Working on common ground with an overlapping sensibility towards a self - conscious
play on art history and investigating the construction of representation, Ader and Van Elk have been a major influence on their contemporaries, but also on many artists working today.
Not exact matches
Based
on David Ebershoff's 2000 novel of the same name, Hooper's beautifully shot dramatic biography
plays like an extended PBS special for
art history buffs.
With so many different timelines, gameplay types, and
art styles
on display throughout the
history of The Legend of Zelda, it's difficult to pin down exactly what a Zelda mobile game might look or
play like.
Smarthistory is not only a clever
play on words, but also a great
art history resource.
AASA Journal of Scholarship & Practice About Campus Academic Leadership Journal in Student Research Academic Questions Accounting Education ACM Transactions
on Computing Education Across the Disciplines Acta Didactica Napocensia Action in Teacher Education Action Learning: Research and Practice Action, Criticism, and Theory for Music Education Active Learning in Higher Education Administrative Issues Journal: Connecting Education, Practice, and Research Adult Education Quarterly: A Journal of Research and Theory Adult Learner: The Irish Journal of Adult and Community Education Adult Learning Adults Learning Mathematics Advances in Engineering Education Advances in Health Sciences Education Advances in Language and Literary Studies Advances in Physiology Education AERA Open Africa Education Review African Higher Education Review African Journal of Research in Mathematics, Science and Technology Education Afterschool Matters AILA Review AILACTE Journal Alabama Journal of Educational Leadership American Annals of the Deaf American Biology Teacher American Educational
History Journal American Educational Research Journal American Educator American Journal of Business Education American Journal of Distance Education American Journal of Education American Journal of Engineering Education American Journal of Evaluation American Journal of Health Education American Journal of
Play American Journal of Sexuality Education American Journal
on Intellectual and Developmental Disabilities Analysis of Verbal Behavior Anatomical Sciences Education Annals of Dyslexia Annual Review of Economics Anthropology & Education Quarterly Applied Developmental Science Applied Environmental Education and Communication Applied Language Learning Applied Linguistics Applied Measurement in Education
Art Education
Art Therapy: Journal of the American
Art Therapy Association
Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice
Arts Education Policy Review ASHE Higher Education Report Asia Pacific Education Review Asia Pacific Journal of Education Asian Journal of Education and Training Asia - Pacific Forum
on Science Learning and Teaching Asia - Pacific Journal of Teacher Education Assessment & Evaluation in Higher Education Assessment for Effective Intervention Assessment in Education: Principles, Policy & Practice Assessment Update Association of Mexican American Educators Journal Athletic Training Education Journal Australasian Journal of Early Childhood Australasian Journal of Educational Technology Australasian Journal of Gifted Education Australasian Journal of Special and Inclusive Education Australian and International Journal of Rural Education Australian Educational Computing Australian Educational Researcher Australian Journal of Adult Learning Australian Journal of Career Development Australian Journal of Education Australian Journal of Educational & Developmental Psychology Australian Journal of Environmental Education Australian Journal of Indigenous Education Australian Journal of Learning Difficulties Australian Journal of Music Education Australian Journal of Teacher Education Australian Mathematics Teacher Australian Primary Mathematics Classroom Australian Review of Applied Linguistics Australian Senior Mathematics Journal Australian Universities» Review Autism: The International Journal of Research and Practice
Kids love the hands -
on art, science, and
play activities at the Bay Area Discovery Museum, which focuses
on bay
history and ecology.
Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary
Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains
Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art Museum, Fargo, ND 2017 All That Glitters, work
on display in contemporary galleries at St. Louis
Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art Museum 2017 Now is the Time: Investigating Native
Histories and Visions of the Future, IAIA Museum of Contemporary Native
Arts, Santa Fe, NM 2016 Culture Shift,
Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art Mür, Montreal, Canada 2016 From the Belly of Our Being:
art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
art by and about Native creation, Oklahoma State University Museum of
Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of
Arts, Minneapolis, MN, Plains
Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary
Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American
Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of
Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516
Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of
Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native
Arts, Santa Fe, NM 2008
Playing, Remembering, Making:
Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,
Art in Native Women's Lives, Museum of Indian
Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian
Arts Museum, Santa Fe, NM
The exhibition is accompanied by a catalogue, with essays
on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of
art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Di
art history at Carleton University in Ottawa, and
on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of
Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Di
Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar,
on Gutai's influence
on Williams» one - act
play, The Day
on Which a Man Dies.
«Throughout
history,
art has always
played a significant role when it comes to representing the sentiments of the populace,» noted curator Indira Cesarine, who, along with the gallery staff and show participants, will be joining this year's Women's March
on Saturday.
In Chris Ofili's work painterly and cultural elements — both sacred and profane, personal and political, from high
art and popular culture — come together to
play on ideas of beauty while carrying messages about black culture,
history and exoticism.
For the public symposium keynote address given
on November 18, 2016, in conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971 at the National Gallery of
Art, Pamela M. Lee revisits the history of the Dwan Gallery as a negotiator of two distinct but converging art cultures and the formative role Virginia Dwan played in bringing them closer togeth
Art, Pamela M. Lee revisits the
history of the Dwan Gallery as a negotiator of two distinct but converging
art cultures and the formative role Virginia Dwan played in bringing them closer togeth
art cultures and the formative role Virginia Dwan
played in bringing them closer together.
Often associated throughout
art history with the Jackson Pollock myth of the individual male painter expressing his physical prowess
on the canvas, Abstract Expressionism has been recently reassessed by casting a new light
on female artists who
played an important role in the movement such as Lee Krasner or Grace Hartigan.
A finalist for Britain's Turner Prize in 2013, Yiadom - Boakye is known for her paintings of black fictional characters that
play on conventions of European portraiture, drawing attention to inequities in representation throughout
art history.
If the above three women
played a catalytic role in the
history of contemporary
art,
on the role of women in a male - dominated field until then, Hannah Wilke is the great feminist of the»70s, whose work and attitude (she died from cancer and photographed the whole process of the disease), she really emphasized what psychic and artistic vigor means.
Art history is explicitly tackled in such works as Ryman's Brides, 1997, which presents an array of brides in their wedding gowns,
playing on Robert Ryman's use of different tones of white in his minimal monochromes.
He is the co-curator with Fatima Hussain of the REDO Pakistan project — a nomadic
art project that engages with the contested
histories and futures of South Asia — in the form of an activist newspaper stall, generating further work in the form of radio sessions, archives, video essays, vocabularies,
plays, symposiums and film events
on its journey.
The compositionally dense works
play with the social and current realities of today, with an interest in ornamentation and surface, and draw
on the legacy of
history as told through the Western canon of painting and the applied
arts.
at Oxford University Museum of Natural
History on 30 October 6 — 8.30 pm Q & A thirty minutes followed by refreshments Chair: Dr Alison Green Panel: Prof Robert Pepperell, Dr Sylvia Lahav, Prof John Hyatt, Filmmaker Pete Regan Should
art play hide and seek with the public?
Opening: «In The Making: Artists, Assistants, and Influence» at Luxembourg & Dayan «In The Making» is fairly explicit in regards to its premise, which turns a spotlight
on the invisible hands that have
played such a major role in the creation of works throughout
art history: those of the artist's assistants.
Jukurte adds, «Syrian
art has not only
played a very important role in the region's
art history and cultural development, it has also remained under - appreciated
on the world stage.»
In the current exhibit, Durham's works bring a crucial understanding of the
history of American
art as well as underscoring the importance for American artists to be «to participate
on an international
playing field.
The exhibition's title acts as a
play -
on - words for West's nonconformist, anarchic approach to creating artworks and his critical place in Western
art history.
Cramer often
plays on the crossover between
art and design and has even had a solo exhibition at the Museum of Art and History of Gene
art and design and has even had a solo exhibition at the Museum of
Art and History of Gene
Art and
History of Geneva.
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the
arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developm
arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of
art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student,
playing by the rules of the
art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist,
art and teachers in high school, attending California College of
Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developm
Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending
art school, professors at
art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to
art school, radical
art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to
art, self - doubts, education in
art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio
art, documentation, use of science and disciplines in
art, conceptual
art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing
on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the
art world, machine works, interrogating
art and one's self, Vito Acconci, public
art, artisans and architects, Fireworks, dysfunction in
art, periods of fragmentation, bad
art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the
art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
The gallery says his work features «painterly and cultural elements — both sacred and profane, personal and political, from high
art and popular culture — come together to
play on ideas of beauty while carrying messages about black culture,
history and exoticism.»
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish
Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP
Art Fair, Online
Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction
on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belveder
on Paper, Kotonah Museum of
Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern
Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market
Art Fair, The Royal Swedish Academy of Fine
Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female:
Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making
Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's
Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of
Art, Annandale -
on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belveder
on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals
on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belveder
on the Bowery, Festival of Ideas for a New City, New Museum and
Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American
Art, New York, US Hong Kong International
Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine
Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'
art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International
Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives:
On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belveder
On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'
Art Contemporain de Brétigny, Brétigny, FR
Play Time, Lieu D'
art Contemporain, Sigean, FR Plot: Plan: Process Works
on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belveder
on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR
Art = Text =
Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of
Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
On view from September 9, 2011 to February 12, 2012, this contemporary
art exhibition was curated by Bradley Bailey, assistant professor of modern and contemporary
art history at Saint Louis University, It featured artworks that consider chess both at the formal level and at the level of actual
play.
Other works
on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting
on the role cinema has
played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting
on history, social struggles and dystopia; and Hu Xiangqian's
Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.
Playing on Western
art history's treatment of places that are seen as «other» and drawing
on personal and collective memories of life in Kenya, as well as news and images circulating online, his paintings challenge social attitudes and inequalities.
Christine Poggi, professor of the
history of
art at the University of Pennsylvania, Philadelphia, will present a free lecture titled «Trompe - l'esprit: Cubism and the Play of the Imagination» on Friday, June 10, at 6 p.m., in the Kimbell Art Museum auditori
art at the University of Pennsylvania, Philadelphia, will present a free lecture titled «Trompe - l'esprit: Cubism and the
Play of the Imagination»
on Friday, June 10, at 6 p.m., in the Kimbell
Art Museum auditori
Art Museum auditorium.
Tagged as: abstract
art, abstract expressionism, Alex Mosoeanu, Alexander Shank, Alexander Trosko, art installation, art news, Caitlin Tschanz, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
art, abstract expressionism, Alex Mosoeanu, Alexander Shank, Alexander Trosko,
art installation, art news, Caitlin Tschanz, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
art installation,
art news, Caitlin Tschanz, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
art news, Caitlin Tschanz, DoNArTNeWs, DoNArTNeWs Philadelphia
Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group
Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
Art Show at
Plays and Players
Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media
art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
art, Moore College of
Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
Art, oil paintings, paintings, Philadelphia, Philadelphia
art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
art, Philadelphia
Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
Art Galleries, Philadelphia
art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Pa
art shows, Philadelphia artists, Philadelphia
history, Philadelphia photographer, Philadelphia photography, photographers, photography,
Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works
on Paper
There are works by the biggest names in African
art, including El Anatsui, who created a special wall work for the museum, and William Kentridge, whose processional
history, More Sweetly
Play the Dance (2015), is
on view.
The fine
art establishment played a role in 2011, when Los Angeles» Museum of Contemporary Art held its blockbuster exhibition «Art in the Streets,» the first major U.S. museum show on the history of graffiti and street a
art establishment
played a role in 2011, when Los Angeles» Museum of Contemporary
Art held its blockbuster exhibition «Art in the Streets,» the first major U.S. museum show on the history of graffiti and street a
Art held its blockbuster exhibition «
Art in the Streets,» the first major U.S. museum show on the history of graffiti and street a
Art in the Streets,» the first major U.S. museum show
on the
history of graffiti and street
artart.
Traveled to Hessel Museum of
Art, Bard College, Annandale -
on - Hudson, NY; Serpentine Gallery, London; Reykjavik
Art Museum; Herning Kunstmuseum, Denmark; Centre for Contemporary
Art, Warsaw; Le Musée de Sérignan, France; Galerie Rudolfinum, Prague; Songzhuan
Art Centre, Beijing (catalogue) La Séance du Dimanche, Centre Culturel Suisse, Paris 2004 Real World: The Dissolving Space of Experience, Modern
Art Oxford (catalogue) 2003 Celebrating Sculpture: Modern and Contemporary Works from Dallas Collections, Dallas Museum of
Art 2002
Play it as it Lays, London Institute 2001 Sonsbeek 9: Locus / Focus, Arnhem, The Netherlands (catalogue) Bright Paradise: Exotic
History and Sublime Artifice / The 1st Auckland Triennial, The University of Auckland
Art Gallery (catalogue) 2000 Mise en Scene: New Los Angeles Sculpture, Santa Monica Museum of
Art, CA.
With a sly nod to the
history of modern
art, Ligon formally
plays on the monochromatic reductiveness of such artistic forebears as Kazimir Malevich and Ad Reinhardt, while simultaneously expanding upon the repetitive and serial processes pioneered by Sol LeWitt and Jasper Johns.
The work
plays with our reading of
art history and the conventions of film presentation within an
art context, as a projection
on a looping system.
Celebrating the role
art plays in shaping our perception of the world, KALEIDOSCOPE offers a shifting prism
on an illustrious
history founded upon the vision of artists.