John McCracken's thick
planks leaning against the wall — one bubble - gum pink and the other fire - engine red — have the sheen of surfboards.
John McCracken's
planks leaning against a wall have long stood for LA Minimalism at its silliest.
Similarly, in The Slowness of Us, a slug is cast in bronze and halted on its journey ascending
a plank leaning against the wall.
Not exact matches
Every time I see a John McCracken sculpture, a
plank of pure shiny color
leaning against the wall, I want to smear a greasy finger down all that gleam.
Maybe I lose patience with Larry Bell's glass cube on a pedestal or John McCracken's
plank leaning everywhere
against the wall.
Similarly, the collection of fused shoe soles
leans against the wall, unable to stand on its own, a possible subtle and lowbrow nod to the West Coast minimal artist John McCracken's
planks.
When Gilmore
leans three sleek, heart shaped sculptures
against a wall — a Black Heart, Red Heart, and Sweetheart as angled, elongated, and monochromatic as John McCracken's minimalist
plank sculptures — social shift seems imminent.
Once one could hardly enter a gallery without stumbling on Larry Bell's glass cube on a pedestal and John McCracken's
plank leaning up
against the wall.
In a cavernous gallery just past the museum's entrance, 11 of the artist's signature, painted,
planks of wood
lean against the walls.
A
plank covered with thick layers of plaster
leans against a wall (Virginia Overton's Untitled, 2014); cement bags without wrapping, cast in concrete, are stacked on top of each other (Charles Harlan's Concrete, 2014); a long yellow cable hangs aimlessly from the ceiling (Michael E. Smith's Untitled, 2014).
He worked in highly polished stainless steel and bronze and occasionally made work that in effect sliced the
planks into thin, repeating elements that
leaned against the wall in rows.