Sentences with phrase «plane of color on»

[2] For Foster, Matisse's revelation resulted in the democratization of every point on the canvas, as a color's quality — its value — was now seen to depend on its surface area, and thus became inextricably tied to every other plane of color on the canvas.

I most often begin by envisioning form and space in nature and then interpret my ideas and feelings into planes of color on the canvas.

Not exact matches

I am however a bit surprised that they painted the sun - exposed surfaces such a dark color in both the new livery and its predecessor, and wonder if that makes passive solar heat gain more of an issue when the plane is on the ground.

In contrast to this background of smooth planes in muted colors, giant screens occasionally lower from the ceilings to show scenes of catastrophe in high enough definition that they seem to Jeffrey «immediate and real, a woman sitting life - sized on a lopsided chair in a house collapsed in a mudslide.»

Soaring through on a backdrop of a beautiful blue cloudy sky is our fun flying plane brightly colored in shades of reds and oranges.

Because of two properties of the functions: They can be defined and expressed on the two - dimensional plane, which naturally corresponds to the canvas; and Saint - Amant can associate colors with the numbers the functions ordinarily produce.

The pastel - colored world of Zubrowka is captured with all the idiosyncrasy and precision Anderson is known for: written notes, books and objects are shot straight on with loving detail, flat - planed shots center characters in the middle of the frame, and hand - crafted miniatures depict many of the film's more fantastical settings and vehicles.

What really stands out about the graphics besides the rich colors is the feeling of 3D motion on a 2D plane.

In the case of Seeded (1960), the first work on the right as visitors enter the gallery, these colors are amalgamated in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bare.

More ubiquitous are small rectangular blocks of solid color, often containing modestly sized but altogether exquisite gestural marks, that seem both to sit on the picture plane and cut an aperture into it.

Sites, subjects, and methods of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.

The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89) in which the watery color planes suggest abstract but recognizable elements like pennants, sails and boats, and black wave forms blend into blue ground in «Land's End» (1986), with the full blast of wind on sails being felt in the horizontal diptych «Windward» (1987).

A term coined by Dutch artist and architect Theo van Doesburg in 1930 to describe abstract art based on mathematic or scientific principles, the visual expression of which was an emphasis on planes and color.

Oscillating between two separate works, Thomas's painted homage to Sojourner Truth's 1851 speech of Black female empowerment, «Ain't I a Woman,» and a religious altarpiece, Diptych presents the sexy, Black female body sculpted out of flat planes of primary colors in two dimensions on the left (a gesture reminiscent of the painterly techniques of her idols Jacob Lawrence and Romare Bearden), and in a televised two dimensions on the right.

The panels riff on the shapes in front of her or in memory, with seemingly unrelated color fields flush to the picture plane.

Bright colors, hard edges and bold geometry convey not just the metropolis, with overlapping planes that offer the appropriately byzantine complexity on an optical level, but the feeling of sunlight and warmth that greeted her there.

Ippolito continued to open up the picture plane in his oil on linen 1980s works with the soft diffusions of color and suggestive forms of «Paesaggio» (1980), the floating irregular shapes of «One June Morning» (1988) in a blue / lavender mist, the opposing edges of shapes hanging on within the blue field of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «color as light.»

Planes of light and dark in contrasting colors counteract one another, revealing remarkable complexity in the works on view as part of Manual Digital, an exhibit highlighting eight artists in -LSB-...]

Using designs, icons, and colors from all of the world's national flags, without hierarchy or political prejudice, Kimsooja's installation To Breathe — Zone of Nowhere creates a visual canopy where national differences exist on an equal plane.

Spectral things are going on with Albert Stadler — a torqued set of stripes as if the picture plane blew at a hard tilt and then caused its color to flow down as if rain - washed, at an angle.

In introducing Murray that evening, Varnedoe referred to her work «as dramas of form and color that accept, indeed demand, to play on the more austere terrain of high abstract art, in decisions about push and pull, bright and dark, fragmented and whole, planes and volumes, sculptural and painterly, that move us before we know what they are about.»

Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.

Japanese prints characterized by their broad planes of unmediated color, thick outlines, and bold patterns were another major influence on Serusier and his followers.

Wilke described the arrangement of brightly coloured sculptures, which were originally installed on real earth and grass as «womblike blossoms resembling Venus mounds, a centrefold evolving from a circular plane, universally existing in both primary and secondary colors.

Exploring the possibilities of the grid since the late 1960's, Willis became a member of the Third Generation of Abstract Expressionists, with his «Wall» paintings where he worked in a unique wet - on - wet method creating linear colored bands across the surface plane.

Continuing to develop drawn forms, the 1990s introduced outlined geometric forms more autonomously depicted on solidly - colored, shaped canvases: Attic Series III, Study (1990) places an ellipse inside of a parallelogram; Plane Figure Series A (1993) sets two ellipses within a two - color parallelogram; and Curved Plane / Figure VIII (Study)(1995) places two ellipses within a three - color half - circle, cut off a canvas truncated on its right edge.

For example, in a painting on paper from c. 1946 - 1949 inscribed and gifted to Anni Albers, Asawa uses subtle modifications in color and form to create a sense of depth and motion within the otherwise flat picture plane.

In «Double Bill», a 2012 series of large inkjet prints, [19] Baldessari paired the work of two selected artists (such as Giovanni di Paolo with David Hockney, or Fernand Léger with Max Ernst) on a single canvas, further altering the appropriated picture plane by overlaying his own hand - painted color additions.

In attempting to evoke the wonder, curiosity, and magic moments that unfold in life, taking shape as form, dynamic color planes, and a surreal perspective on space, Rebecca Norris Webb returned to her home state of South Dakota to produce a body of work.

Second, moving around big pieces of painted paper for the mock - up of the elevator bank mosaic led Hofmann to the signature motif of his late work: little floating planes of color, squares and rectangles of pure color locked together across the surface or isolated on fields of murkier colors.

In the past decade Braman has become known for painted sculptural structures which breathe new energy into humble artifacts from life at home and on the road ---- used furniture, car hoods, and wooden doors ---- with rich colors of spray paint or planes of cut Plexiglas.

And I think there is a tremendous distinction between this kind of internalized abstraction and what Greenberg called color field painting, which is nothing but color design on a flat plane.

The autobiographical dimension of the artist's work is revealed in pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

This light - suffused gradation of color from more to less intense is what separates Boyd from Albers and many other geometric painters who keep color constant on the plane within the borders of form.

Feitelson's oil and enamel on burlap paintings feature geometric planes of uniform color with flattened space, smooth paint application and simplified forms.

Planes of light and dark in contrasting colors counteract one another, revealing remarkable complexity in the works on view as part of Manual Digital, an exhibit highlighting eight artists in the US working to deconstruct technological paradigm shifts through their work with traditional art materials and practices.

Elizabeth Livingston's most recent body of work evokes all the same cinematic emphasis on visual scrutiny, moments of false security, and entrapment by employing hyper - detailed patterns of juxtaposed fabric to adorn her subjects against stark planes of color and narrative light.

Moving back and forth between abstraction and figuration, he has depicted geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges into each other while preserving a descriptive quality.

Each image existed independently of the others, yet their arrangement on the same plane, along with relationships of color, texture, and shape, force the viewer to associate them.

The mirrored graphic lines that fill the picture plane are seemingly broken open by a wedge of color, forcing the straight lines to become frames on either side.

All added up to her eccentrically shaped paintings: wafer - thin enamel - on - aluminum compositions of shifting color planes within extruding and sloping architectures that she mounted as closely as possible to the space's walls.

oil on burlap over panel Daniel Brice's paintings are composed using a minimal rectilinear language, divided into planes of color implying vast spatial landscapes.

The most visually dramatic element of Nate Moore's current exhibition, Skyward, on display at Emily Amy Gallery is the sheer number of hand folded origami jet planes that dance across the gallery walls, coating the room in whimsical shapes and colors.

Using the fine point of a bamboo stick, Pwerle paints masses of minute, individual dots that float, cloud - like, on a colored ground, shifting and vibrating within an indeterminate spatial plane, to depict the Bush Plum Dreaming narrative.

«This light - suffused gradation of color from more to less intense is what separates Boyd from Albers and many other geometric painters who keep color constant on the plane within the borders of form,» he wrote.

Cézanne's solid planes of color insist on the surface of the painting as a flat field against which the painter acts.

«Lit,» Oil and Acrylic on 2 Panels, 48 x 61 Inches Susan Sharp is an outstanding abstract painter of biomorphic and linear forms, flat planes, vivid color and highly glossy surfac...

The autobiographical dimension of the artist's work is clear in her pieces related to friendships, memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based on architectural planes.

(7) He considered drawing a critical precursor to painting, yet his emphasis on color, rather than perspective, as a determiner of space within a picture plane, lay at the heart of his ideas about art.