Wilson achieves complexity and these mysterious
planar shifts not by hewing to a simple matrix (Stella had his squares, Noland his targets), but by allowing the given elements to evolve with moment - to - moment choices and revision.
Not exact matches
What's surprising about Herrera's new works at Frederico Sève / Latincollector's 57th Street gallery is the
shift from
planar geometry to forms that torque inside their
planar constraints to create a volumetric condition.