Each rear license plate holder must be designed and constructed to provide a substantial
plane surface on which to mount the plate.
Not exact matches
I am however a bit surprised that they painted the sun - exposed
surfaces such a dark color in both the new livery and its predecessor, and wonder if that makes passive solar heat gain more of an issue when the
plane is
on the ground.
If you are
planing on using it mostly
on flat
surfaces, this could be your ONLY stroller.
The only place where I had to lift it up was the one step
on the
plane and it is a bit flimsy
on uneven
surface but over all it helped me a lot and I think it's an amazing product and so do a lot of other people who commented
on it along the way
If so, wouldn't it be felt
on any «moving»
surface you walk
on, such as a train or
plane — or even Earth?
Generalizing the standard model of flocking motion to the curved
surface of a sphere rather than the usual linear
plane or flat three - dimensional space, Bowick's team found that instead of spreading out uniformly over the whole sphere, arrowlike agents spontaneously order into circular bands centered
on the equator.
Also, the pressure exerted
on the water is so high that hydrogen bond interactions with the graphene
surface are overcome by the attractive van der Waals atomic interaction that draws together the graphene
planes.
Planes were flown directly into the Greenland jet, collecting real - time information
on its structure, the wind speeds at different altitudes, and the interactions between the jet and sea
surface.
With help from Hiroshi Tanimoto, PhD, and colleagues at the National Institute of Environmental Science in Tsukuba, Japan, the
plane sampled at altitudes between two and three kilometers above Japan to avoid
surface contaminants, and
on days during the KD season when air currents originated only from northeastern China.
In fact, any point from an entire
plane (or, strictly speaking, from a slightly curved
surface), centered
on the fixation point, would stimulate corresponding retinal points and be seen as a single object (any letter
on this page, not just the one
on which you fixate, appears singly).
Taking observations from twin telescopes mounted
on the noses of the
planes, Caspi will capture the clearest images of the Sun's outer atmosphere — the corona — to date and the first - ever thermal images of Mercury, revealing how temperature varies across the planet's
surface.
Western medical advances employing scientific methodology is only scratching the
surface in the exploration of different
planes of knowledge
on the overall scheme of things.
plane if you eat in your root, look certain you're
on the unusual is doing commercial activity with effective sales tactics.Try to toinclude the assets you are in all likelihood mentation Fake Cheap Basketball Jerseys Vancouver Canucks Jerseys For Sale Where To Buy NFL Jerseys In Hawaii NFL Jersey Dresses Women a last change
surface of your succeeder with the visitor to do the composting, so the wind and you can portion out with your glove with your products decide aid your computing device from separate Internet companies.
They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting
surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating
surface tensions
on a single
plane.
Having, presumably, run out of
surfaces on the ground, the mad driving crew of Furious 7 resort to backing their cars off a
plane and clutching their steering wheels while driving, er, falling through thin air.
You'll learn how the filmmakers accomplished the amazing
plane wreck, extraordinary aerial shots and whales that
surface on cue.
Encouraging mathematical thinking, the kit allows students to study the effects of friction, types of
surface and
plane angles
on the speed of the «bowling» balls in a fun and engaging way.
INCLUDES 1 Hands -
On Standards Math Teacher Resource Guide Grade 6 with 29 lessons TOPICS Ratios and Proportional Relationships Ratio and proportion: finding the ratio The Number System Fraction division Introduction to integers 4 - Quadrant graphing Compare and order fractions and decimals Estimating fractional numbers Comparing rational numbers Absolute value Expressions and Equations Expressions with a variable Variables with x, x2, and constants Combining like terms Algebraic equivalencies Equations with a variable Addition and subtractions equations Multiplication and division equations Patterns and function tables Geometry Area of a parallelogram Constant perimeter and changing area Area of a triangle and trapezoids Shapes in the coordinate
plane Nets
Surface area of a rectangular solid Statistics and Probability Distributions Mean, median, mode, and range Histograms and circle graphs
This small
surface on the doors, set at about 45 degrees to the ground
plane, adds visual length and subtracts visual height.
The many
surface planes on the front end keep the eye from detecting the blunt blockiness of the whole.
And stylists can combine curves and
planes or smooth and textured
surfaces easily
on one panel, reducing the number of panels needed for a complete vehicle.
Your
plane may look clean enough, but it only gets a full scrub - down once a day, which means illness - causing germs from previous flights may be lurking even
on surfaces that look clean.
Since the game is 2.5 D you have more of a
plane that the characters stand
on rather than a flat
surface.
Vera Iliatova, Richard Baker and Larry Rivers» large - scale still life works are full frontal
on the
surface of the picture
plane with landscape pushed to the background.
By 1960 the picture
plane had implicitly come to belong to the past, but that would not be clear to either the artists who performed the closure or the critics who loved their work, nor had it become any clearer by 1972, when Greenberg described Stella's painting as poor sculpture rather than remembering Mondrian's remark about how paintings don't take place
on the
surface but in the space between and around itself and its viewer.
The Fleischer Studios of the 1920s and»30s created a flat world with rhythms that travel
on the
surface of the picture
plane.
The glued -
on patches which Braque and Picasso added to their canvases offered a new perspective
on painting when the patches «collided with the
surface plane of the painting.»
The fields of colour, which appear to float
on the
surface of the linen, subtly draw attention to Schendel's use of colour
planes in her own paintings.
Quadratura refers to the Renaissance technique to create three - dimensional effects
on plane surfaces.
In Ed Ruscha's series of holograms produced the same year, the phrase «The End» floats at various depths in the picture
plane, set against animated lines scratched into a celluloid
surface, and offering a new twist
on the interplay between text, landscape, and spatial representation for which Ruscha is known.
In more abstract works by Yayoi Kusama, Adriana Varejão, and Nicholas Hlobo, embellished
surfaces are designed to engage the mind while leading the eye
on an orchestrated journey around the picture
plane.
Actual objects, photographic representations, and painted
surfaces co-exist without hierarchy
on and in a single picture
plane.
This movement toward a more overall organization of the picture
plane reaches a crescendo of sorts in Central Park Trees (oil
on canvas, 2015), in which the sky appears only as flashes of light through the trees while the entire
surface is otherwise occupied by a lush green glade.
The words sit
on the picture
plane, creating a play between the painting as a flat
surface and as a window opening onto the illusion of deep space.
As a student in 1949 at the Art Students League of New York, for example, he laid paper
on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive
surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections
on the State of Criticism» isolated this particular approach to
surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture
plane» to account for this radical shift, through which «the painted
surface is no longer the analogue of a visual experience of nature but of operational processes.»
In contrast to the traditional verticality of the renaissance picture
plane, which is dependent
on head - to - toe correspondence with the viewer, with his combines Rauschenberg introduced the «flat - bed»
plane and in doing so completely reoriented the pictorial
surface so that it was no longer representative of a world space, but an analogue of operational processes.
Clark's Superficie modulada (1956) explores the opening of space
on a two - dimensional
surface through
planes separated by a tight fissure — a concept that the artist would unfold into the third dimension under Neo-Concretism.
From a small
plane flying at a low altitude, photographer Marilyn Bridges (American, born 1948) captures the marks of mankind
on the
surface of our planet.
Alongside the recent developments in the artist's material choices, Ofili has remained faithful to a pictorial style that relies
on a conscious flattening of the picture
plane, carefully layered
surfaces, and diverse, history - spanning sources of inspiration.
Working across a range of media, the artists in the exhibition touch
on how we might perceive a space of infinite and ever changing content, laminated to a
surface defined by its attempt to recede into a flat
plane.
All incident exists
on one
plane and Reames» work has a borderless quality, its
surface seemingly holding the potential to extend infinitely.
The heavier, browner palette is found in Wilson's Hammer and Tongs (1972) with its meticulously worked drapery study, and the architectural complexity of the workbench in Stretcher Pliers (1972), which is a damn sight more complicated painting than it seems at first because it balances several
planes from foreground to middle ground to a second stage of the middle ground
on a tilting shelf
surface.
The transparent acrylic sheet is folded in the shape of a book cover, and the words of the title are «printed»
on the lower
surface as shadows cast by the engraved letters
on the upper
plane.
In contrast to his previous work, where contemporary elements act as incisions into conventional frameworks, here the
planes of colour lie
on the
surface of the paintings as colder adaptations to the underlying image.
Exploring the possibilities of the grid since the late 1960's, Willis became a member of the Third Generation of Abstract Expressionists, with his «Wall» paintings where he worked in a unique wet -
on - wet method creating linear colored bands across the
surface plane.
He shows his range in these later works gleefully inventing and exploiting new spaces in the picture
plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red
on the painting's
surface.
Closer to Robert Ryman and Robert Barry, the text, at most times a single word but rarely more than a short sentence, sits subtly
on the
surface plane beckoning a relationship with its viewer / reader.
This colour is carried by fluent crosshatched brushstrokes that set up a visual dance
on the
surface of the painting,
on what is technically called the picture
plane.
Composed of intricate arrangements of painted paper and fabric collaged
on the canvas with a feverish energy and dynamism, her paintings seek to investigate the fine line between the intrinsic illusion of the painting's
plane and the physicality of its
surface.
In Nude (Study), Sad Young Man
on a Train his transitory though acute interest in Cubism is manifested in the subdued palette, emphasis
on the flat
surface of the picture
plane, and in the subordination of representational fidelity to the demands of the abstract composition.»