Then, in later years, the artist moved back to conceptual art and created the lyrical
planes of color in what now is his most celebrated work, his Ocean Park series.
Not exact matches
Your glasses will quickly be able to identify the
planes of your walls and instantly overlay your room
in an endless array
of color choices and combinations.
I am however a bit surprised that they painted the sun - exposed surfaces such a dark
color in both the new livery and its predecessor, and wonder if that makes passive solar heat gain more
of an issue when the
plane is on the ground.
In contrast to this background of smooth planes in muted colors, giant screens occasionally lower from the ceilings to show scenes of catastrophe in high enough definition that they seem to Jeffrey «immediate and real, a woman sitting life - sized on a lopsided chair in a house collapsed in a mudslide.&raqu
In contrast to this background
of smooth
planes in muted colors, giant screens occasionally lower from the ceilings to show scenes of catastrophe in high enough definition that they seem to Jeffrey «immediate and real, a woman sitting life - sized on a lopsided chair in a house collapsed in a mudslide.&raqu
in muted
colors, giant screens occasionally lower from the ceilings to show scenes
of catastrophe
in high enough definition that they seem to Jeffrey «immediate and real, a woman sitting life - sized on a lopsided chair in a house collapsed in a mudslide.&raqu
in high enough definition that they seem to Jeffrey «immediate and real, a woman sitting life - sized on a lopsided chair
in a house collapsed in a mudslide.&raqu
in a house collapsed
in a mudslide.&raqu
in a mudslide.»
Soaring through on a backdrop
of a beautiful blue cloudy sky is our fun flying
plane brightly
colored in shades
of reds and oranges.
The 34 - inch display is large enough to capture all
of the action, while an
in -
plane switching (IPS) system delivers amazing
color contrast and dynamic range.
Thanks to IPS
in -
plane switching technology, you will see the same high - quality
colors across any portion
of the screen.
This natural -
color view, captured by the Cassini spacecraft
in 2007, shows the dark side
of the rings from an angle slightly above the ring
plane.
The transparent shapes, which appear black
in low light, are crystals with an orientation that's perpendicular to the ice slice, and each
color corresponds to a different angle relative to the
plane of the ice section.
Away from the Galactic
plane, vast majority
of the dots are galaxies,
color coded to indicate distance, with blue dots representing the nearest galaxies
in the 2Mass survey, and red dots indicating the most distant survey galaxies that lie at a redshift near 0.1.
She highlighted the high
planes of the face with a combination
of Maybelline New York Baby Lips SPF 20 Lip Moisturizing Balm
in Quenched and EyeStudio
Color Tattoo Pure Pigments Loose Powder Shadow
in Barely Branded.
... And yes, that gives me comfort only
in the sense that what viewers will see
in the opening episodes is such a perversely wonderful hallucinogenic experience — dance numbers, shape - shifting, the creepy sound
of frozen people and their chattering teeth, explorations
of color, astral
plane hijinks and multiple WTF moments — that there's comfort
in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaning.
McQuarrie layers the action over several
planes and drapes his actors
in shadows, using darkness and flashes
of color (like the billowing yellow dress that Ferguson wears or the blue lighting
of the opera's set) to bring clarity to a logistically complicated series
of fights and chases, measures and counter-measures.
• Death Sentence •
Planes, Trains & Automobiles Jami Gertz: Family Ties: The Second Season Laurence Fishburne: Contagion • Apocalypse Now Paul Rodriguez: Beverly Hills Chihuahua 1986 Movies: Top Gun • Platoon • Ferris Bueller's Day Off • Flight
of the Navigator • The
Color of Money • Back to School 1980s: Adventures
in Babysitting • Wall Street • Flashdance • Teen Wolf • Pet Sematary
The pastel -
colored world
of Zubrowka is captured with all the idiosyncrasy and precision Anderson is known for: written notes, books and objects are shot straight on with loving detail, flat -
planed shots center characters
in the middle
of the frame, and hand - crafted miniatures depict many
of the film's more fantastical settings and vehicles.
T - Mobile is
planing to launch new phones like Motorola CLiq and The new
color refresh
of the Blackberry 8520
in white.
Price decreases
of the other nooks include: Nook Touch $ 99 Nook
Color $ 199 Kindle Fire Kobo Vox Nook
Color Nook Tablet Screen 7 ″ multi-touch display with IPS (
in -
plane switching) technology and anti-reflective treatment, 1024 x 600 pixel... more >
The break
in a form is determined by multiple means: by an Albersian allusion to convex - concave manipulations
of volume and
plane, by a change
in direction or by
color gradation.
In «The First of May,» a large canvas from 1960, he paints a landscape of soft colors dominated by a towering plane tree whose branches and leaves are rendered in a swirl of strokes evoking Mr. de Kooning's gestural styl
In «The First
of May,» a large canvas from 1960, he paints a landscape
of soft
colors dominated by a towering
plane tree whose branches and leaves are rendered
in a swirl of strokes evoking Mr. de Kooning's gestural styl
in a swirl
of strokes evoking Mr. de Kooning's gestural style.
It's as if with line from the loom - Weaver knife and weaver brush Stitch
color thick into Diamond and terrace, into
Planes black as wool tied by Stripe and cross, all falling
in The warp and weft
of weave, Patchwork tricksters playing «till Depths fill with ring and bell Purple against the harvest moon.
Highway overpasses, empty offices, cityscapes, and even public figures» faces are reduced into
planes of flat
color, which the artist carefully paints
in taped - off portions, creating crisp images that sit somewhere between the handmade art
of paintings, cartoon - like animation, and mass - produced perfection.
She turns up the retinal volume again and again
in the grounds
of her paintings — vast seas
of cerulean blue edged by crisp white lines, or enveloping acts
of domestic violence; equally riveting cadmium reds, oranges, and crimsons saturating the picture
plane beneath angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up against sharp blacks as «bad guys»
in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses
of high - key
color.
In the case of Seeded (1960), the first work on the right as visitors enter the gallery, these colors are amalgamated in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bar
In the case
of Seeded (1960), the first work on the right as visitors enter the gallery, these
colors are amalgamated
in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bar
in an energetic mass
of swirls, curves, bold lines, and
planes of color that are further enlivened by patches
of canvas left bare.
Maher creates dynamic sculptures from concrete, aluminum, and resin;
in his vibrant paintings, Dunlap divides the picture
plane into interlocking geometries
of shape and
color;
in video and sculptural works, Tenser considers autonomy and dependence.
Painting
in what is now considered a signature style characterized by flattened
planes of color, shallow pictorial space, and lean, reductive but acutely descriptive lines, Katz sought to convey the appearance
of things as they are both felt and perceived
in the «present tense,» the now.
Sites, subjects, and methods
of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations
of color in a sky reflected on a watery
plane, shapes glanced at through apertures between buildings, or the puzzle
of shapes
in a tapestry - like world are some
of the inspirations for the paintings shown here.
In a further step, he reproduced, reflected and reduced his motifs in his prints, which retained the planes of deep, radiant color that characterize his painting
In a further step, he reproduced, reflected and reduced his motifs
in his prints, which retained the planes of deep, radiant color that characterize his painting
in his prints, which retained the
planes of deep, radiant
color that characterize his paintings.
When viewing the work, the eye
of the viewer can follow a
color across the picture
plane, he can see how the
color moves and vibrates as it changes gradually
in value, temperature, intensity or hue.
Diebenkorn's practice is unique
in that he deftly marries the flat
color and
planes of brushwork so lauded by the Abstract Expressionists with representational subjects that are influenced by some
of Matisse's visual tropes and his dynamic creation
of space through form and
color rather than perspective.
Whereas de Kooning embraced active, dynamic brushwork
in such milestones as Woman I, 1950 - 52, Diebenkorn's compositions bring together soft
planes of color that undulate and flow within the frame.
Initially, Sanín created works using a gestural abstract style, like contemporaries Elaine de Kooning, Lee Krasner, and Joan Mitchell, but found her true voice
in the geometry
of hard - edge, symmetrical compositions filled with flat
planes of color.
(Matsui Midori, «The Dissolution
of Color Field and Reconstruction
of the World: Makiko Kudo's Evolving Picture
Plane»,
in Turning, Tomio Koyama Gallery, 2012)
His jazz - inspired play between
color and
plane are anchored by fearless, site - specific subversions
of place and time
in regards to conceptions
of race, class, and culture.
In his current show, Whitney extends his gamut, going from thin, crackled surfaces, to washy, translucent layers exposing painted over shapes, to solid
planes of color.
Schutz creates unsteady cornucopia compositions that build out
of paint, creating shifting spatial
planes that flip - flop, flickering
in confetti
color and, until recently, with creamy paint, which flower into bucolic clusterfucks.
The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89)
in which the watery
color planes suggest abstract but recognizable elements like pennants, sails and boats, and black wave forms blend into blue ground
in «Land's End» (1986), with the full blast
of wind on sails being felt
in the horizontal diptych «Windward» (1987).
Her pen and ink twists into depth, clustering around
colored planes in gouache and watercolor, like the vanes
of a fan
in high winds.
I set up these areas
of flat
color that become shapes that interlock and break apart as they move backward or forward
in relation to the picture
plane.
She continues to skew and play with the planar definition
in the paintings» fields; now both
color and
plane appear to resist the laws
of nature.
His use
of flat
planes of color arranged
in rows that relate to one another horizontally, vertically and diagonally suggests the synesthetic blending
of the senses — «hearing»
color, «seeing» sound — and evokes the painterly experiments
of the synchromists from a century ago.
Their shaped canvas fits together into rectangles that deny the shaping, while warm
colors and soft modeling
in turn disturb the picture
plane with the illusions
of a third dimension.
A term coined by Dutch artist and architect Theo van Doesburg
in 1930 to describe abstract art based on mathematic or scientific principles, the visual expression
of which was an emphasis on
planes and
color.
Oscillating between two separate works, Thomas's painted homage to Sojourner Truth's 1851 speech
of Black female empowerment, «Ain't I a Woman,» and a religious altarpiece, Diptych presents the sexy, Black female body sculpted out
of flat
planes of primary
colors in two dimensions on the left (a gesture reminiscent
of the painterly techniques
of her idols Jacob Lawrence and Romare Bearden), and
in a televised two dimensions on the right.
The panels riff on the shapes
in front
of her or
in memory, with seemingly unrelated
color fields flush to the picture
plane.
Ippolito continued to open up the picture
plane in his oil on linen 1980s works with the soft diffusions
of color and suggestive forms
of «Paesaggio» (1980), the floating irregular shapes
of «One June Morning» (1988)
in a blue / lavender mist, the opposing edges
of shapes hanging on within the blue field
of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended
in «Orange» (1982), all pieces which exemplify Ippolito's belief
in «
color as light.»
Scholars note the influence
of post-impressionist arranging
of color planes to create a pictorial space
in Giacometti's work, «model [ing] according to Cezannean technique
of building up volume with a patchwork
of complementary
colors and highlights.»
Planes of light and dark
in contrasting
colors counteract one another, revealing remarkable complexity
in the works on view as part
of Manual Digital, an exhibit highlighting eight artists
in -LSB-...]
Sprecher positions flat triangular
planes of color, a jumbo - sized Tangram puzzle, over a roiling backdrop
in Parachute, then, like a final snub to the powerfully complimentary yellow and violet, wraps the whole thing
in two wide bands
of translucent grey.
His figures, with undefined faces and broadly applied forms, are more anonymous than individual, cast
in candied
colored planes of abstraction.
Herrera's ongoing innovation is illustrated
in works like Alba (2014) where raw canvas replaces one
of the two
color planes that characterize the artist's work today.