Not exact matches
For example, Shurlock told me of his experience with George Cukor's Two - Faced
Woman (1941), in which Greta Garbo
played twin sisters, one
evil and one good.
Mine, for example is a
play on the 1950's movie «Attack of the 50 foot
Woman» while taking a poke at the Mormon practice of wearing «magic undergarments» to protect them from
evil.
In that movie, Bela Lugosi
plays an
evil sorcerer who promises to turn a
woman into a zombie so that her spurned lover can control her forever, presumably as a mindless sex servant.
Gershon is the only
woman in the movie who
plays any kind of active role in the story, and hers is both tiny and
evil.
«Alexander» begins with Olympias (his mother,
played impressively by Angelina Jolie) doting on her little son that soon begins to take on an incestuous and almost
evil shape with the
woman teaching the little boy how to handle snakes.
by Walter Chaw Three short films about three
women and the men who mistreat them, Rebecca Miller's DV triptych Personal Velocity: Three Portraits is a fine - looking film that
plays a little like Catherine Breillat - lite — a series of iterations of Yeats's «Leda and the Swan» that suggest the
evil that men do to
women only makes
women stronger.
Adapting (loosely) Steve Gerber's foul - mouthed mallard of the same name, the film sees Howard, a Duck from a duck world, transported to our human world to fight off an inter-dimensional
evil and, along they way, fall in love with a beautiful
woman played by «Back to the Future's» Lea Thompson.
Jenkins and co present a wealth of awesome
women, of course (Lucy Davis is great, as are many Amazonians
played by Connie Nielsen, Robin Wright, and Lisa Loven Kongsli as well as Elena Anaya's
evil Dr. Maru), but there's also juicy roles for Danny Huston, David Thewlis, and Ewen Bremner.
Horror icon Boris Karloff — who had already
played Frankenstein's Monster the year before —
played Imhotep, an
evil ancient Egyptian priest who rises from the dead when his grave is disturbed and pursues a
woman whom he believes is the reincarnation of his ancient love.
Meiko Kaji
plays the evangelical Scorpion, who functions more like a symbolic angel of death in the face of men who are
evil to
women.
While the Fuhrer and Mein Kampf
play integral parts, illustrating the use of words for
evil, the emphasis is on the struggle of the common man (and
woman) to do the right thing in a dangerous environment.
These three daring young
women will
play their parts in the war to defeat
evil and save the human race.
Ain't I A
Woman (Keri), 2009, pairs Thomas» finished portrait with a behind - the - scenes video of the titular figure bending over, curving her back, and pouting her lips while Eartha Kitt's «I Want to Be
Evil»
plays in the background.
«Tiempo de brujas» or «Witch Time» consists in a series of allegoric and surrealist portraits of
women that express Sara Sanz fascination with dualities characteristic of her artistic production, between the naïve and the
evil, the friendly and the sinister, in this case highlighting the dichotomy between magic and the demonic aspect inherent in witchcraft and
playing with the prejudices connected to it.