A+C contributor M.M. Adjarian writes that CATALIN at Jones Center is a complex, multi-layered work that «focuses on the tensions between the natural and the man - made, as well as the looming threat
of planetary destruction to which those tensions have given rise.
Opening with a distress call from the Asgardian refugee spaceship that was seen
fleeing planetary destruction at the end of last year's «Thor: Ragnarok,» «Infinity War» gets that outcome out of the way early, paving a path forward for a film that, while very funny for much of its 2 1/2 - hour running time, ends on an almost stunningly somber note.
When we break down the silos among industries, we can connect and combine individual solutions to create a world where modern life doesn't have to
mean planetary destruction.
The Death Star of the movie Star Wars may be fictional, but
planetary destruction is real.
Considering
the planetary destruction caused by farms that pack thousands of chickens pumped full of antibiotics and hormones into a few feet compared to the farmer who raises several hundred chickens humanely, without drugs and on open land, it's a pretty simple choice to make.
Put simply, 200 years ago mankind (that's us) was messing around with DNA and the mutants they created eventually led to
planetary destruction.
Named after a toxic plastic made from formaldehyde that was used to make jewelry and other objects during the 1930s, the exhibit focuses on the tensions between the natural and the man - made, as well as the looming threat of
planetary destruction to which those tensions have given rise.