Sentences with phrase «played at film festivals»

«Momo: The Sam Giancana Story» has played at film festivals and won two awards — best doc at the Hollywood Reel Independent Film Festival (which runs through Dec. 12) and the jury award for best doc at the Bel Air Film Fest in October.
This played at film festivals all last year and is opening in theaters this June, which is great news because I've been waiting to see this.
Piano is an animated short film that first played at film festivals throughout 2016 before arriving online recently.
The film already played at a film festival last year and arrives in theaters this February, for anyone curious about it after checking out the trailer.
Paramount has debuted another official trailer for Alexander Payne's Downsizing, which has been playing at film festivals over the past few months.
Her two short films, Boneshaker (2013) and Afronauts (2014), both premiered at the Sundance Film Festival and went on to play at film festivals including the Berlinale, Telluride, and SXSW.

Not exact matches

After playing at a couple of Canadian film festivals last fall, Defendor came to just three North American theaters (four in its second week) for fourteen days of quiet exhibition this past February.
Other films that are definitely worth checking out that played at TIFF (and other festivals): Adam Wingard's rapturous and playful The Guest, Palm d'Or winner Winter Sleep, latest from master filmmakers Jean - Pierre and Luc Dardenne Two Days, One Night, 3 and a half hour epic Li» l Quinquin, harrowing street life portrait Heaven Knows What, ambitious and transcending Jauja, and Mike Leigh's exemplary Mr. Turner.
Plenty of actors have more than one film at Toronto, but this year Denis Villeneuve joins the elite group of directors to have two films play the festival.
The suave looking man in the dark shades in the photograph is Marcello Mastroianni from Federico Fellini's film 8 1/2, which played at the festival back in...
The Cleanse previously played a few film festivals under the title The Master Cleanse, with mixed results (it currently sits at 78 % on Rotten Tomatoes).
Below are some of the biggest trends shared between the 70 feature - length films playing at the festival this year.
Several other films that have been building steam on the festival circuit will play at the festival as well.
It's become something of a film festival truism that certain movies play better at high altitudes.
Landon directed two short films that together have played at more than 60 festivals around the world.
Sure, they play well at midnight screenings at film festivals in front of rowdy, half - drunk crowds.
I recently attended a press screening of the indie sci - fi film, Europa Report, which is playing at the festival.
I am so happy to hear the film is getting a wide release after playing at numerous film festivals and receiving extremely positive reviews.
Otis at Monterey, with uncompressed stereo soundtracks Alternate soundtracks for all three films featuring 5.1 surround mixes by recording engineer Eddie Kramer, presented in DTS - HD Master Audio Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, Buffalo Springfield, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, the Electric Flag, the Grateful Dead, Jefferson Airplane, Al Kooper, the Mamas and the Papas, the Steve Miller Blues Band, Moby Grape, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentaries from 2002 featuring Pennebaker, festival producer Lou Adler, and music critics Charles Shaar Murray and Peter Guralnick New interviews with Adler and Pennebaker Chiefs (1968), a short film by Richard Leacock, which played alongside Monterey Pop in theaters Interviews from 2002 with Adler and Pennebaker and with Phil Walden, Otis Redding's manager 1987 interview with Pete Townshend on Monterey and Jimi Hendrix Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby Photo - essay by Elaine Mayes Festival scrapbook Trailers and radio spots PLUS: A book featuring essays by critics Michael Chaiken, Armond White, David Fricke, Barney Hoskyns, and Michael Lydon
Paul Schrader's «First Reformed,» which premiered at Venice and played the Telluride and Toronto film festivals, took home MFF's Fiction Feature prize.
The film already premiered at the Göteborg Film Festival earlier this year, and is playing at a few other festivals this summer as well, including OutFest in July.
This drama about a young mother and her 5 - year - old son held prisoner by a sexual predator has been collecting audience prizes at just about every film festival it has played, including the bellwether People's Choice Award at Toronto.
«You don't need to go ride today...» Sony Classics has debuted the second official trailer for the phenomenal film The Rider, which premiered at last year's Cannes Film Festival and played at every other major film festival - Telluride, Toronto, Sundance.
«Sometimes dreams aren't meant to be...» Sony Classics has finally revealed the trailer for the phenomenal film The Rider, which premiered at last year's Cannes Film Festival then played at every other major film festival - Telluride, Toronto, even Sundance this January.
Notably, as a competition film at this year's festival, «Happy as Lazzaro» would not have been able to play at Cannes if Netflix had acquired it prior to Cannes.
Agnes Varda, director of «Visages Villages (Faces Places),» which many considered the best film at this year's Cannes festival, where it played out of competition, received the Silver medallion from Telluride in 1977 (the fourth year of the Festival).
The film has played at several film festivals.
It seems as if nothing with George Miller's «Mad Max: Fury Road» is as it should be: It's a relentless action movie that played at one of the world's most prestigious film festivals.
Indeed, it is still struggling for release in a number of international markets, and at the date of writing seems destined to play film festivals in Australia before making its way to DVD.
Usually the victory laps that play out on the stage of the Academy Awards are kicked into motion as early as a year prior to the ceremony, when a film, say, premieres at a festival and the media's whipped - up buzz incentivizes a studio to get to work on an awards campaign.
The second film I saw at the festival and its wondrous cinematography, resonant performances, and an organic direction that plays right into my wheelhouse; Mr. Turner proves that Leigh can tackle the tricky genre of the biopic better than, well, anyone I've ever seen.
French filmmaker Philippe Garrel's Lover For a Day heads to theaters after playing at the New York and Chicago film festivals this fall, while Cohen Media Group is opening Lebanon's The Insult, which is shortlisted in the foreign language category.
For all of its innumerable pleasures, however, The Forbidden Room can feel like too much of a good thing — premiering at Sundance, Maddin's latest plays like a robust film festival unto itself.
Loving is the writer - director's second film playing at a major festival in 2016.
This played at numerous film festivals and will be released in early 2018, after the Oscar nominations are announced.
It can be a joke, but it plays into what I was saying before: these filmmakers go to festivals, and those are the types of films that are bought and that you see at the major festivals.
, which premiered at the Sundance Film Festival last year (in 2017) before playing at a few other film festivals.
That's one reason why I was impressed by a film that may not have come on your radar yet, although it has played at various American festivals — Life and Nothing More, by Antonio Mendez Esparza, a Spanish director working in the U.S.. It's the Florida - set story of a mother - son relationship, about a teenage boy going through problems at home and at school, and his mother, who keeps their household together through a series of diner jobs while dealing with the attentions of a fond but potentially troublesome suitor.
«How I Live Now» Before every film at TIFF this year, the festival played a trailer in which a bunch of people use the line «We'll get through this!»
I was horrified when a valued colleague and friend at the Village Voice recently gave her blanket endorsement to Miramax's recutting two pictures that played at the New York film festival, Billy Bob Thornton's Sling Blade and Chen Kaige's Temptress Moon, approving both new versions before she even saw them.
The ever watchable Kathryn Hahn plays Chris, a director with a film about to show at the Venice film festival, who makes a short trip to Marfa with her husband, Sylvere (Griffin Dunne), an academic whose subject is the Holocaust.
Introducing itself to the world at the 2015 Sundance Film Festival and creating substantial buzz in film festivals the world over before opening in an elite listing of American cinemas in July, Sean Baker's fifth feature plays out with genuine emotion and manifests as an eye - opening day - in - the - life of two transgender sex workers on the streets of Los Angeles.
«Let's just let this whole affair be simple...» Sony has released the full official trailer for Alex Ross Perry's Golden Exits, which played at numerous film festivals throughout 2017 and is just now hitting theaters in February of 2018.
Keira, 29, plays his fellow code - breaker and one - time fiancee Joan Clarke, and both were on the red carpet before the film's screening at Odeon Leicester Square in London, where the festival kicked off.
2017 marks my seventh year at SXSW and just like in the past, I wanted to make a list of my most anticipated films playing or premiering at this year's FILM festival.
Born to Be Blue suffers from the fact that Don Cheadle's Miles Ahead is also playing at the SXSW film festival.
I would have gone to see this movie at its premiere, but it conflicts with Baby Driver which is the World Premiere screening of the latest Edgar Wright film that will only be playing once at the festival.
Premiering tomorrow night at the Midnight Madness portion of the film festival is Makinov's Come Out and Play, a Mexican remake...
These are all films that either first played in cinemas in the US in 2015 or that I saw at film festivals in 2015.
Having already played at a number of film festivals (most notably Cannes) and opening in other countries prior to its U.S. release, reactions to the movie have been extremely positive, although it's still hard to tell whether it will appeal to a mainstream audience.
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