Sentences with phrase «play as the horror»

Not exact matches

I've had few experiences as memorable as playing through the entirety of the first - person horror / survival game «Resident Evil 7: BioHazard.»
Avnet (whose father, Jon, is a veteran Hollywood director and producer as well as the studio's co-CEO) told Fortune the studio wanted to maintain the film's authenticity — they wanted viewers to think the horror film playing out in real - time might really be happening — so they avoided marketing the movie and, in fact, they did not even run the idea by Snapchat before proceeding.
In between, we are given snapshots of a vanished America where religion and culture still played a vital role in public life, as well as odd and unexpected little tidbits: a craze for church bell towers in the 1920s; Cram's home life with his beloved wife, Bess, and their children; the messy business breakup with Goodhue; Cram's mildly embarrassing foray into the horror genre, Black Spirits and White; his strange proposal for an island to be raised ex nihilo in Boston's Charles River; the problems inherent when working with rich Swedenborgians; and a Japanese Christian university he designed on a mix of Oriental and Dutch Modernist themes.
But when he handed out footballs in European high schools, he watched in horror as kids played soccer with them.
That dude was playing as if it was a World Cup Final and single handedly took the entire United's defence for a horror ride.
If a lovey plays a big role in your little one's life, it's a good idea to prepare for times when the lovey might be unavailable, such as when it needs washing or (horrors!)
... Delight in smooth - sounding platitudes, refusal to face unpleasant facts, desire for popularity and electoral success irrespective of the vital interests of the State, genuine love of peace and pathetic belief that love can be its sole foundation, obvious lack of intellectual vigour in both leaders of the British Coalition Government, marked ignorance of Europe and aversion from its problems in Mr. Baldwin, the strong and violent pacifism which at this time dominated the Labour - Socialist Party, the utter devotion of the Liberals to sentiment apart from reality, the failure and worse than failure of Mr. Lloyd George, the erstwhile great war - time leader, to address himself to the continuity of his work, the whole supported by overwhelming majorities in both Houses of Parliament: all these constituted a picture of British fatuity and fecklessness which, though devoid of guile, was not devoid of guilt, and, though free from wickedness or evil design, played a definite part in the unleashing upon the world of horrors and miseries which, even so far as they have unfolded, are already beyond comparison in human experience.
SANTA FE, Tex. — A nation plagued by a wrenching loop of mass school shootings watched the latest horror play out in this small Southeast Texas town Friday morning, as a young man armed with a shotgun and a.38 revolver smuggled under his coat opened fire on his high school campus, killing 10 people, many of them his fellow students, and wounding 10 more, the authorities said.
As Pitch Black proves: at night, horror comes out to play.
Rather than play as an archaeologist however, you play the ancient horror living in the cave whose job it is to clear them out.
It also works well if you fancy your date, as there are lots of opportunities to play on your fear and get closer — whether you hold their hand on the ride, huddle close in fear, or full on grab them in the middle of a horror maze!
As with Eli Roth's Hostel films, the context should be clear to anyone aware of the role America plays in the developing world and the festering anti-American hostilities out there... or to anyone interested in the politics of horror and / or familiar with the genre conventions in this regard.
While it isn't a Horror - Horror but more accurately a parody of a Horror that knows what it is and plays with that as much as it can.
The younger Cronenberg has made a derivative exercise in body horror that plays as little more than low rent Cronenberg pastiche.
Following its premiere in Toronto's Platform strand, «Beast» should enjoy broad festival play thanks to its canny art - horror balance — it's a film as suitable for midnight berths as it is for less genre - inclined programs.
For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.
So much of the success of any given horror film relies on a few aesthetic elements: its atmosphere, its ability to play with light and the shadow, and, of course, location -LRB-... location, location — as real estate folks would add for effect).
Karloff, as Byron Orlock, more or less plays himself: an aging horror star, consigned to low - budget drive - in fare.
Slightly less believable are the specifics that get the group to play a game in a clearly haunted hill - top building, an awful decision that's never justified as anything other than «something that would happen in a horror movie».
As the first film had a pretty terrifying thing going on, this second offering really goes against what the previous film established and plays out more like a comedy horror film.
But as the game opens up and rewards your commitment to it, you get to play out the fantasies of a horror scenario centered on big moral questions.
Venom's premise, which is borderline nonsensical in its unfolding, is curiously played straight by director Piers Haggard as something closer to the similarly location - bound Dog Day Afternoon than the more populist horror films that cropped up during the early 1980s.
HollywoodNews.com: Jenna Dewan is one lucky girl as she isn't just married to Channing Tatum, but she also gets to play Adam Levine's love interest on «American Horror Story.»
Trank plays the transformation of the Fantastic Four from plucky kids to mutants blessed but mostly cursed with superhuman powers from another dimension as Cronenbergian body horror.
Teen Wolf: The Complete Season One (DVD & Blu - ray) As far as I know, there's no scene of the teenaged werewolf Scott McCall surfing on top of a van... which leads me to believe that MTV wanted to play this horror series straighAs far as I know, there's no scene of the teenaged werewolf Scott McCall surfing on top of a van... which leads me to believe that MTV wanted to play this horror series straighas I know, there's no scene of the teenaged werewolf Scott McCall surfing on top of a van... which leads me to believe that MTV wanted to play this horror series straight.
Daniel Kaluuya is exceptional and plays the character perfectl as his character is transported to a place of horror.
The second unit has found a perfect place to set a horror film and uses every natural element as a solid base to set their movie play.
Constanzo also employs other horror tactics, most obviously the hovering camera — using a fish eye lens high above the characters to simultaneously make Mina look even more waif - like and also act as an evil eye of sorts looking down at the increasingly complicated scenario playing out.
Starring Justin Long as a podcast host investigating a reclusive old mariner in Canada, and playing up Smith's offbeat sense of humor in lieu of Red State's politically - charged tension, it seems like Smith may finally have found his perfect style of horror.
Laurie Strode's only son is about to meet Frankenstein and other classic horror icons, as Josh Hartnett, who played John
Zombie's «Werewolf Women of the SS» tries too hard to be funny (of course, a last - minute cameo by Nic Cage as Fu Manchu certainly helps) and Roth's «Thanksgiving» (a play on seasonal horror films) has its moments, but it's Wright's trailer for the British horror flick «Don't» that proves the most effective.
It's not really a horror movie, but it plays into Friedkin's customary assessment of the world as truly rotten.
I felt they went 50/50 with their horror - themed episodes this year, (with the Alfred Hitchcock - inspired finale, «Mr. Yin Presents...» as the series» best episode,) but regardless, I love that the show takes chances and has fun playing with its format.
A psychological horror film brings an Ancient Greek play to life as a successful surgeon and his family are caught up in a disturbing tale of revenge and retribution
In the Victorian horror thriller The Limehouse Golem, Bill Nighy plays an upstanding policeman whose career has been limited because his fellow officers see him as «not the marrying kind».
Like all the best horror, it plays on primal fears as well as primal needs, starting with the fear of the dark, and working up to metaphysical longings for immortality, while never violating its essential popcorn - flick essence.
The scene where Solomon plays his violin to try to dispel the horror playing out as a mother is begging to keep her children together.
Is the latest found - footage horror movie, «Apollo 18» (this time in space) as entertaining as similar films, «Paranormal Activity» and «The Blair Witch Project,» or is this genre finally played - out?
The horror film stars Diego Boneta (from «Scream Queens» and Rock of Ages) as an American tourist who ends up in the town of Medellin in Colombia, befriending a local woman (played by Maria Mesa) who introduces him to «group of young misfits» that call themselves the «Dead Men».
However, this is perhaps where the biggest breaking point for Past Cure comes in to play as it tries to straddle the line between survival horror and action thriller, and the only area I feel where it has a little bit of difficulty trying to take on both at the same time.
As a veteran of both huge production and micro-budget indies, leading man Anton Yelchin — who plays a horror buff who's freed from under the thumb of his sexy but controlling girlfriend (Ashely Greene) when she dies, only to find himself still at her mercy when she's revived as one of the walking dead — was impressed by the blend of Dante's vision and efficiencAs a veteran of both huge production and micro-budget indies, leading man Anton Yelchin — who plays a horror buff who's freed from under the thumb of his sexy but controlling girlfriend (Ashely Greene) when she dies, only to find himself still at her mercy when she's revived as one of the walking dead — was impressed by the blend of Dante's vision and efficiencas one of the walking dead — was impressed by the blend of Dante's vision and efficiency.
James Ransone may best be known for his role as Ziggy on The Wire, but he's also got a bit of horror movie experience thanks to playing the deputy in Sinister and Sinister 2.
It could easily play as a monster movie or a modern horror movie, with the haunted tension of a supernatural story like The Orphanage mixed with the big, stately action of Pacific Rim.
Yet, the film plays out with little sense of requisite suspense that made the first Psycho such a great film, and many of the scenes, including the murders, play out as if they were made for a psychological drama, rather than in a scary horror flick or tense, nail - biting thriller.
Tokyo Sonata, at first glance, plays less like the work of Kurosawa than like that of Taiwanese filmmaker Hou Hsiao - hsien, but as the story of downsized executive Ryuhei (Teruyuki Kagawa) unfolds, following roughly the same blueprint as Laurent Cantet's Time Out as Ryuhei conceals his unemployment from his wife and two sons, it comes clear that Kurosawa's brilliant, refined take on mass hysteria in his horror films has been translated intact.
The play is called «Hellcab,» as is the video release, but theatrically and on cable you may have also seen this under the title Chicago Cab, which is more appropriate, as the other title misleads you into thinking this may be a horror flick.
That was Peter Vincent, which Roddy McDowell played perfectly as an aging horror TV host in the original, and here has been reimagined as a Vegas stage magician played by David Tennant.
Being at ease has never been a natural state for watching the show, and the new season offers plenty of horrors to come, including Hannibal on the lam in Europe and an appearance by Francis Dolarhyde, the man who becomes known as the Tooth Fairy, played by Richard Armitage.
As haunted and aimless as «Claire de Lune» (played at the picture's closing recital), Tokyo Sonata is Kurosawa allowed at last to make a horror film that reveals that, for him, true horror is being content to accept salvation in the life of a sheeAs haunted and aimless as «Claire de Lune» (played at the picture's closing recital), Tokyo Sonata is Kurosawa allowed at last to make a horror film that reveals that, for him, true horror is being content to accept salvation in the life of a sheeas «Claire de Lune» (played at the picture's closing recital), Tokyo Sonata is Kurosawa allowed at last to make a horror film that reveals that, for him, true horror is being content to accept salvation in the life of a sheep.
Those who love horror films like Friday the 13th, Sleepaway Camp, Evil Dead, and various other 80s cult classics will love how this film plays as an homage to them.
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