The film's grand centrepiece, which will deservedly receive
any plaudits coming the film's way, is a tracking shot which switches perspectives between Salvo and Rita as Salvo awaits her brother's return and she gradually senses his presence.
Not exact matches
Abrahamson too deserves high
plaudits for his work here too, with the early stages stark and wearisome before the
films «opens» up and the world
comes flooding in in all its splendour and glory.