Much has been made, in recent criticism, of the significance of
placing photographic images on sculptural objects.
What they all have in common is that they are using found photographs and objects to question the intersecting forces and racial biases that
place photographic images of Black males in public spaces.
Not exact matches
But Kaminski's no one - trick pony — he finds
places to break out of the
photographic scheme, be it a warmly candle - lit church scene (the depth and richness of the shadows are jaw - dropping) or that gorgeous, iconic shot of the men silhouetted against distant gunfire — you want to pause the
image and put a frame around it.
Pass Thru Fire, by Lou Reed (Bloomsbury Paperbacks), Undiscovered Gyrl, by Allison Burnett, (Vintage), and Faraway
Places by Tom Spanbauer (Hawthorne Books), each use the
photographic image in distinctive and powerful fashion.
The show «Mario Testino: In Your Face» (until 26 July 2015) presents the full range of his
photographic work, in 125
images,
placing particular emphasis on its provocative contrasts.
In this discussion of his work Miller
places his project within the context of a larger, planned documentation of this tumultuous event by New Zealand's
photographic community, and the various uses made of these
images in the immediate aftermath of the Tour.
Fay selected twelve
images to illustrate her piece and concludes it by highlighting that «Photo London is one of the best
places to stay atop this cusp of artistic and
photographic innovation we're experiencing in our city at the moment».
Simply described, a photogram is an
image created without a camera by
placing objects or shining light directly onto
photographic paper and developing the paper.
He uses unconventional materials in traditional
photographic techniques to produce unique
photographic prints with a conceptual twist; for example his «dust» series, which uses collected dust and adhesive in
place of the usual
photographic chemicals to print delicate, gossamer
images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.
A journey across geographic
place, art historical precedents, and the very history of
photographic image making find a dynamic relationship in The River of No Return, a series created by Laura McPhee over a multiyear residency in the Sawtooth Valley in central Idaho, supported by the Alturas Foundation.
In this work a Lancaster Red - Green Glass was
placed over a
photographic camera lens to produce
images.
At first, these
images look like
photographic renderings of one of the most photogenic
places on the planet.
Further, the cinematic apparatus of the running film strip representing reality, which Deschenes allegorically alludes to, is reversed to reveal through the
photographic objects» mirroring material a fuzzy
image of the passerby in staccato motion, while the photograms themselves, if you will, remain installed and fixed in
place.
The poem, or as Ebner refers to it, «the
photographic sentence,» seeks to enliven the
image by subjecting it to various challenges that ask the photograph to perform outside its usual function of reporting or depicting events, people,
places, and things of our time.
Photographic images of processed food in unbiased spectacle by Vancouver artist Mark Mizgala are strategically
placed in outdoor advertising signs along the Bank Street corridor in downtown Ottawa.
It echoes proto - appropriationist Elaine Sturtevant's
photographic revisiting of another Man Ray
image, Adam and Eve, but this collaged, thrown - together female form — reflecting allusively, perhaps like Another Interlude, on the
place of women in art history — has a power to disconcert and disquiet that is entirely its own.
Dominic Lippillo's solo and collaborative work addresses ideas pertaining to memory, space and
place, and vernacular
photographic images.
Paris Photo Los Angeles, the United States edition of the acclaimed art fair for
photographic works, will take
place at Paramount Pictures Studios on April 25th - 27th offering the ideal setting to explore how artists have been and are using photography and moving
image in their work in the 20th and 21st centuries.
Authenticity, the
photographic point of view and its relation to embodied experience, identificatory projection, as well as the complex relation between photograph and
image all find their
place within this framework.
Photographic images of processed food in unbiased spectacle by Vancouver artist Mark Mizgala are strategically
placed in outdoor advertising signs along the Bank Street corridor...
In
place of this systemic deficit, he has assembled and created an archive of
photographic images and documents, both personal and familial.
The
photographic images in this installation represent
places viewed from a great distance.
Her outdoor excursions amongst the Rocky Mountains have
placed the natural world and its
photographic image at the root of her artistic interests.
White's
images explore historical
photographic processes and, in her numerous public commissions,
places imagery of native plant species in the context of contemporary urban surroundings.
Inspired by Fox Talbots» first
photographic images, she
placed ordinary objects directly on the plate, exposing them to ultra violet light, so that they act as a
photographic positive.
In the dynamic melancholy of this journey, each
photographic and filmic
image, as Anne Valérie Gasc highlights, «is like the «blockade» that transforms a
place of weakness into a stronghold, into an enclosure in space - time, into a site where everything is there, clearly identified, in the self - evidence of its reality and its
place, a seat in the quasi-military sense of the term.
Her
photographic works questions how we subscribe to the traditional modes of production and
places of functioning through the poetic ambiguities and fractures harmonies, created by the disparate arrangement of
images on a single plane.