Sentences with phrase «placed on stretcher»

But what started as many meter - lengths of knitted, black and white triangles and rhombuses, and were subsequently stitched together and placed on stretcher bars have, in Rechs» Brussels space, morphed into around 20 weavings in his favored neutral tones as well as salmons, deep and robin's egg blues, yellow, and kelly green.

Trockel has become best known for her machine - generated «knitted paintings» — knitted woollen material placed on a stretcher — in which she challenges traditional notions of painting, feminine roles in society and culture at large, as well as art making itself.

The officer watched as the two attendants stooped to pick up the body and place it on the stretcher, then led them back to their boat, walking purposefully, as though it was only through his intervention that they were sure of reaching it.

She was removed from the car, place on a stretcher and taken to hospital.

Not exact matches

The family of the woman — who was connected to a breathing machine on a stretcher — had placed signs near the highway, reading, «Please Pope stop here to see an angel who has been waiting for you.

The match started off rather poorly for Leeds after Conor Shaughnessy, who was a surprise starter in place of Matthew Pennington after the Everton loanee was injured during lineups, was injured and had to be stretchered off after six minutes on the pitch.

In the ER I found a nurse struggling to place an IV in a young man lying shirtless and unconscious on a stretcher.

How to do a Table Stretcher: Sit on the ground with your legs straight in front of you place your hands by your sides flat on the ground.

The cat can be transported held in your arms or placed in a box or on a stretcher.

If your pet is not walking and is too large to carry, place him or her on a blanket to use as a stretcher.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

One series is based on used muslin teabags and uses an embroidery hoop in place of a stretcher.

The episodic and filmic action revolves around successive scenes of an auto accident on the New York street; an injured victim is helped onto a stretcher and placed in an ambulance, detectives take notes, the life of the city goes on.

Compound Flat 50, 52, 59, and 58 (subtitled Pink Dropout) are based on stacked double rectangles, suggesting open sash windows — or, again, stretcher bars — divested of their glass or canvas, with swaths of fabric (actually pigmented epoxy) inserted into the mechanisms, holding them in place, or together; the window idea is borrowed, of course, from traditional painting.