Sentences with phrase «plaster very»

I am always careful to mix the water and plaster VERY well first then add the paint immediately, no waiting.

I did not have any white in mine but the key is to make sure to mix the plaster VERY well with the water first before you add it to the paint!

Not exact matches

They did not plaster their website with annoying banners and they had a very visually pleasing trading platform to say the least.

I had been driving from New Denmark to Plaster Rock, and it was a day like today, very cold, clear, snow ont he ground.

«Those who have been engaged in those ministries for a few years soon start to get to know the folks they are working with very well, and start to realise that just attaching a sticking plaster isn't the answer,» says Flannagan.

I noticed that plastered on each of these boxes, in very large font, was the statement: «Made with real fruit!»

Peter: (laughs) We had figured out a way that was very important to understand how craters form when the projectile deforms a great deal; so the best way was [to] take an egg, fill ed it up with plaster of paris, and then you just use the yolk and cook them to different degrees.

I love using my DIY chalk paint made with plaster of paris as a primer because it's very flat, adheres well, and there is very little prep, with no sanding.

I really love this style boot — it's very simple and I like how it's not plastered all over with Tory Burch logos or extra embellishments.

I either make my own chalk paint using the Plaster of Paris recipe or I use Plaster Paint which is very similar to Annie Sloan Chalk Paint except cheaper.

I'm not really sure why I had such good luck with mine but I am very careful to fully mix the plaster of paris and water first so that it is the consistency of skim milk before I pour it into my paint.

Unsanded grout and plaster of Paris ALL contain carcinogens and could be very harmful Once sanding.

I no longer use anything else, except if I am doing a table top, I may add a tablespoon of Plaster of Paris (PoP) so the finish will be very durable.

Good manners are rated as very important, as is a good sense of humour, but getting plastered is frowned on by both genders.

For reasons of Adblock, I had not seen the myriad of ads that plastered the walls of Facebook and played before every Youtube video for weeks until the release of the film, so I knew very little about it before I came to the theater for my press screening.

Sorry to disappoint all the haters — including everyone who plastered the internet with phony marketing posters — but «Ready Player One» is a very good movie.

Sadam Hussein's death was plastered all over the media but with bin Laden we are to just accept with very little evidence produced.

Bernard got plastered while trying on costumes this week, so CJ's taking the wheel as he hosts this very special Halloween edition of the Way To Indiecast.

«Jackass» star Johnny Knoxville plasters on the make - up and takes his Bad Grandpa character out on the road for his very own feature length adventure.

Head teachers» leader Russell Hobby confirmed that many buildings were in very poor condition, with schools «forced to dip into reserves to carry our emergency repairs that act as mere sticking plasters».

I was familiar with plaster on lath construction because it was such as how my very first home, brand new bought from a fabulous Italian builder of the day, was constructed.

The living room has a very grand appeal with its Saltillo tile floors and yellow Venetian plastered walls.

The only evidence of houses at the site are the very thin, buried plaster floors found in test excavations.

Very cool to see this kind of specific advertising, which is being plastered around various areas in London.

It didn't change until the very end, we been through this afew times and you seen the evidence plastered all over the Internet.

Then I remember that I'm very cynical and that so many people become complete (for lack of a better word) assholes when connected to a virtual world and I see no end to advertisements presented as legitimate entertainment, offensive hardcore porn plastered all over virtual apartments, players who log off when about to lose a game (casual game or actual big budget title), some players insulting others with crude and racist language, other players attempting to seduce the younger avatars, and the eventual «hack» that allows players to create anatomically correct naked avatars for the sake of harassing others.

I began the process of using plaster in my work years ago with a very personal piece, painted it around 1987.

These plaster - cast interiors of cardboard containers seem to have had the life, the air, the very history sucked out of them in the casting.

Born in Brussels in 1924, Marcel Broodthaers was 40 when he added art to his career as a writer, art critic and poet, by performing a very decisive act: he dipped his collection of poetry Le Pense - Bête into plaster.

The very leaden quality of the plaster doors provokes an intense awareness of the vital character of their wooden counterparts, in their facilitation of blocking human traffic, their «portal» - ness.

When Nicole Eisenman visited Münster last year to plan her contribution to the exhibition — she described it as «a big, elegant, flat, grassy lawn and a very kind of sharp, midcentury modern — style infinity pool carved into the middle of it, and then a bunch of sloppy - ass plaster sculptures in and around it, dripping and leaking» — she and König toured the city on bikes, which is the preferred method for viewing the show.

George Segal was one of the most public and private of artists; his works in plaster and other materials and his numerous public commissions are sited all around the world, yet he relentlessly pursued a very personal sculpture, portraying, for the most part, individuals engaged in everyday life.

He was a longtime friend of Bruce Conner, and describes him with a chuckle as «very competitive...» Conner would plaster the «Rat Bastard» seal all over the place, a sort of ownership of the neighborhood - a precursor to the modern - day tagger perhaps.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

The three sculptures — YOKO, PAULINE and MICHELE — each depict a female figure in cast plaster, and can be seen in our North Drawing Room, a very rare occasion on which a living artist has situated works amid the Soane's multi-layered collections.

The way the material feels, the temperature of the body, the delicacy and strength... There is something very sensuous about this material, these bodies, the act of rubbing and the visceral sexiness of touch and texture combined with the weight of the plaster and the mysterious heat it generates, it's dreamy work.»

I'm exploring a technique where I make the sculpture of polystyrene, bury it in a case of plaster, pour molten aluminum, then aluminum reacts with polystyrene and I get this sort of porous aluminum finish that is not very finished.

The director's office is high - ceilinged, shabby - grand, but also, with its thick walls and silence, its posters slightly too small for the expanses of white plaster, a bare and somewhat lonely place — like an isolation cell, or a very posh bunker.

The component parts, cast and then assembed to make the sculpture, are familiar objects and it is this very clear representation of process, of casting and making, that resonates in a very interesting way with the existing collection, particularly Hepworth's hand worked plasters that are on permanent display within the galleries.

Obscured and covered, the objects co-determine with the loosely applied molding paste, tar gel, and plaster the form of the sculptures, which are very distant relatives of Giacometti's narrow, upright, walking figures.

Scorched Earth, now at the Hammer Museum, begins with a huge map of the United States laboriously etched out of the very plaster of the grand white wall along the white marble entrance stairs to the galleries.

Novros is one of very few contemporary artists working in the traditional method of fresco, in which unbound pigments are painted on wet plaster, so they become bound with the structure of the supporting wall.

By applying these grounds with a trowel, almost like a plaster wall, they become very alive with just a few marks on them.

Ikait is stable below +5 Celsius, and if that forms, the very plaster will fall down like dry chalk powder next summer, and all that burning of wood was in vain.

I'd kept the very same secret as Carol for years, smothered beneath a plastered smile.

I was familiar with plaster on lath construction because it was such as how my very first home, brand new bought from a fabulous Italian builder of the day, was constructed.

I love that this delicate trim detail integrates the 1960's plaster valances and the beam between the dining room and living room, making it all feel very intentional.

And the walls are venetian plaster, which I like when done well, but this was done very poorly.

after much deliberation and a quote from a very kind man in my church, who plasters..

We had some very old plaster that didn't always like to be disturbed.