Sentences with phrase «planar surfaces»

In this new body of work, Casebere returns to his career - long interrogation of interior architectural spaces to explore Barragán's sumptuous use of color, dramatic light and simple haptic, planar surfaces.
Cloaked in paint, the planar surfaces of the walls and monumental stair alternately advance and recede, oscillating between real and illusionary space.
«In this new body of work, Casebere returns to his career - long interrogation of interior architectural spaces to explore Barragán's sumptuous use of color, dramatic light and simple haptic, planar surfaces,» said Sean Kelly Gallery, which will host the exhibition from 27 January to 11 March 2017.
A collage of cast shadows, dark voids, and planar surfaces,
«Simple yet distinctive geometric forms and planar surfaces define Jeep Patriot's timeless proportions» said Trevor Creed, Senior Vice President - Design.
«Simple yet distinctive geometric forms and planar surfaces define Jeep Patriot's timeless proportions» said Trevor Creed, Senior Vice President — Design.
Used in conjunction with height adjustable fixed — head / self - levelling head pedestals or fixed height paver support pads, the Levato Mono system makes it possible to create perfectly planar surfaces over uneven sub-surfaces.
The shock waves are usually considered planar surfaces but numerical simulations have previously showed that ripples can form on the surface of shock waves.
Building such systems represents a daunting task, as all established camera technologies rely on bulk glass lenses and detectors constructed on the planar surfaces of silicon wafers which can not be bent or flexed, much less formed into a hemispherical shape.
Listening to him explain iridescence, you can see how his scientific background factors into his art:» [Iridescence] is when you have small crystalline patterns at the microscopic level which break up the incoming light and distribute it a different way, and so you get light coming into your eye from different angles in just a planar surface,» he explains.
Mattera notes that the show features «16 artists for whom color and structure intertwine, either to create a suggestion of dimensional space or to invigorate a planar surface with pattern, repetition, or optical effects... While all of the works are strong individually and offer a cogent visual narrative as installed, I found myself drawn to the conversations between and among certain works.»
These simple themes which were constantly revisited and revised throughout the artist's career supported, somewhat paradoxically, an extraordinary artistic rigour and tireless passion for probing the possibilities and limitations of painting — its ability to present the real and express materiality upon the two - dimensional planar surface of a canvas.
In the latter, Sonnier fractures the planar surface, a thematic confab that fuses two - and three - dimensional form.
Further, suggestions of vertical and horizontal ridged or straight «lines» of impasto, as if in relief against the planar surface, manifest the interrupted action by the squeegee.

Not exact matches

«For example, conventional planar growth of gallium arsenide onto a silicon surface results therefore in a large number of defects.»
In 2007, for instance, researchers found that graphene was not truly planar but had a characteristic roughness in the form of nanometer - size surface ripples.
SPR is the basis of many standard tools for measuring adsorption of materials onto planar metal (typically gold and silver) surfaces or onto the surface of metal nanoparticles.
For planar (flat) surface oxidation, the model predicts a critical concentration, where the oxide of the minor element dominates the oxide of the major element by neglecting mass transfer between the bulk alloy and grain boundary.
The crisp black and slate gray interior is designed for both style and utility, with surfaces having a disciplined, space - saving planar look.
Through her rhythmic play of fragmentary linear and planar elements, Maltese's canvases register traces of a former three - dimensionality through the use of trompe l'oeil to produce constructions with infinitely undulating surfaces.
Within the borders and on these surfaces Stella is suggesting that composition is inherent before the painter makes any mark on it; that present in every painting is a geometry that the artist simply elaborates or works against — physical and planar conditions that are already there, that are, in a sense, self - creating.
Rail: From what I remember from Jeremy Gilbert Rolfe's favorable review of the Clocktower show in Artforum, in which he talked about the glitter being identified as color with planar adherence of the surface of a painting, I'm wondering whether artists including Joyce Kozloff, Miriam Schapiro, whom you already had contact with at CalArts, along with Betty Goodman, and Robert Kushner, had any dialogue with you or responded to that aspect of your work before creating their own Pattern and Decoration movement?
His various methods for producing optical effects on canvas, including his use of color — contrasting, physical mixing or varying proportions of just one color — in combination with other techniques, such overlapping planar shapes or lines in compositions; defining shapes with hard or diffuse edges; adding vertical or horizontal lines to activate the surfaces; and layering dots, dashes and triangles in contrasting colors on the surfaces to produce vibrational effects.
A lambent play between surface and material, the works making up «In Spectral Form» confront the finitudes of the planar field while simultaneously foregrounding the infinite probabilities born of its rupture.
One of his first works, at the San Francisco Art Institute in 1969, involved simply rearranging the institute's movable interior walls that were used for exhibitions but leaving the walls empty, to make evident to visitors that while the walls «appear to be architectural surfaces,» as he wrote, «they are really planar objects.»
Richard, OK, but aren't there already other ways to acknowledge the picture surface — like Pointillism or even Art brut, for example — which don't rely on a planar organisations parallel to the surface?
Coming from a semiconductor processing background, I see the entire planet's surface as a planar diffusion problem.
This program estimates the solar radiation that will fall on a planar solar collector surface as a function of the collector orientation.
If that «aperure» surface, happens to be a real planar aperture in the thermally impenetrable wall of the cavity, then radiation will be emitted from that aperture in the same cosice (Lambertian) pattern, and the total emitted energy, will simply be pi times the axial intensity (normal to the aperture).
But if you consider any planar «surface» element, inside the cavity, the total flux passing through that aperture vaies with angle in a Cosine fashion, so that the Radiance of the «aperture» is constant for any direction of observation.
Much of the complexity of lens design is in forcing the lens system to achieve best focus on a planar imaging surface, far away from the Petzval surface.
However, optical lens systems do not generally have their best focus on a planar imaging surface.
«Contemporary lenses are designed / optimized to focus on a planar image surface.
What's more, the site also suggests «the housing and flexible display may be configured to form planar front and rear surfaces and sidewall surfaces for the device.»
It utilizes 3D Tri-Gate Transistor technology that provides triple amount of surface area compared to single plane (or planar) transistors.
Their role also involves trimming and smoothening of the edges and surfaces of an assembled box using sandpapers, planar and drawknife in order to achieve a level area.
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