The range
of objects and other contemporary junk materials employed within the genre is well illustrated in the works
of Joseph Beuys (1921 - 86), such as Eurasia Siberian Symphony (1963, panel, chalk drawing, felt, fat, hare, painted pole, Museum
of Modern Art NYC); Ed Kienholz (1927 - 94), such as Back Seat Dodge»38 (1964, truncated Dodge automobile, resin, paint, fiberglass, clothing, chicken wire, beer bottles,
plaster, Los Angeles County Museum
of Art); Niki de Saint - Phalle (1930 - 2002), such as her Monster
of Soisy (1963, paint, various objects, metal frame, George Pompidou Centre); Marisol (b. 1930), such as her
Woman and Dog (1964, wood,
plaster, synthetic polymer, taxidermied dog
head, and miscellaneous items, Whitney Museum
of American Art).
It includes rarely seen
plasters and drawings which have never been exhibited before and showcases the full evolution
of his career across five decades, from early works such as
Head of a
Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.
It includes rarely seen
plasters and drawings which have never been exhibited before and showcases the full evolution
of Giacometti's career across five decades, from early works such as
Head of a
Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.
Chandelier antique «French Moderne Chandelier,» mirror antique «Carved Gilt Mirror,» acrylic - encased staffs flanking entry antique «Processionals» mounted on Gray Velvet,
plaster sconces in the style
of Serge Roche, chairs antique «French Empire Chairs» in Muslin,
plaster sculpture
of woman's
head original work, console upholstered in velvet with nailhead trim custom, silver facetado sculpture on console: Nancy Price Interior design; nancypriceinteriors.com.