Sentences with phrase «planes of color using»

Jeremy Moon (English, 1934 - 1973) is best known for his large - scale geometric paintings that explore form and space through unmodulated planes of color using a visual language informed by dance and choreography.

Not exact matches

McQuarrie layers the action over several planes and drapes his actors in shadows, using darkness and flashes of color (like the billowing yellow dress that Ferguson wears or the blue lighting of the opera's set) to bring clarity to a logistically complicated series of fights and chases, measures and counter-measures.

She embraced the «synthetic cubist» method of painting, using small, geometric planes of strong color to create stunning, empowering portraits of women.

Initially, Sanín created works using a gestural abstract style, like contemporaries Elaine de Kooning, Lee Krasner, and Joan Mitchell, but found her true voice in the geometry of hard - edge, symmetrical compositions filled with flat planes of color.

His use of flat planes of color arranged in rows that relate to one another horizontally, vertically and diagonally suggests the synesthetic blending of the senses — «hearing» color, «seeing» sound — and evokes the painterly experiments of the synchromists from a century ago.

Using designs, icons, and colors from all of the world's national flags, without hierarchy or political prejudice, Kimsooja's installation To Breathe — Zone of Nowhere creates a visual canopy where national differences exist on an equal plane.

In his multiple and editioned works — what he calls his «cheap line» — John Baldessari often uses stock images, which he adapts by adding plains of color that highlight some planes and obfuscate select portions of the image, therefore forcibly shifting a viewers attention and perspective.

For example, in a painting on paper from c. 1946 - 1949 inscribed and gifted to Anni Albers, Asawa uses subtle modifications in color and form to create a sense of depth and motion within the otherwise flat picture plane.

For instance, one long horizontal painting uses almost unscathed planes of chalky color, their borders meandering but determined, like the lines of a watershed.

In the past decade Braman has become known for painted sculptural structures which breathe new energy into humble artifacts from life at home and on the road ---- used furniture, car hoods, and wooden doors ---- with rich colors of spray paint or planes of cut Plexiglas.

As Browne drew attention to the transfer of three - dimensional objects to two - dimensional planes using bright shades of blocked color and the stylized treatment of his figural subjects, he explored his interest in the relationship between art and nature.

In doing so, he used multiple planes of solid color to create the illusion of depth, space, and movement amid smooth, uninterrupted surface textures.

Vuillard's own style was distinctive for its use of simplified forms, planes of color, and decorative or ornamental elements.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

Lindquist's obsession with a Claude - like sense of view is magnified by his alienating sense of color (much like that produced using a Claude glass), use of multiple and layered identical images, and slightly off - kilter or literal frames painted into the picture plane.

The Synchromists made use of the broken planes of the Cubists, but their lavishly colored areas of paint sometimes looked, as the art historian Abraham Davidson has described them, like «eddies of mist, the droplets of which collect to form parts of a straining torso... To find anything like this in American painting one has to wait for the color - field canvases of Jules Olitski in the 1960s.»

Gottlieb first used this vast, horizontal format in 1960 allowing his minimal, graphic language to stretch across the picture plane; he explains, «I eliminated almost everything from my painting except a few colors and perhaps two or three shapes, I feel a necessity for making the particular colors that I use, or the particular shapes, carry the burden of everything that I want to express, and all has to be concentrated within these few elements.»

Paint, wood, Velcro swatches, staples, metal and debris playfully conjoin as self - referential qualities that allude to process and materiality, while a deliberate use of tonal planes and gradation bespeak a progressive variation of color - field aesthetics.

About evenly divided between abstract and representational works, the Meyerhoff collection demonstrates the captivating use of color by artists as different as Josef Albers (the intense «Study for Homage to the Square: Light Rising,» with its glowing inner plane of yellow) and Eric Fischl (sunbathers lavishly arranged across a yellow ground in «Saigon, Minnesota»).

oil on burlap over panel Daniel Brice's paintings are composed using a minimal rectilinear language, divided into planes of color implying vast spatial landscapes.

For the installations and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used colored planes to form simple geometrical compositions that nonetheless produced complex experiential effects, giving the impression of three - dimensional shapes folding into and out of the corners, walls, and floors of the gallery, as if collapsing out of and drawing viewers into revealed spaces existing parallel to the structural planes of the

Using the plastic, elastic and malleable characteristics of the material, he began creating highly - detailed facsimiles of any and all types of vehicles — trucks, planes and automobiles — that satirize and celebrate the metal realities with bright - colors.

Using the fine point of a bamboo stick, Pwerle paints masses of minute, individual dots that float, cloud - like, on a colored ground, shifting and vibrating within an indeterminate spatial plane, to depict the Bush Plum Dreaming narrative.

She separates hard - edge shapes with painterly passages of carefully modulated markings, and she uses subtle tonal shifts to create an illusion of overlapping planes of transparent color.

Using bold planes of color, Johnson reaffirms the tradition of Southern California hard edge painting for this millennium.

Expanding on his signature abstract geometric style, works from this period demonstrate the expansion of his color - plane theory beyond the use of primary colors and simplified planes.

It is evident in a painting such as Auxerre that Hofmann has formulated a new kind of painterly expression, one in which he incorporates the Cubist structure of overlapping planes in order to indicate depth and surface, as well as adapting the Fauvist daring use of color and tonal contrasts to evoke a sense of pure and unbridled joy.

Mitchell's jagged compositions of this period project centrifugal forces, barely contained by the painting plane, whereas Gedney's use of pulsating thick color with painterly drawings of pure black — sometimes forcefully, sometimes suggestively, and sometimes architecturally, like an expressionist descendant of Mondrian — fully contains the explosive energy of the work within the pictorial space.

Renowned for his use of bold, monochromatic planes of color, Ellsworth Kelly (1923 - 2015) created a fifth of his oeuvre in black and white.

In works like Provincetown, June 1947, Resika's use of color extends well beyond the naturalistic decoration of forms to the articulation of space with rhythmic patterns and autonomous planes of color.