Not exact matches
Above all, there is image after image of the
planes crashing
into the towers, the ensuing infernos and structural cataclysms, and the infernal clouds of black smoke and debris surging like tidal
waves into the surrounding urban canyons.
Water heats more slowly than land, creating pressure differences that drive high - speed winds; fast - burning fires spawn flame - breathing vortices; the pressure
waves of a
plane on takeoff transform water
into ice.
Sprayed from
planes or boats, dispersants reduce the surface tension at the oil - water interface, allowing
waves to break the slick
into tiny droplets.
The sharp acceleration turns the traveling electron
wave into a
plane wave, like a nice regular pulse of an electron beam with an extremely short wavelength — exactly the kind of beam useful for imaging.
Tomorrow is looking good for more
waves so if your not here in Bali or getting on a
plane for Bali make sure you stay tuned
into the one and only original baliwaves (since» 99)
Players can race full throttle off the Golden Gate Bridge and transform instantly
into a speedboat as they hit the Bay, catch a huge
wave, and seamlessly transition
into a stunt
plane and fly away
into the sunset.
The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89) in which the watery color
planes suggest abstract but recognizable elements like pennants, sails and boats, and black
wave forms blend
into blue ground in «Land's End» (1986), with the full blast of wind on sails being felt in the horizontal diptych «Windward» (1987).
«Ebb Tide» has broad
waves of aquatic color, foam - like splashes of white and orange, and receding atmospheric
planes, while «Sancere» sends effervescent bubbles
into blue fluidity from a gyrating core.
An intense ultramarine ground is sliced by a
waving strip of white that dissects the
plane into unequal halves, a counterpoint to the sharp verticals of Barnett Newman's «Zip» paintings of the same period.
Rendered in acidic, eye - poppingly vivid colours, the subjects deposited
into these vertical scrolls are frequently littoral in nature: running the gamut from clouds, waterfalls,
waves, construction work, shepherds, fences, cable cars, boats, kites, to swarms of insects, compressed
into the same, improbable
plane — as improbable, perhaps, as the graphical appearance that the high - contrast colours lend to the work.
Attending the DC March, I first saw the pink
waves on my
plane, then the subway, and finally crashing
into the streets of the capitol.
It fails to take
into account that there are two optical processes in clouds with different sign dependences on droplet size and it assumes constant Mie asymmetry factor when that is only true for a
plane wave.