Nate Lowman has dropped his facade of hyper - cool to cover a wall with big
playful paintings shaped like leaves or flowers; it's quite startling, in a good way.
Not exact matches
She expresses her compassion in
playful compositions of acrylic
paint, mixed media and resin on canvas, balancing organic
shapes, while often masterfully incorporating delicate ink drawings.
Nearby, at Galerie Richard, Armleder's abstract
paintings grasp sparkling,
playful shapes in thickly impastoed surfaces.
Energetic,
playful and a bit coarse, James's
paintings are a nose - dive into a calamitous, crude world of
shape and movement.
Part of her Homes series, which includes acrylic
paintings on paper illustrating a «utopian view of the concept of home», the illustrations offer
playful, geometric
shapes, vibrant colours and a strong contrast of light and shadow.
Mr. Motherwell's work ranged from a series of brooding abstract
paintings known as «Elegies to the Spanish Republic» — whose obsessive theme roughly took the form of oval
shapes confined by vertical bars — to elegantly
playful collages contrived from scraps of music, stamps, tobacco labels and other ephemera.
She uses materials with cavalier abandon, and her
paint handling is loose and
playful and incorporates a variety of techniques such as painterly monotype backgrounds, fluid
shapes, lyrical gestures, and impasto.
In the recent
paintings, the
shapes and lines of his previous works are extended into increasingly dazzling, and
playful, compositions.
There's a roughness about the
paintings, made on unevenly
shaped board, blankets and hessian, that lends an authenticity to Penck's voice, as do the
playful sculptures, made with aluminium foil, bottles and jars, cardboard and Sellotape.
Cubist
paintings such as Pablo Picasso's Les Desmoiselles d'Avignon (1907) and Marcel Duchamp's Nude Descending a Staircase No. 3 (1912) use geometric
shapes as
playful and haunting references to the organic
shapes of the human body.
For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that takes
shape from key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a
playful sensibility and through a variety of media: 16 mm film,
painting, sculpture, drawing, photography, and a laser - light installation.
For his first solo show in the U.S., the German Hurzlmeier presents a new series of
paintings in his distinct,
playful style — figures and faces crafted using angular
shapes with rounded edges, all in eye - popping hues.
Stilleben 28 (2009/11) is an example of Scheibitz's
playful ambiguity: the viewer is uncertain whether the central figure is an abstract
shape or a mimetic
painting of an abstract sculpture.