Sentences with phrase «places bodies in these spaces»

She places bodies in these spaces, sometimes including her own, and uses a tightly - scripted choreography in which every move relates to institutionalised systems that rely on exclusion and destruction.

Not exact matches

Under the United Nations Treaty on Principles Governing the Activities of States in the Exploration and Use of Outer Space, including the Moon and Other Celestial Bodies, for instance, states agreed to explore space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contaminaSpace, including the Moon and Other Celestial Bodies, for instance, states agreed to explore space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contaminBodies, for instance, states agreed to explore space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contaminaspace for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contaminbodies and avoid harmful contamination.

«Under the United Nations Treaty on Principles Governing the Activities of States in the Exploration and Use of Outer Space, including the Moon and Other Celestial Bodies, for instance, states agreed to explore space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contamination,» Maynard explains, but that was way back in Space, including the Moon and Other Celestial Bodies, for instance, states agreed to explore space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contamination,» Maynard explains, but that was way back inBodies, for instance, states agreed to explore space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contamination,» Maynard explains, but that was way back in space for the benefit of all humankind, not place weapons of mass destruction on celestial bodies and avoid harmful contamination,» Maynard explains, but that was way back inbodies and avoid harmful contamination,» Maynard explains, but that was way back in 1967.

We have seen that which our bodies are made up of and they are of cellularized structures not «unlike» stellarized structures in outer space places!

It is said for example that thoughts do not occur at a place in the body at all, not even in the brain; more importantly it is pointed out that the spatial properties of images do not coincide with spatial properties of any part of the brain and that therefore the images must be in some sort of mental space.

Funny how star gazing gives one awe and a sense of eternity and in my case it removes the hope of heaven... i.e. there is no heaven, just space with gazeous substance... a place where it is childish and absurd to think we are going when we die... Our solar system / galaxy seem empty of organic life altogether... actually inorganic seems to be the norm... so my faith struggle of the week is how can I possibly believe in after life... when reality shows me decomposition of all that we are, scientific observation does not allow room for a «spirit body» to rise and go in some nebulae... So why do I still need to believe despite this raw evidence... I drive me crazy sometimes...

This in untenable because the human body — like all corporeal things — fills space and is, by that, located in a single place.

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I used my nursing pillow, mybrestfriend, and after clipping it around my waste propped it on the tray table and placed my 4 m old in the pocket of space left between the cushion and my body leaving the strap loose.

With her body pressed into her mother's, she gains proprioception — an awareness of her own body and her body's place in space.

«Breastfeeding moms are attuned to their babies in specific physiological ways and they usually place their babies under their arms (their arms blocking the pillow above), with the baby facing the breast, and their bodies curved around them, creating a safe space for the baby,» Tomori says.

«Some of the same processes that take place in deep space may occur in these icy bodies in the supercold outer regions of the solar system,» Allamandola says.

The bodies had been placed throughout a roughly 1,500 - year span in what was considered a sacred space.

When you place a block under each hand for Downward Dog, you create space in the upper body — especially in the shoulders and neck.

Not only will you have these crystals to place on your body but having them in your space will create a positive environment as well.

Force produced by the prime mover muscles is greater, because they are working to co-contract with the antagonist and synergist or stabilizer muscles in order to hold the body and / or the weights in place, as well as move them through space.

This class is designed to target those places in the body that might need a little extra space breathed into them after a night's sleep.

FIRST PLACE / NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack, director

This module includes the following: * A check list for students, parents and teachers to ensure that students understand all the content by the time they reach the end of the module; * A list of important terms used in this section * Descriptions of different celestial bodies (planets, stars, moons, comets, asteroids, meteoroids, meteors, meteorites) * Opportunities for student engagement - place for students to write their thoughts / answers in spaces provided (individual as well as group work) * Simple explanations on the Earth's rotation, day and night, years and seasons, equinoxes and solstices.

They can even venture to places they couldn't normally go, such as inside the human body, into outer space, or back in time.

Honda says there's space for an 82 - quart cooler behind the rear seats with all three rows in place, thanks to the additional body length.

Interior (Features, Space & Comfort) Interior quality is best in this class, the quality of switches and plastic used in dash board are best in this class, build quality of body is very best and secure, the front arm rest is very comfort and perfectly placed (when i test drive other vehicles, i feel very discomfort and very small size arm rest is in most cars) tilt and telescopic steering, height adjustable driver seat.

Taking a variety of geometries as a starting point for an investigation of space, place and reflexive architecture, the works in according to a given mean explore the ways in which mathematical principles of spatial organisation — ultimately foreign to the body — are able to evoke states of being or mind and provoke emotional responses through purely objective means.

Particular emphasis is placed in the relationship between the human body and environment, using multiple sites to play with as spaces to create live images.

Why make a body that is a perfect copy in terms of representation, when in fact you are interested in the body as a place, as a space; as a place of dwelling?

Close readings of the oeuvres of David Hammons, Adrian Piper, and others uncover the place of the body, urban space and memory in the works of Black artists, who are represented with more than 130 images.

In this new body of work, Rojas has done away with the figures of her stories in the past, and zoned in on exploring space and placIn this new body of work, Rojas has done away with the figures of her stories in the past, and zoned in on exploring space and placin the past, and zoned in on exploring space and placin on exploring space and place.

Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

In his writings, Glissant views this wandering as rhizomatic, creating relationships between object / body, place and idea that cross multiple boundaries, while leaving a space for reflection and projection.

Performing the Body is a new exhibition taking place at Galerie Ivokamm in Zurich where Alexa Meade and Sheila Vand have collaborated on a body of work that explores the fluidity of form in relation to time and spBody is a new exhibition taking place at Galerie Ivokamm in Zurich where Alexa Meade and Sheila Vand have collaborated on a body of work that explores the fluidity of form in relation to time and spbody of work that explores the fluidity of form in relation to time and space.

De'Souza - Hartley's work is inspired by the local, narratives of the body in relation to the history of place and coded space, and the complexities of identity formation.

While, in these series, she placed her black female body into spaces, like museums, where black women have historically been underrepresented, Weems, in

While, in these series, she placed her black female body into spaces, like museums, where black women have historically been underrepresented, Weems, in Scenes & Take, celebrates the renaissance of television shows with strong black lead characters by black creators like Shonda Rhimes and Lee Daniels.

1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...

With just over a week till the gallery opens, the last of the auditions for Bodies in Urban Spaces took place on 1 and 2 April.

Today it seems almost impossible to reconcile the output of two forms of labor: one that arrests working bodies in space and time over the long term — over days, weeks, years, lifetimes, and generations — and another that takes place in an instant, in the time it takes for a camera shutter to snap or for a commercial spot to be shot and broadcast in all directions to project an instant of work across the earth.

The sculptures are vessels, similar to our bodies, that may be filled with fluids, air or sound; sound is taking place in space but is also spreading within us.»

Treating it as a private theater and a tiny studio space, Bark used his body as a ground for painting or made abstractions by placing cardboard and sticks in front of the lens.

2015 Auto Body / International Female Video and Performance Exhibition / Curated by Anthony Spinello, Brandi Reddick, Ximena Caminos, Tami Katz - Freiman and Chana Budgazad Sheldon / Faena Art Center, Buenos Aires, Argentina Leave No Trace / Swampspace / Miami [place art here] / Placeholder Artist Space / Miami The Secret Life of Plants / Clyde Butcher Coconut Grove Gallery / Miami Better Alive Than Dead / Farside Gallery / Miami Attitudes in Latitudes: The Northern Wild Explores the Tropics / Art Center Miami Beach The Moment.

This new body of work continues Stoney's examination of humankind's place within the environment — and his individual place — and the larger scheme of things: geologically, historically, and otherwise, where it is put in its place within the vastness of time and space.

Nowadays many creators have been seduced into the space of otherness and the abject, as a banner we can lift the embodiments of delusion of Goya in his Black Paintings and The Disasters of War, or visit the work of David Cronenberg in The Fly, Tod Browings with Freaks, the otherness worked by Lynch, Bacon's deformed faces, the sexual exaltation in Picasso and Kubin, Barney's beautiful Chimeras, the twisted bodies of John Currin, or the «Frankensteinian» exercises of Cindy Sherman, they like many other artists, have used this place as a sign of vulnerability of the predatory condition, of the primary lethal and self - destructive impulses of human beings.

In other cases, works can be similar to dials and signposts that draw viewers to a particular place inside the space and subtly reveal an unawareness of the scale of the space and of their bodies while navigating the environment.

2005» [prologue] Reclaiming Europe from a new feminist perspective», Cornerhouse, Manchester UK «Art out of Place», Norwich Castle Museum and Art gallery, Norwich, UK «Double Check Re-Framing Space in Photography: The other Parallel Histories», Camera Austria, Kunsthaus Graz, Austria 2004 «Your Heart is No Match for My Love», The Soap Factory, The Walker Art Center, Minneapolis, USA «Show Us What You're Made Of», The Premises, Johannesburg, SA «After Hours» and «In / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, South Afriin Photography: The other Parallel Histories», Camera Austria, Kunsthaus Graz, Austria 2004 «Your Heart is No Match for My Love», The Soap Factory, The Walker Art Center, Minneapolis, USA «Show Us What You're Made Of», The Premises, Johannesburg, SA «After Hours» and «In / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, South AfriIn / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, South Africa

Let's talk about Vagina Painting (held at Filmmaker Cooperative at Astor Place in 1965 where Jonas Mekas would occasionally let Maciunas take over the space to use for his Fluxfest) which was considered a kind of parody of Yves Klein's use of the female body as a painting tool, as well as Pollock's action painting.

In its place, the artists in the final section of «Revolution in the Making» offer an empty space for the viewer's own bodIn its place, the artists in the final section of «Revolution in the Making» offer an empty space for the viewer's own bodin the final section of «Revolution in the Making» offer an empty space for the viewer's own bodin the Making» offer an empty space for the viewer's own body.

, Gallery Joe, Philadelphia, PA 14th Annual Inliquid Benefit Auction, Gallery Joe Booth, Icebox Project Space, Crane Arts, Philadelphia, PA 2013 In Front of Strangers, I Sing: 72nd Annual Juried Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - DecIn Front of Strangers, I Sing: 72nd Annual Juried Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Decin Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Dec.)

If a black body with a fixed - rate energy source is in radiation - rate - equilibrium with the vacuum of space at 0 Kelvins, placing additional material separate from but surrounding the black body will likely cause the temperature of the surface of the black body to change in such a way that energy - rate - equilibrium is re-established for the black body.

Yoga puts you back in your body and really in an intimate space with yourself, and Yoga Refuge just feels really like a safe place... At Yoga Refuge its about the emotional and philosophical practice of yoga as well as the body practice, so I don't feel like there's an expectation on my personal abilities.

The other type is an epidural anesthetic; this is typically administered via a catheter, which is placed outside of the subarachnoid space to create numbness in the lower body.

Camargo isn't trying to pull off some of the crazier ideas that we saw in earlier versions, like magnetic locking mechanisms and wireless capacitive communication from module to body, but in their place it's a system that will allow more space for modules and uses come clever hardware magic to protect the contact points for the connection.