Sentences with phrase «playing to the gallery as»

Not exact matches

As Jonas Barish points out in his sharply observed monograph The Anti «Theatrical Prejudice (1981), terms such as theatrical, operatic, melodramatic, and stagey tend to be hostile or belittling, as do phrases like play «acting, putting on an act, making a scene, making a spectacle of oneself, playing to the gallery, and so fortAs Jonas Barish points out in his sharply observed monograph The Anti «Theatrical Prejudice (1981), terms such as theatrical, operatic, melodramatic, and stagey tend to be hostile or belittling, as do phrases like play «acting, putting on an act, making a scene, making a spectacle of oneself, playing to the gallery, and so fortas theatrical, operatic, melodramatic, and stagey tend to be hostile or belittling, as do phrases like play «acting, putting on an act, making a scene, making a spectacle of oneself, playing to the gallery, and so fortas do phrases like play «acting, putting on an act, making a scene, making a spectacle of oneself, playing to the gallery, and so forth.

This lack of professionalism is exhibited in wanting to play to the gallery at home so as to impress the fans.

If indeed Henry wants to justify his job as a pundit he should apply objectivity rather than playing to the gallery.

According to the Tamale North lawmaker, the Finance Minister came to Parliament to play to the gallery, as the issues he responded to were never part of the motion which summoned him to the house to provide full disclosure on the controversial bond.

As the coalition takes steps to restore our civil liberties, Labour will have more motivation than ever to play to the tabloid gallery and take a populist, authoritarian stance.

According to him, a time will come when NPP members of will see him as someone without credibility because they have themselves pushed him to play to the galleries to endanger his political future.

He seeks to play to the gallery with the meaningless statement that «the pound is as much Scotland's as the rest of the UK».

So perhaps it is no surprise that he, as a perennial darling of the Liberal Democrat conference, is eager to play to the gallery.

«A situation where the Senator representing Niger East Senatorial District, David Umoru politicized the killing in Niger state is a disservice to the country as any political gain from playing to the gallery would be short lived and could potentially come to haunt the state.

This gallery highlights some of their discoveries, and shows what it takes for scientists to operate in one of the least hospitable places on Earth, which, as it turns out, played a key role in the evolution and migration of the planet's vertebrates, including mammals.

Many couples Iâ $ ™ ve counseled fall into a rut of using food as their primary way of spending time together — going out to dinner, or for ice cream, ordering pizza, making brunchâ $ ¦ Try mixing things up and plan activities that don't revolve around food (go to a play, art gallery or museum, or do something active, like hiking, biking, or indoor rock climbing), or involve healthy eating (visit a farmerâ $ ™ s market instead of a food court).

Real - life stuntwoman Zoe Bell (who doubled for Uma Thurman in «Kill Bill» and Lucy Lawless in «Xena: Warrior Princess») and Tracie Thoms (whose role would have been played by Pam Grier or Samuel L. Jackson in any other movie) deliver great performances throughout their half of the film, but it's Kurt Russell who walks away with «Death Proof» as Stuntman Mike, yet another excellent addition to his rogue's gallery of classic characters.

If something awesome happens while you are playing, holding the Capture button will save the last 30 seconds of gameplay and add it to your Gallery — you can then edit and trim the footage as you wish before posting it to Facebook or Twitter.

Tony is pretty much an everyman character going about his daily business when he happens to see what he sees, which leads to one of Argento's more memorable set pieces as Tony is trapped between the two glass doors of the art gallery, unable to help the victim inside who is bleeding on the floor and unable to escape outside to fetch help, and his and Julia's situation and relationship is played out in a very natural way, the scenes in their apartment with just the two of them interacting being as integral to the plot as the more violent scenes.

As you play, you'll unlock additional modes and gain credits that can be used to unlock gallery items such as artwork, information, and «EX Options»As you play, you'll unlock additional modes and gain credits that can be used to unlock gallery items such as artwork, information, and «EX Options»as artwork, information, and «EX Options».

Perfectionists and hardcore Berserk fanatics might enjoy completing the gallery but I imagine everyone else would be satisfied merely finishing the story mode as there's little incentive to keep playing afterwards.

In Scott Pilgrim, a song plays immediately after Knives Chou says «I've never kissed a boy», and in Hot Fuzz, there is a song playing as Danny and Nichoarse make there way to the shooting gallery at the carnival.

While some may appreciate having early access to the majority of the game's content, I personally found that this reduced the game's lifespan rather dramatically — while MvC2 would slowly unveil new characters to use as you played, the only thing I have left to unlock are gallery materials such as ending artwork and character models.

As you complete Quick Play or Weekly Brawl games, you earn EXP to gain levels & receive loot boxes that unlock vanity customization options (including voice packs) available in the Hero Gallery on the main screen.

(As a kid) go to the Shooting Gallery and play the mini game.

The interesting thing about the points is that the game allows you to use these points as currency to unlock images and artwork from the games gallery, which I found to be a lot more interesting than just playing through the main story to unlock them.

As an ex-CVG-er, I'm sure you'll remember the picture galleries that had one page per picture, or the «vote for your favourite games» articles that, for a long time, required you to hit «skip this» to get through the majority of the games — unless you're a mindless fanboy who will gladly downvote any game you haven't played.

In your new show at James Cohan Gallery, «Surface Tension,» color seems to play a more important role in your work than ever, and you have apparently shifted your focus from depicting abandoned homes — a recent series that you described as deliberately «mundane and ugly» — to taking on nature.

For the duration of the Biennial this spring, she plans to temporarily relocate across the country to the Whitney, where she will publicly occupy its galleries using «the space as a studio, making new work, having studio visits, and playing music,» she says.

Hung so as to face out into the street, they play against commercial galleries selling populist images: they are whimsical but little more.

To highlight the importance of exchange for Rauschenberg, this exhibition is structured as an «open monograph» — as other artists came into Rauschenberg's creative life, their work comes into these galleries, mapping the play of ideas.

The gifted works range from early creations such as Discourse on a Chair (1985), which was only recently rediscovered, to his latest works — More Sweetly Play the Dance, which was recently shown at Marian Goodman Gallery in London and is discussed in this interview with the artist.

This exhibition features a new spatialization of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which he rearranges Arnold Schoenberg's «Verklärte Nacht» [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

Paul McCarthy is said to be almost fanatical playing every day at his home in Los Angeles, and his set on display at the Saatchi gallery has bizarrely random things plucked from his kitchen as pieces.

This exhibition features a new spatialisation of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which the artist rearranges Arnold Schoenberg's Verklärte Nacht [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

Local writers Nicole Stodard, Jessica Farr, and Matt Stable have selected works from the exhibit as a launching point for a series of one - act plays to be presented within the galleries of Girls» Club on Saturday, January 31 from 6 - 10 pm.

The limited edition print Damned Youth (2011) was produced by Wilhelm Sasnal exclusively for the Whitechapel Gallery and the title plays on the fleetingness of youth, alluding to the artist's experience of looking back at twenty years of working as a painter.

From Motherwell to Hofmann: The Samuel Kootz Gallery, 1945 - 1966 is the first exhibition that examines the critical role Kootz (1898 — 1982) played in establishing modern American art as an international force.

«These sitters dominate the front of their settings, as if playing to the galleries, while behind them various details suggest activity in the backgrounds,» Rudolph and Soltis write.

These questions hover at the back of my mind as I stand in the audience that has turned up to listen to Lucas talk, at the launch of Sarah Lucas — After 2005, Before 2012, a new catalogue of her work since 2005, in an improvised gallery space upstairs from Lucas's London gallery, Sadie Coles, which has played host to a series of shows by Lucas for the last 12 months, all but one under the headline title Situation (which is also the name of the space).

Meanwhile, the artists associated with Alfred Stieglitz and his «291» gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art.

Naama Tsabar's sculptures reference minimal structures, most notably Robert Morris» felt works from the late 1960s and early 1970s; Tsabar's objects, however, double as instruments to be played by the artist and fellow musicians during live gallery events.

These reels exist as mixes — combinations of various sounds by a number of authors that play constantly during the gallery's opening hours, corresponding to a cycle of human consistency.

It appears to be no accident that the San Francisco Museum of Modern Art gallery in which The Clock plays through June 2 is a darkened theater, evoking something of what I imagine as the hushed, almost religious, original cinema experience.

Its inviting Dadian Gallery serves as a meeting place for both contemplative reflection and communal celebration, playing host to compelling one - of - a-kind shows and spiritually themed exhibitions.

For the public symposium keynote address given on November 18, 2016, in conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971 at the National Gallery of Art, Pamela M. Lee revisits the history of the Dwan Gallery as a negotiator of two distinct but converging art cultures and the formative role Virginia Dwan played in bringing them closer together.

He stuck to this phrase throughout his life, meaning not that art is uninfluenced by society, but that it can not be used as a tool within society, that once an artist begins to play to the gallery his work descends to propaganda or pot - boiling.

For their exhibition in the South London Gallery's (SLG) new galleries in The Matsudaira Wing, they present a group of new and recent works to establish a commentary on ideas of urban play as a utopian pursuit.

Blue Rain Gallery, Santa Fe: In his exhibition title, the artist martin spei introduces his viewers to the concept of tramoya, defining the Spanish term as «various leftover stage props and devices that may or may not be seen as detritus by the next play's crew when they...

As this Long Island - native's first solo showing at the downtown Los Angeles gallery, the seemingly commonplace images seen here feature an ominous energy, forcing the viewer to play detective and piece together Lifson's cryptic narratives.

With a tightly packed black and white painting gracing the inside of the gallery, its surface dons notable quotes such as «Trying to be OK with being OK», the painting is a road map of charming illustrations and approachable word play.

Sunset Park's Liberty View Industrial Plaza played host to a diverse art event as Beyond at Liberty View, 850 Third Avenue, partnered with non-profit Trestle Gallery for its Spring Art Event and Open Studios.

Biswas creates a futuristic sensorial drift through the gallery, casting the listener as a post-human participant cognitively fused to the audio, while the Tate Boat segment is a mix of songs, monologues and interviews fading in and out against an assortment of oceanic soundscapes: a blend of anecdotes and simulated acoustic spaces, pitched somewhere between experimental radio documentary (eg Glenn Gould's The Idea of North) and radio play (eg Radio 4's production of The Hitchhiker's Guide to the Galaxy).

SPACE Gallery's Kindling Fund is the first of these re-granting initiatives to be administered as a state - wide program, playing a crucial role in the greater contemporary art ecology of Maine.

In the gallery, the sculptures create imperfect angles as they play against the corners of the room; cut - out circles are set against a large glass window; steel tubes seem to mirror pre-existing light fittings.