most notorious ghettos, Nyaude's work emphasises his youthful exuberance and the influence of the urban environment on artistic practice.

With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.

The Sharjah Art Foundation announces the fourth annual March Meeting, a three - day symposium featuring presentations by 42 institutions, artists and art professionals on artistic practice and production in the Middle East, North Africa and South Asia (MENASA) region and beyond, to take place in Sharjah from March 13 to March 15, 2011.

A meeting place for artists, photographers, graphic designers, curators, artistic directors a.o. Offprint Paris focuses on high - end and emerging practices, offering a unique selection of

It is the Audain gallery's mission to encourage «conceptual and experimental projects that explore the dialogue between the social and the cultural in contemporary artistic practices» and SFU prides itself on its adherence to the principles of an autodidactic education, placing an emphasis on «self - directed and individual modes of learning».

This exhibition entitled The Housebreaker proposes a discovery of the plurality of artistic practices taking place on the French scene since the year 2000.

Since Carolyn is closely involved in working with artists, she has a grasp on the larger historical understanding of artistic practice from different places.

The title of the exhibition is a reference to the Surrealists» automatism, an artistic practice built on the expression of the subconscious by placing value on the accidental and random.

As Reader in Photography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of photography today, and This Must Be the Place assesses the medium's new role in the international artistic forum.

In exploring these profound shifts, the artistic practices showcased in this exhibition meditate on the uncertainty of identity, reflecting our uneasy relationship to place.

On our AP Audio channel, we will be releasing a series of recorded conversations about artistic practice, place, and publics that confront socio - political concerns, participation, and social histories.

Solitude as an artist residency and the ZKM as a museum and place of artistic research and development merge their expertise and practice to work together on the program.

A contemplative visual essay, Inventory explores Tan's preoccupation with time, memory, and place, and is as much a meditation on the human impulse to collect as a reflection on Tan's artistic practice to date.

It is distinguished by an international, interdisciplinary perspective, and it reflects San Francisco's unique location and cultural history by placing a particular importance on the study of curatorial and artistic practices in Asia and Latin America.

The program is distinguished by an international, interdisciplinary perspective, and it reflects San Francisco's unique location and cultural history by placing a particular importance on the study of curatorial and artistic practices in Asia and Latin America.

The exhibition features around 200 sculptures and works on paper produced over the past 50 years, ranging from his most influential works made with metallic plates, levers, ribbons and slopes, to other unique examples of his artistic practice, serving as an example with which to understand the development of his progressive concept of «sculpture as form, sculpture as structure, sculpture as place».

This selection help us to understand his progressive concept of «sculpture as form, sculpture as structure, sculpture as place» and, in addition the exhibition focuses on the key role of language in Andre's artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp's readymades.