Sentences with phrase «plate paintings»

Update your table with plates painted with swirling colors or napkins showcasing watercolor stripes.

This exhibition marks the first museum presentation to focus on the artist's culturally iconic plate paintings.

A new, comprehensive catalogue of the artist's 1970s plate painting and studies, including works in museum collections, accompanies the exhibit.

Locks Gallery is pleased to present an exhibition of plate paintings from a formative period of Jennifer Bartlett's career.

Bill Powers: We're looking at new plate paintings in your outdoor studio.

It coincides with his exhibition Julian Schnabel Plate Paintings 1978 — 86 at the Aspen Art Museum and the first artist curated exhibition of 2017 at the Clyfford Still Museum, Denver.

Looking at Zachary Buchner's one - man show of mixed media plaster paintings at Andrew Rafacz Gallery entitled, Just Say Yes, I couldn't help but think of Julian Schnabel's sculptural plate paintings from the 80's.

In 2006, the Addison Gallery of American Art surveyed Bartlett's early enameled steel plate paintings in the period from 1968 — 76.

The works took the simple shapes and geometries she used to describe the grid (fundamental to her iconic steel plate paintings) and forced them to riot, warping space and possibly time.

He recalled seeing one of his early plate paintings at the show in Aspen.

It's all tricked out with the fruits of Sawyer's love of foraging the Cleveland woods in search of anything fermentable (koji - cured salmon), smokeable (hay - smoked beef on plates painted with beef jus), or ash - roastable (quail with corn polenta and «Ohio bottarga»).

Rendine's large site - specific sculpture consists primarily of paper plates painted in various flesh - tones.

Schnabel made his first plate painting as soon as he returned to New York.

His broken plate paintings ruminate on the insatiable demand of mass consumerism and its effect of the environment, while his «Party On» work comments on today's disconnected world of multifarious phenomena.

Mr. Schnabel hopes to hold four to five shows a year at the St. Moritz space, and already has another exhibition in the works: a solo show featuring recent plate paintings by his father.

The American painter and film director Julian Schnabel (b. 1951) became known in the 1980s for his enormous plate paintings characterised by including large fragments of smashed porcelain.

In the living room I put some amazing lilac in another enamel pitcher from Ikea and placed it on my coffee table using for styling a round wooden plate I painted and distressed a while ago.

The wing uprights are produced from forged aluminium; the new side plates painted in the exterior colour.

Above the rear license plate the paint has completely come off and rust has

I still remember the deep consternation his muted window paintings caused many people in early 80s, which was ironic given the frenzied attention the art world was then paying to Julian Schnabel's Sturm und Drang plate paintings.

Dumb luck — or because the rhetoric matters in such cases, «divine providence» — gave to us to see The Patients and the Doctors, one of the notorious plate paintings that Schnabel exhibited in his first solo show at Mary Boone's Soho space in 1979.

Beginning with Schnabel's earliest sketches and paintings from the late - 1960s, the book moves on to his rise to the top of the art world of the 1980s, with works such as «Portrait of Andy Warhol» from 1982 (one of many critically acclaimed broken - plate paintings included here) and «Pope Clement of Rome» from 1987.

According to the artist, the broken plate paintings begun in 1978 were inspired by the Spanish visionary architect Antonio Gaudi who imbedded bits of glass and crockery into the plaster walls of his buildings.

ASPEN, COLORADO (October 21, 2016)-- The Aspen Art Museum is proud to present the first exhibition in an American museum focusing solely on artist Julian Schnabel's legendary plate paintings.

Schnabel's pioneering plate paintings are what initially caught the New York art world's attention, leading to his first exhibition at Mary Boone Gallery in 1979.

These newest works of the S.P. series consist of plywood plates painted and suspended from steel posts attached to the wall of the gallery.

The paintings also re-imagined the grid structure fundamental to previous plate paintings, but instead through works on canvas.

Starting in the late 1960s, Bartlett lived and worked in SoHo where, informed by the movement towards conceptual art and the city's industrial streetscape, she developed her signature steel - plate painting technique.

Julian Schnabel goes back to his roots with a series new additions to his emblematic plate paintings that brought him massive success in the «70s.

In some ways, this process links them to the before mentioned plate paintings of Julian Schnabel, or Sigmar Polke's Pour paintings, which incorporate powdered mica in their making.

Julian Schnabel Schnabel, who made his name with broken - plate paintings during the art boom of the 1980s, has arguably found his real calling as a film director, with such movies as «Basquiat» (1996), «Before Night Falls» (2000), and «The Diving Bell and the Butterfly» (2007).

-- Julian Schnabel, paradigmatic star of 1980s Neo-Expressionism, at long last crossed the million - dollar threshold when a triptych plate painting from 1983 brought in $ 1.2 million (est. $ 1,000,000 - 1,500,000).

Its rich colors and vivacity inspired the creation of his signature plate paintings, full of textures and iconic imagery.

Here is Julian Schnabel HON RA, another former famous rebel reprising his successful plate paintings of the 1980s (with hopefully better glue) painted here too decorously with roses according to the title Rose Painting (near Van Gogh's Grave) XVIII.

In addition to these more abstract plate paintings, the exhibition will also feature a selection of his portraiture executed on broken crockery such as Portrait of Jacqueline Beaurang (1984), Portrait of Tina Chow (1987), and Portrait of May Andersen (2013).

At the Brant Foundation one will have the opportunity to engage with some of the most important plate paintings being exhibited together for the first time.

Join us on Thursday, November 3, at 6 p.m., for the Opening Reception for our fall exhibitions: Julian Schnabel Plate Paintings 1978 — 86, Mary Ramsden's (In / It), and Danh Võ's exhibition.

In addition to this triumphant return to his old gallery, with a show of new plate paintings (a series of works that first catapulted him to fame back in 1979), Schnabel has had major exhibitions at the Aspen Art Museum; the Glass House in New Canaan, Connecticut; and currently has a show at the Schloss Derneburg Museum in Germany, as well as an opening this week at the Almine Rech Gallery in New York.

He sold out his first show of plate paintings with Mary Boone Gallery in 1979 before the exhibition opened (there were four paintings priced at around $ 2,500, which meant he made about $ 4,000 after taxes).

After creating the first plate painting in New York City in 1978, critics championed Schnabel at the time for heralding in the «return» of painting, and the works featured in this exhibition are emblematic of Schnabel's continued exploration of materiality and figuration.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

This Christmas craft is composed of quarter wedge - shaped paper plates painted in green and hanged on a zigzagging thread.

Powers added that curator Alison Gingeras had cited Julian Schnabel's plate paintings as a reference.

On view from November 4, 2016 to February 19, 2017, this exhibition will feature thirteen plate paintings from 1978 — 1986.

Julian Schnabel has been attracting public attention since his enormous plate paintings were shown at New York's Mary Boone Gallery in 1979.

If I could ever really succeed, I would paint pictures that were so direct, and in which the subject was so displayed, that each would be like a piece of fruit being handed to you on a plate

As cited in the show's excellent catalogue, Julian Schnabel, for instance, has acknowledged the influence of Mr. Stella's «Exotic Birds» series on his own «broken plate paintings» at the time.

While artist Julian Schnabel's iconic plate paintings are made of broken dishes, a landmark exhibition at the Aspen Art Museum presents them as whole — and enduring.