Sentences with phrase «play to the gallery on»

A demand for Britain to withdraw troops from Afghanistan ahead of schedule prompted Mr Cameron to praise the «great power and great force» of his rhetoric but warn him not to «play to the gallery on this issue».

The prime minister rejected Mr Galloway's arguments, however, telling the Commons» latest addition: «I urge him not to play to the gallery on this issue but to speak up for the work that our forces are doing to make Afghanistan a safer country.»

Not exact matches

As Jonas Barish points out in his sharply observed monograph The Anti «Theatrical Prejudice (1981), terms such as theatrical, operatic, melodramatic, and stagey tend to be hostile or belittling, as do phrases like play «acting, putting on an act, making a scene, making a spectacle of oneself, playing to the gallery, and so forth.

When the author recalls the long gallery of persons whom, in the course of this inquiry, he has come to know with the impetuous but temporary intimacy of the stranger — sharecroppers and plantation owners, workers and employers, merchants and bankers, intellectuals, preachers, organization leaders, political bosses, gangsters, black and white, men and women, young and old, Southerners and Northerners — the general observation retained is the following: Behind all outward dissimilarities, behind their contradictory valuations, rationalizations, vested interests, group allegiances and animosities, behind fears and defense constructions, behind the role they play in life and the mask they wear, people are all much alike on a fundamental level And they are all good people.

I could hear that imaginary peanut gallery right now grilling him on the wisdom of also playing so much man - to - man with his pass rush going at Newton full throttle.

Rose, the only member of the fivesome who is playing from the championship tees, must hit his second shot over the heads of some two dozen members of Jordan's gallery, which has smartly stationed itself across the fairway to be in position to intercept Michael on his way to the green.

Until one learns what to look for, and some never do, one is likely to come away from the game with a kaleidoscopic collection of impressions, totally unassimilable, a gallery of friezes: the goalie hanging in midair at a 45 ° angle, the ball in his outstretched fingers; a tangle of players carved in marble in front of the net; sprawled soldiers in shorts lying on the ground in states of disarray; the referee's cheeks puffed out while he signals a stop in play and the teams merrily ignore him; a man contorted in pain, immobile, a trickle of blood at his hairline.

A break from this his conservative beliefs to embrace the contemporary beliefs in football management that places emphasis on winning titles instead of to be playing good entertaining football without winning the PL and the CL titles which amounted to playing to the gallery will be most welcomed next season if Le Prof will change from his conservative thinking to contemporary thinking..

You can either lay the cards out for baby to play with or mount them on your nursery wall to create a mini gallery.

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Your point on IHT is fascinating and raises a good question about how we avoid candidates playing to the gallery in primary elections.

According to the Tamale North lawmaker, the Finance Minister came to Parliament to play to the gallery, as the issues he responded to were never part of the motion which summoned him to the house to provide full disclosure on the controversial bond.

This gallery highlights some of their discoveries, and shows what it takes for scientists to operate in one of the least hospitable places on Earth, which, as it turns out, played a key role in the evolution and migration of the planet's vertebrates, including mammals.

«It shows that inevitably, all composers play to the gallery, and I think it has underestimated the power that the gallery exerts on cultural evolution,» he says.

The movement of fabric and the play of light on material inspired my look to tour the National Gallery in Trafalgar Square between fashion week events.

With no peanut gallery of kids on hand, Chuck played to his crew and kept them chuckling non-stop.

Tony is pretty much an everyman character going about his daily business when he happens to see what he sees, which leads to one of Argento's more memorable set pieces as Tony is trapped between the two glass doors of the art gallery, unable to help the victim inside who is bleeding on the floor and unable to escape outside to fetch help, and his and Julia's situation and relationship is played out in a very natural way, the scenes in their apartment with just the two of them interacting being as integral to the plot as the more violent scenes.

On a whim, he declares that he painted the children with the oversized eyes, and the lie spirals out of control until the paintings become a revolutionary, multi-million-dollar industry (much to the chagrin of an art critic played by Terence Stamp and a gallery owner played by Jason Schwartzman — two amusingly droll performances).

Emerging from the fantasy of childhood is seen in the opening moments, where Sandrine Bonnaire's 16 - year - old coquette Suzanne takes time out from rehearsing a play at a teen summer camp to «perform» for a gallery of male on - lookers.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Christina and Aran joined us at our studio in OCAD U's Graduate Gallery to talk about the film, which played in the 2013 Toronto International Film Festival's City to City programme, focusing on Athens - related film.

This film is not an appropriate way to wrap your head around the depth of incompetence and greed at play in U.S. Military's halls of power and the rogue's gallery of shysters that feed on America's endless wars.

In the past few weeks, we've seen Randi play to the peanut gallery on numerous reform efforts.

Although Windows warned us that the files were not designed to work on the tablet, most of our video test files played back just fine using the integrated Gallery app, all apart from a fairly challenging 1080p x264 MKV sample — including DivX, Xvid and a number of MKVs.

• Big Island, HI: Get a lomilomi massage at Four Seasons Resort Hualalai • Big Sur, CA: Stop along the Pacific Coast Highway at Redwood Grill • British Columbia: Heli - ski over the Bugaboo Mountains • Charleston, SC: Stroll the city's private gardens • Chicago: Tour architectural landmarks • Churchill, Manitoba: Get face - to - face with polar bears • Houston: Admire art at the Rothko Chapel • Jackson Hole, WY: Go fly - fishing • Las Vegas: Drive a Ferrari at the Las Vegas Motor Speedway • Los Angeles: Spend a night out celeb - spotting • Maine: Devour the ultimate lobster roll at Clam Shack • Miami: Learn to salsa at Hoy Como Ayer • Montreal: Take a comfort food tour • Na Pali coast, Kauai: Hike the Kalalau Trail • Napa Valley, CA: Eat and play like a local • New Orleans: Hear jazz at Preservation Hall • New York City: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa Grove

On May 4, 5 & 6th, the members of the Cannon Beach Gallery Group invite you to play along the shores of Cannon Beach and in the varied and beautiful galleries of our town.

Whether you choose to fish from the wharf at Riverview's front door, play golf at Port Fairy's renowned links golf course, enjoy the beaches and ambience of this charming fishing village where more than 50 buildings have been listed by the National Trust or explore the shops, galleries and restaurants then Riverview on the Moyne is the place for you to stay.

As you complete Quick Play or Weekly Brawl games, you earn EXP to gain levels & receive loot boxes that unlock vanity customization options (including voice packs) available in the Hero Gallery on the main screen.

Tony Greene Movie (2014 — 16) similarly explores the blurry work - play balance of artistic labor via a visit to New York by Neff's boyfriend that coincides with the planning and execution of Neff's curatorial project focused on the painter Tony Greene at a Chicago gallery.

In your new show at James Cohan Gallery, «Surface Tension,» color seems to play a more important role in your work than ever, and you have apparently shifted your focus from depicting abandoned homes — a recent series that you described as deliberately «mundane and ugly» — to taking on nature.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

MARQUEE PROJECTS is a contemporary art gallery and a project space where curators get to thematically play and foster aesthetic conversations.In both, MARQUEE PROJECTS focuses on art that tends to push boundaries in material or medium.

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

The gifted works range from early creations such as Discourse on a Chair (1985), which was only recently rediscovered, to his latest works — More Sweetly Play the Dance, which was recently shown at Marian Goodman Gallery in London and is discussed in this interview with the artist.

Paul McCarthy is said to be almost fanatical playing every day at his home in Los Angeles, and his set on display at the Saatchi gallery has bizarrely random things plucked from his kitchen as pieces.

Local writers Nicole Stodard, Jessica Farr, and Matt Stable have selected works from the exhibit as a launching point for a series of one - act plays to be presented within the galleries of Girls» Club on Saturday, January 31 from 6 - 10 pm.

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico

The limited edition print Damned Youth (2011) was produced by Wilhelm Sasnal exclusively for the Whitechapel Gallery and the title plays on the fleetingness of youth, alluding to the artist's experience of looking back at twenty years of working as a painter.

BASIC FACTS: «Marcia Marcus, Role Play: Paintings 1958 - 1973» is on view October 12 to December 2, 2017 at Eric Firestone Gallery, 4 Great Jones Street, # 4, New York, NY 10012.

Oscar Murillo is now considered an established artist — and David Zwirner is currently presenting Murillo's first exhibition at the gallery in London — titled «Binary Function», which refers to the pairings that permeate the artist's multifaceted practice; with multiples that play against one another to create a dialogue that the exceeds individual objects, with another chance to step on the artist's work!

Something blurry plays out silently on video, and it takes patience (or the wall label) to realize that Vito Acconci lay under a gallery floor, jerking off.

For his New York exhibition, Althamer has arranged for street musicians to play in front of the New Museum building on the Bowery over the course of the show with the music being broadcast throughout the Third Floor gallery.

It makes for a fun guessing game, but also puts all the artwork on an even playing field, whether you show at a blue chip gallery or just graduated from art school... you don't know who you might be showing next to or who's art collection you might end up in!

SARA NIGHTINGALE GALLERY - «Yuliya Lanina: Play Me» and «Dalton Portella: Shark Room» has an Opening Reception on Friday from 6 to 8 p.m..

In adjoining galleries, other films are played on monitors that have headphones, making it all the more apparent how important the unique soundtrack is to each work.

«Throughout history, art has always played a significant role when it comes to representing the sentiments of the populace,» noted curator Indira Cesarine, who, along with the gallery staff and show participants, will be joining this year's Women's March on Saturday.

The Gallery's exhibitions have played a significant role in highlighting the achievements of artists historically marginalized in the mainstream art world due to both active and passive discrimination on the basis of race and gender.

A cover of Deep Purple's hit «Smoke on the Water» plays throughout the gallery, in a recording where the drummer happens to be an Iraqi archaeologist dedicated to recovering lost patrimony of his home country.

The reason he had paid to have a jet fuselage hauled from Arizona to eastern Long Island was revealed fully only last Friday with the opening at his small gallery of an unusual exhibition called «Nose Job,» a group show that at first glance seems to be playing on Hamptons plastic - surgery predilections.

For the public symposium keynote address given on November 18, 2016, in conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971 at the National Gallery of Art, Pamela M. Lee revisits the history of the Dwan Gallery as a negotiator of two distinct but converging art cultures and the formative role Virginia Dwan played in bringing them closer together.