She is not interested, however, in feminist art that «
places social critique or politics in the foreground,» acknowledging the feminine, emotional side to artists such as Mike Kelley or Matthew Barney, of whom she was an early collector.
Not exact matches
Again, that fact doesn't obviate the option of (or indeed the need for)
social critique; it just means that we can't reasonably roll our eyes at the very notion of a
place like Hooters, and then merrily skip down to the neighbourhood bar where the waitresses wear short skirts and tube tops all summer.
Reaching into the current
social fabric of U.S. culture, the work investigates and excavates popular culture and
places what is found on a stage for questioning and
critique.
Examining the impact of time and space on identity constructions,
places, and (hi) stories, these works record,
critique, and expand the understanding of the
social role of artistic practice.
Over the course of her five - decade - long career, most of which was spent as artist - in - residence with the City of New York Department of Sanitation, Ukeles mapped out a practice that seems to
place her somewhere between the late - 20th - century strategy of institutional
critique and the current vogue for
social - practice art.
So, Occupy Wall Street, I'm right there with you in calling out neoliberalism for a whole litany of
social and economic problems — both not being solved by it as its proponents always envisioned but also being exacerbated in many
places — but at least when it comes to the environment, the
critique isn't fully accurate.