Sentences with phrase «play as a key element»

Going beyond traditional play therapy, this innovative book presents a range of evidence - based assessment and intervention approaches that incorporate play as a key element.

Not exact matches

This approach assumes we can not learn from ancient or mediaeval dramas the way educated audiences of the 1600s and 1800s did, taking the particularity of the time straight, and as a key thematic element of the play.

Thus Whitehead's key concept of prehension can come into play as a concept of an activity that synthesizes all the main elements.

The 29 - year - old has bagged 30 goals in 39 appearances so far this season to establish himself as a fundamental piece in City's successful run, but without him, they have missed a key element of their play.

In particular, the fact that the lanthanide element cerium played such a key role marks this as the beginning of a new line of research.

Ball's remarkably frank approach to a number of decidedly taboo subjects - rape plays an increasingly key role as the movie unfolds - is generally allayed by the undercurrent of darkly comedic elements, though it's ultimately Bishil's exceptionally strong performance that holds the viewer's interest throughout the movie's admittedly uneven running time.

But if the child's moral education begins with a consideration of moral feelings such as empathy and then links these feelings with the enduring elements of morality, the child's character growth will be enhanced by transforming the child's emotions — which do play a key role in behavior — into a lasting set of virtues.

«We see LEGO Universe as a key element for our digital play division, and are adjusting the business model to make the game more accessible to players, without the immediate obligation to purchase or subscribe.»

One of the key elements of Perfect Dark Zero that was so impressive was the storyline, which have you playing as Joanna Dark, one of the coolest spies you will ever see, who had to go through a lot of trouble to save the day.

Its primary genre is adventure, with the other elements only played out during key moments as the story progresses.

Just as it was for real pirates sailing the seas and for those who played Assassin's Creed Black Flag, wind will be a key element in Skull and Bones.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Going a step farther to make the case for the gesture as the most critical element, Abstract Expressionist artists recognized that you could make a gesture without paint but there would be no evidence of it, so gesture and paint were inextricably linked as the essential unit of painting, with the brush playing the key role.

Video is a key component of Condon's practice, and as with his 2008 live - action role - playing performance, Twentyfivefold Manifestation, the documentation is not simply a remnant, but an element of the piece itself.

This exploration is one of the key elements in the work of many very established painters, such as Robert Ryman, where for him not just the paint application comes into play but his choice of methods for attaching the painting to the wall or the actual date and signature on the work become a pivotal piece of the composition.

Key examples from the artist's most iconic neon series will be on view, including elements from Kosuth's renowned «Freud» series (1981 - 1989), in which the artist puts the psychoanalyst's texts regarding unconscious functioning meaningfully into play using wall pieces and installations, and from his acclaimed «Wittgenstein» series (1989 - 1993), which illustrate the fervent influence of the philosopher on Kosuth's foundation of thinking, and belief that art should ask questions about itself, as a language engaged in the production of meaning.

The role of the lawyer remains, as a quick - witted master who joins the pieces of a 3 - D puzzle where experience, knowledge of the client's sector, of his own business and an endless array of elements play a key role and which, propped on this solid technological basis, give rise to a far more efficient lawyer.

The app functions as a «visual index» of key theme tags within the book, which have been divided into 4 major groups: People, Subjects, Emotions, and Fryisms (metaphors, similes, word play, and other interesting elements in Fry's writing).