Sentences with phrase «places permanent installations»

Not exact matches

A permanent public installation of a «Wind Sculpture» at Howick Place, London, England was unveiled in 2014.

Works from the permanent collection are placed in dialogue with contemporary projects, commissioned pieces and immersive installations.

Serving as his New York home and studio, 101 Spring Street is the place of origin for Judd's ideas on permanent installation and is the only surviving single - use cast - iron building of its era in the SoHo Cast - Iron Historic District.

These works will be featured in upcoming permanent collection installations that will place them into dialogue with other exciting voices in modern and contemporary art.

Today, the museum continues this rich history with new acquisitions, special exhibitions and permanent collection installations that offer dynamic new approaches to presentation and interpretation by placing these artists into conversation with some of the most iconic and established voices in modern and contemporary art.

This impressive structure is the first permanent artwork in China by Paris - based Arnaud Lapierre — the artist behind the iconic installation Ring for Place Vendôme, realised on the occasion of FIAC 2011.

The video installation places six of the interviews with the artists who contributed to the publication in dialogue with the Benaki Museum's permanent collection.

Ultimately, 101 Spring Street became a place where Judd explored his ideas on permanent installation and considered art in relation to architecture.

In demonstrating that art is predominantly an idea, LeWitt makes his work almost permanent because the concept lives on during the installations and can be continued in other places, thus rendering it unique and different on every occasion.

The project led Oldenburg to focus almost exclusively on the permanent installation of large - scale monuments in public places.

, Matthew Marks Gallery, New York 2013 The Living, Kunstverein München e.V., Munich 2012 Galerie Max Hetzler, Berlin Museum Dhondt - Dhaenens, Ghent, Belgium 2011 Come Helga, This Is No Place For Us II, Maureen Paley, London 2010 The Renaissance Society at the University of Chicago Art Institute of Chicago 2009 Feelings, Matthew Marks Gallery, New York Serpentine Gallery, London (catalogue) 2007 Large Concretised Monument to the Twentieth Century, Chiswick Business Park, London (Permanent installation) Come Helga, This Is No Place For Us, Galerie Max Hetzler, Berlin Matthew Marks Gallery, New York 2005 Zoo Story: An exhibition of animals in art — for the young and young at heart, Fisher Landau Center for Art, New York Pas de Deux, Matthew Marks Gallery, New York Galerie Daniel Buchholz, Cologne 2004 Dark Passage, Kunsthalle Zürich (catalogue) Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne 2003 Donald Young Gallery, Chicago The Boiler Room, The Saatchi Gallery, London SHE, Maureen Paley, London 2002 Fleischvater, Modern Art, London 2000 The Agony and the Ecstasy, Maureen Paley, London 1995 Manliness without Ostentation..., the Agency, London 1993 I Have Every Vice in the World, Dolphin Gallery, Oxford Selected Group Exhibitions: 2018 Anna Fasshauer Michail Pirgelis Rebecca Warren, Kunstverein Reutlingen, Germany Virginia Woolf: An Exhibition Inspired by her Writings, Tate St Ives, UK.

We initiate public art projects in the US and abroad placing large - scale works in the public domain for both permanent and temporary installations, in such locations as New York City, London, Boston, San Diego, Miami, Salt Lake City, Philadelphia, Las Vegas and Dallas.

The permanent installation, «Ring: One with Nature» — to have its premiere Aug. 2, before the opening ceremony — is part of an effort by the artist's nonprofit Faou Foundation to place site - specific works on six continents.

It is better than all of the second - floor installations of the permanent collection that have taken place since MoMA's reopening three years ago, because it defines a polemic about a single medium and then cogently explores it.

Over the following two decades, as Klee came to occupy a central place in the collection, his art became a prominent feature of numerous group and solo exhibitions and permanent collection installations, attracting increasingly receptive American artists and visitors.

An installation by the artist titled The Place for My Soul has been on permanent display at the museum since it opened.